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6,7/10
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Ajouter une intrigue dans votre langueSecond-generation Irani-German Parvis works at a refugee shelter where he meets brother and sister Irani refugees and develops a tenuous romance with Amon as his friends attempt refugee stat... Tout lireSecond-generation Irani-German Parvis works at a refugee shelter where he meets brother and sister Irani refugees and develops a tenuous romance with Amon as his friends attempt refugee status.Second-generation Irani-German Parvis works at a refugee shelter where he meets brother and sister Irani refugees and develops a tenuous romance with Amon as his friends attempt refugee status.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 7 victoires et 11 nominations au total
Mashid Shariat
- Parvis' Mutter
- (as Mashid)
Nasser Shariat
- Parvis' Vater
- (as Nasser)
Katarina Gaub
- Ärztin
- (as Katharina Gaub)
Avis à la une
Just randomly watch this film cause it win teddy award, i can tell the reason why. It'd been well filmed, with quite slow but special plot, which i know that suite perfectly for the best featured film, if you looking for some entertain or rom-com movies, this is not for you, but it really worth watching, you not gonna boring seeing this. This is not a coming out or another need-to-be sorrow gay movie, it comfort, warm and beauty.
The title of my review is because it's not only a gay movie but it talks about so many things at a time. The belonging, freedom and cultural diversity and especially in a refugee center. The guys are super handsome and there is so much of depth. It's a bit longer and 10-15 minutes could have been shorter.
The themes in this film are well known to me. I live in a Muslim country so I know the attitudes towards gay men that are overtly displayed in contradiction to the enormous prevalence of secret man on man action that is often carried out by the very same guys who are being so disparaging. I also worked with refugees for some years in the nineties in the UK and have seen the crushing of spirits caused by refusals of asylum applications.
Parvis and Amon make a handsome couple but their relationship is shot through with the discrepancies mentioned above. Amon dare not let his mates know what's going on. His sister is fine with the issue as are Parvis's parents.
The scenes of birthdays, parties, clubs, young life are all what we would see any young people enjoying. These youngsters just want the freedoms we have in the West and that are denied to them in their own country. They would be assets to Germany. Indeed, Parvis is, as he has a German passport.
I found the dialogue, even from the more minor characters, to be totally appropriate and relevant.
However, coming through all this is a nostalgia for "back home". As an emigré, I have it. How much stronger it must be for those forced to leave for whatever reason.
This was ninety minutes I certainly didn't regret in the slightest.
Parvis and Amon make a handsome couple but their relationship is shot through with the discrepancies mentioned above. Amon dare not let his mates know what's going on. His sister is fine with the issue as are Parvis's parents.
The scenes of birthdays, parties, clubs, young life are all what we would see any young people enjoying. These youngsters just want the freedoms we have in the West and that are denied to them in their own country. They would be assets to Germany. Indeed, Parvis is, as he has a German passport.
I found the dialogue, even from the more minor characters, to be totally appropriate and relevant.
However, coming through all this is a nostalgia for "back home". As an emigré, I have it. How much stronger it must be for those forced to leave for whatever reason.
This was ninety minutes I certainly didn't regret in the slightest.
10maxxiehg
This film is genuinely the most important piece of cinema of our generation. Germany needs this movie more than anything else on screen. I saw this movie three times, because so many of my friends needed to see it. Most of us are immigrants and refugees who have never seen ourselves represented on screen in such a careful and brilliant way. We are touched, moved and inspired by this work.
I would even go so far as to say that this film is more important than Call Me by Your Name.
There are numerous aspects with which many more people can relate to than I had originally expected, which is the true strength of this film. The directors intent was to bring queer immigration stories to the mainstream screen, which is incredibly ambitious and I think he succeeded, even though I did have the feeling that there were several aspects such as relationships with the family that could have been played out a little more. However, this only makes me look forward to his future works.
I would even go so far as to say that this film is more important than Call Me by Your Name.
There are numerous aspects with which many more people can relate to than I had originally expected, which is the true strength of this film. The directors intent was to bring queer immigration stories to the mainstream screen, which is incredibly ambitious and I think he succeeded, even though I did have the feeling that there were several aspects such as relationships with the family that could have been played out a little more. However, this only makes me look forward to his future works.
I wasn't sure what to expect when I first watched this but thinking back on it in it was a actually a really good film in all that it presented. The acting was good, it had a good story and it came off pretty authentic for the most part. It's a film I would watch again.
Le saviez-vous
- AnecdotesThe parents of Parvis (the protagonist of the film) are played by the parents of writer/director Faraz Shariat.
- ConnexionsReferences Gute Zeiten, schlechte Zeiten (1992)
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- No Hard Feelings
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 32min(92 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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