Maze of Fate

"Live and Die in East LA" is a gritty, modern-day crime noir that authentically captures the underbelly of East Los Angeles. Directed by Attila Korosi, the film stands out for its creativity, action, and engaging storyline. The narrative is deeply rooted in the concept of choices and their consequences, which cleverly parallels the journey of a caterpillar navigating through a forest-symbolizing the varying options and crossing paths of life.

At its core, the film delivers a powerful message about family, survival, and the blurred lines between right and wrong. The commendable performances, particularly from non-professional actors, add a layer of realism to the film. Attila's vision comes to life depicting its harsh realities, including moments of intense violence.

"Live and Die in East LA" is a must-see film that offers a fresh perspective on the crime-thriller genre, and it leaves me eagerly anticipating what Attila will bring to the screen next!

When Attila Korosi gets ahold of the film noir tradition, it comes alive in Live and Die in East LA. Beginning with a caterpillar animation, he lets his aud know there is more to the thrills and violence than usual. He adds the figurative value of showing that drug-dealing and murderous dreams can lead to a moth rather than a butterfly.

As his self-named character, Attila, he leads a band of sometimes dense, and in the case of his sister, Anita, just rebellious, relatives and friends into a labyrinth of drug-dealing to rescue her and learn enough to stay out of trouble for a lifetime.

Despite the gritty hell they descend into as they violently try to survive in a deal that will free Anita, Attila amazingly keeps his crew in a more-or-less benign state because next to the skin-headed, tattoo'd bad boys, they do look like angels. In their misguided sense of righteousness, they are nonetheless canny enough to avoid being murdered, in most cases.

One of the blessings of Live and Die is that unlike in other noirs, Korosi has dialogue that can be heard and shots that can be seen. He has not given into the figurative dark shots and mumblecore speech that often robs the aud of seeing and hearing each frame.

As Korosi marches toward success in the independent, thriller mode, he may very well branch off into the more romantic thriller motif, carrying his caterpillar into the butterfly stage, of say, Affleck's The Town or McDonagh's in Bruges. In any case, he has an independent wi8nner in Live and Die in East LA.

This is a film to watch especially if you were raised in Los Angeles. The way the director created this film was true to real life experiences. I definitely did relate to the story and survival of the characters in the film.

The biggest message that I received watching this film is that family is everything. And the things we do for our family comes from a love so deep that sometimes we loose logic of what's right and what's wrong.

I truly enjoyed this film for its creativity and action. It's really made me wanting more scene after scene. A big thank you to Attila for creating a film that I can relate too.

Live and Die in East LA is a crime-thriller directed by Attila Korosi, who also acts in one of the central roles. There is a fair amount of ambition in this one, despite its small-scale finances and I do have to say that it was considerably better than most movies of such low budget origins. It has some cartoon sequences (which are quite shakily drawn it has to be said) of a caterpillar and its journey through a forest, with various predators and pitfalls along the way. The choices this creature makes is reflected in the main story involving various characters in East L. A. This story is made less straightforward with it reversing every so often and replaying, to show different outcomes to scenarios which hinge on different decisions made by characters in the story. It's a good idea, as it makes what would have been a fairly routine story about people caught up in circumstances into something quite a bit more engaging and interesting; instead, it examines the effect of our choices in life and how they can have a profound impact. Acting performances were good all round with several performers not professional actors at all and more people from the street playing versions of themselves. There are a few visceral moments of violence, with a particularly grim arm chopping sequence and there was some good tension generated in a few key moments as well. It's a very honourable effort overall, and certainly worth checking out for sure.

Attila Korosi's film is a production that competes with those big budget films, those films called super productions. It is a film made with a small budget, but it looks like one of those in which a lot of money was invested. And not because of the special super effects, which abound in those Hollywood productions. Attila's movie doesn't have any special effects, you won't see any explosions or anything like that. Instead, you will see exceptional acting performances, both from some professional actors and from others who are not actors. There are some men in this movie who look fiercer and more convincing than in any other Hollywood gangster movie. And that's not because of the impressive tattoos and the fact that they have shaved heads. No, first of all what matters is the level at which the actors live their characters, the way they speak, the way they look, the body language. Robert LaSardo is the most dangerous looking. Followed by Richard Cabral, Lee Coc and Michael Flores. Cesar Garcia is very believable in the role of the trafficker executed in the bathtub, one of the shocking scenes of the film. Another extremely shocking scene is the one where we see how another trafficker's hand is cut off. Anita Korosi, the sister of the character played by Attila, the one because of whom we see almost everything that happens in the film, is a very sexy presence, especially in the scenes where she appears only in a bathing suit. The film is filmed with great attention to detail. The only thing I would have preferred not to be in the movie are the cartoon sequences. Otherwise, the film is a success.