Concrete Cowboy

As an African American who grew up in rural adjacent Mississippi (Memphis Metro), went to graduate school in Philly, and currently lives in DC, I appreciated the mash up of so many different worlds in this film, despite the clumsiness of the overall storyline.

Also, Philadelphia is such an interesting and diverse city! I enjoyed learning about the Fletcher Street cowboys, but viewers aren't really given a snapshot into much else in the city except for drugs and violence. That's really a shame considering Philly's amazing food scene, mural arts, rich music tradition, etc.

Well I guess maybe a little bit ... wordplay and jokes aside, this is quite the powerful coming of age story. With social message and issues on the forefront. And quite the performances to boost! And while you sort of expect that from the main man Idris Elba, you might be surprised by his son (in a positive way that is).

But there is another man who doesn't get enough credit for his acting: Method Man! While mostly in smaller roles, his charisma and his acting ability are on a high level and he always helps a movie he's a part of. Of course he is better known as rapper, but that doesn't mean he can't be known for both things. Some people are just gifted like that.

But as I said, this is more about the kid ... and his journey - no pun intended. Really well made drama, with a touch of Western mixed into it (as the title obviously suggests of course).

Who would have thought cowboys in Philly and Black no less? Concrete Cowboy is a small Netflix drama about 15-year-old Cole (Caleb McLaughlin) reconnecting with his estranged cowboy dad, Harp (Idris Elba, also producer), in aging stables of Philadelphia, where a group of cowboys have their horses and their identities. Anyone who loved The Rider will find Concrete Cowboy just as interesting about horses and humans, although Cole is much too underdeveloped in this film to compete with Rider's Brady.

Although the film, based on G. Neri's Ghetto Cowboy (2011), has a generous supply of formula for a coming-of- age melodrama, the film infuses enough reality, including real cowboys to play parts, to make an enjoyable introduction to a culture most of us would never have known. Lenser Minka Farthing-Kohl finds beauty photographing the beautiful animals in the blighted 'hood, especially in sol-mo.

The Fletcher Street Urban Riding Club is like no other, a Philadelphia organization for which the film makes no apology for its preaching about a slice of society ignored by pols and the public in general.

The film travels in formula with Cole initially rebellious and then transformed by the horse experience, Harp going soft on the Cole, ignoramuses threatening the cowboy life, etc., well, you get the idea. What keeps it above average is the measured development overseen by director Ricky Staub, whereby incrementally the story reveals good guys and bad, and the cowboys will ride on.

Like Cole and Harp, the story is about finding peace with loved ones and the world, both of which may guide us to a place called home. Even though the characters are outside the normal pale, they are worthwhile, sometimes talented folk who deserve a break. The fact that they are Black, urban cowboys is fascinating and itself a metaphor for repressed minorities everywhere.

I think that this movie will never be fully appreciated by the casual viewer, because we can't even imagine how these people are living. I really needed to get used to this way of living, just as much as are protagonist. That makes the movie so odd and strange in the beginning, but after we get to see how much these characters care about their horses, I was fully on board. On a technical level, it's fantastic. The score and soundtrack fit really well to the story and the cinematography makes the movie at times look stunning. On an exceptional level however it lacks focus. The concept as a whole is really interesting, but I think the movie focuses too much on the troubling son negative. That storyline has been done so many times now, that it makes it so predictable. The movie is at his best, when the actual cowboys and stables are one screen. They are just so interesting and entertaining. Their way of living and seeing the rest of the world just intrigues me. It's just a waste that it focuses a lot on predictable storylines. But if you can look past the predictability of the movie, there is still a lot to enjoy.

"Alma de Cowboy" lindo e sensível filme no Netflix. Se você, como eu, gosta de cavalos, saiba que existem Cowboys no meio da cidade em Filadélfia! Sim, até hoje! Idris Elba mandou muito bem como ator e produtor desse filme. Super recomendo. Beautiful and sensitive film on Netflix. If you, like me, love horses, know that there are Cowboys in the middle of the city in Philadelphia! Yes, even today! Idris Elba nailed it as an actor and producer for this film. I highly recommend it. #movieslover #netflix.