Parkland: Inside Building 12

Insensitive, totally rude questions, I deeply feel for the victims but the interviewer/director is not the right person who should have done this movie at all.

Asking questions to victims with survivor's guilt like "how do you live with that every day?" is downright stupid and outrageously insensitive. The guy has an emotional IQ of about zero.

The director turned what could have been an important documentary into exploitation at its worst. The gut-wrenching questions to the families and the survivors were absolutely shameful. The 20/20 hindsight and finger pointing clearly show where the director wanted this tripe to go. If you enjoy suffering and the blame game, watch this one. If you don't, watch something else. This film is terrible in every sense.

I highly recommend a warning for individuals who lost someone in a mass shooting be added. There is not currently one and after less than 15 minutes I could watch no more. For those who don't know what it is like this is very educational but for those who have lost someone in this manner a disclaimer should be added because this was damaging to my recovery from grief because I didn't understand how real it would be because there was no opening disclaimer to warn me.

I don't know if I would go as far to call it truly exploitative or disrespectful, but it rides the line at a couple of points (Minn's interviewing style is sometimes a little aggressive though, considering some of the interviewees, for sure).

The other potential issue is the length and the repetition. It's technically not very competent, in terms of how it looks and is cut together, and does get by because of the content and some of the emotional stories recounted... and the fact that I think at its core, it's intentions are ultimately good.

The director used cheap, dramatic questions to provoke sensationalistic answers from victims and witnesses. There's always someone who will exploit tragedy for personal gain. The film does offer interesting perspectives from witnesses, but the directors sensationalistic tactics are deplorable and desperate.