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Writer-director Jane Schoenbrun (I Saw the TV Glow) has set Hannah Einbinder (Hacks) and Gillian Anderson (Sex Education) to lead Teenage Sex and Death at Camp Miasma, their next film for Mubi, which will go into production in British Columbia this summer.

In Teenage Sex and Death at Camp Miasma, the infamous Camp Miasma slasher franchise is getting rebooted yet again. But when the latest movie’s director becomes obsessed with the mysterious, reclusive actress who played the “final girl” in the original film, a whole new kind of slasher emerges from the bottom of the lake.

Plan B is producing. Daniel Bekerman from Scythia Films is exec producing and will provide local production services. Mubi is financing the film and will distribute in select territories, including North America, Latin America, UK, Ireland, Germany, Austria, Benelux, Turkey, India, Australia, and New Zealand, with The Match Factory handling remaining worldwide sales.

Mubi will finance and distribute in select territories Jane Schoenbrun’s next feature film Teenage Sex And Death At Camp Miasma.Plan B will produce the film starring Hannah Einbinder from Hacks and Gillian Anderson from The X-Files and The Crown.

Schoenbrun also wrote the screenplay for their follow-up to 2024 Sundance selection I Saw The TV Glow and 2021 Sundance entry We’re All Going To The World’s Fair.

Production is scheduled to commence this summer in British Columbia.Daniel Bekerman of Scythia Films is executive producer and will provide local production services.

Teenage Sex And Death At Camp Miasma takes place...

“Hacks” star Hannah Einbinder and “The X-Files” legend Gillian Anderson are teaming up to take on a new kind of slasher movie.

“Teenage Sex and Death at Camp Miasma” will mark the third feature from Jane Schoenbrun, whose psychological horror drama “I Saw the TV Glow” became one of the most acclaimed indies of 2024.

Plan B is producing the film, with Mubi financing and to distribute across will distribute in select territories, including North America, Latin America, U.K., Ireland, Germany, Austria, Benelux, Turkey, India, Australia, and New Zealand. The Match Factory is handling remaining worldwide sales.

In “Teenage Sex and Death at Camp Miasma,” the infamous “Camp Miasma” slasher franchise is getting rebooted yet again. But when the latest movie’s director becomes obsessed with the mysterious, reclusive actress who played the “final girl” in the original film, a whole new kind of slasher emerges from the bottom of the lake.

Jane Schoenbrun’s latest feature film “Teenage Sex and Death at Camp Miasma” has been boarded by Mubi, which will finance and distribute the film in select territories.

Newly announced by Mubi on Friday, “Camp Miasma” will star “Hacks” star Hannah Einbinder and “X-Files” star Gillian Anderson, and it will go into production this summer in British Columbia.

Schoenbrun wrote and will direct the film about a director hired to yet again reboot a slasher horror franchise called “Camp Miasma.” But when the latest movie’s director becomes obsessed with the mysterious, reclusive actress who played the “final girl” in the original film, a whole new kind of slasher emerges from the bottom of the lake.

Brad Pitt’s Plan B has also boarded the film and is producing. Daniel Bekerman, who is executive producing, will provide local production services via his Scythia Films. Mubi is financing the film and will distribute in select territories,...

Jane Schoenbrun (I Saw the TV Glow) has set their next feature film, Teenage Sex and Death at Camp Miasma, starring Hacks star Hannah Einbinder and Gillian Anderson.

Plan B Entertainment will produce, with arthouse distributor and streamer Mubi financing and distributing the film in North America, Latin America, the U.K., Ireland, Germany, Austria, Benelux, Turkey, India, Australia, and New Zealand.

The Match Factory is handling worldwide sales on the project.

“I make movies I wish existed when I was a kid,” said Schoenbrun. “Teenage Sex and Death at Camp Miasma is my best attempt at the ‘sleepover classic’: an insane yet cozy midnight odyssey that beckons to unsuspecting viewers from the horror section at the local video store. I couldn’t be more excited to be heading to sleepaway camp this summer with the mad comic genius Hannah Einbinder, the legendary Gillian Anderson, and the daring folks at Mubi and Plan B,...

Some films don't get the attention they should, at first — but eventually, they get the attention they deserve. Martin Scorsese, who is not only an incomparable filmmaker but an important film historian and advocate, recently shouted out a movie that had a humble theatrical run: I Saw the TV Glow, a genre-bending and gender-bending fantasy from trans auteur Jane Schoenbrun. Their film left some critics scratching their heads, but Scorsese has correctly identified it as a production of enormous power and beauty.

I Saw the TV Glow tells the story of lonely teens whose obsession with a creepy kids' show begins to affect their perception of reality. Its reflection on the double-edged sword of extreme fandom and the ambivalent experience of self-discovery for queer youth has attracted fans who feel deeply seen by Schoenbrun's unique vision. However, as Martin Scorsese has proven, you don't need to be a member of...

Thanks to films like Civil War, MaXXXine, Love Lies Bleeding, and the recently released horror hit Heretic, its been a big year for A24, the indie distributor thats long been known to deliver some of the finest movies around. Now, after winning a total of 18 Oscars earlier this year, they can add another accolade to their growing list, as renowned director Martin Scorsese recently had some high praise for director Jane Schoenbruns I Saw the TV Glow.

Released back in May, Scorsese had nothing but good things to say of the movie in an interview with The Canadian Press, calling it "emotionally and psychologically powerful." Starring Justice Smith and Brigette Lundy-Paine, I Saw the TV Glow tells the tale of two friends who bond over their favorite show, The Pink Opaque. Its a beautiful coming-of-age drama mixed with psychological horror that deals with themes of dysmorphia, transgender identity, and the...

I Saw the TV Glow challenges us to question society's reliance on fiction as a coping mechanism for reality. Through the tulpa concept, the film explores the dangers of blurring fantasy and reality in media consumption. Mental illness and isolation play a key role in the characters' descent into delusion and dangerous behavior.

A24 has added to its litany of mind-bending, psychological horror films with director Jane Schoenbrun's I Saw the TV Glow. Schoenbrun is a filmmaker who has been committed to exploring society's relationship with media, especially when taken to the extreme. In an interview with Filmmaker Magazine, they discuss this. "We find ways to insulate ourselves from reality, to live lives dependent on fictions personal fictions, historical fictions, societal fictions, religious fictions," Schoenbrun explains. "This is a coping mechanism I think, and... Theres a sadness and a darkness to this. But does that render life a tragedy?...

“I know how it’s going to end now. I’m going inside the video, through the computer, into the screen.” – Casey, We’re All Going to the World’s Fair.

“What if I really was someone else? Very far away on the other side of the television screen” – Maddy, I Saw the TV Glow.

A tulpa is a mystical concept that’s rooted in Tibetan Buddhism where an imaginary entity becomes real and gains sentience if enough people validate its existence and give it power. It’s an idea that runs rampant in horror, albeit typically with individuals and monsters, rather than planes of existence. Tulpas always involve fiction being brought into reality once they gain enough agency. Humanity has a natural curiosity and appetite for delusion, whether it’s something like Santa Claus or the Tooth Fairy, or a more sinister idea like Slenderman. However, who’s to...

When Jane Schoenbrun was in high school, they spent hours devouring Buffy the Vampire Slayer. Schoenbrun watched Sarah Michelle Gellar play Buffy, who over the course of seven seasons, figures out who she really is — a powerful woman chosen to fight evil forces. And Schoenbrun imagined how they might fit into the show. They saw themselves in everyone, from the wacky pal Xander to the broody vampire Angel to Willow and Tara, a pair of witches in love — gender be damned.

“If you’d told me I could press a button and become a cool,...

I Saw the TV Glow.Jane Schoenbrun understands the cursed records of suburban memory. Their films—A Self-Induced Hallucination (2018), We’re All Going to the World’s Fair (2021), and now I Saw the TV Glow (2024)—construct imagined archives from cultural ephemera, like internet lore, YouTube videos, and television shows. These pieces of world-building distort the concept of the transition timeline—a series of images that tracks the effects of Hormone Replacement Therapy—by undercutting the sincerity of the so-called transition “journey” with displays of disappointment and dysphoria. Whether searching for information about ghosts, ghouls, or gender, Schoenbrun’s characters struggle to self-actualize. In I Saw the TV Glow (2024), the cul-de-sacs are covered in chalk hieroglyphs for a séance with the people we might have been. Around every corner lies a new monster of the week: longing, loneliness, horniness.Other artists have used imagined archives as a way to examine desire, projection, and gender.