Ajouter une intrigue dans votre langueA traumatic event forces a recovering addict to face her demons, without her worried fiancé uncovering the truth.A traumatic event forces a recovering addict to face her demons, without her worried fiancé uncovering the truth.A traumatic event forces a recovering addict to face her demons, without her worried fiancé uncovering the truth.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 33 victoires et 31 nominations au total
Avis à la une
Rakefet's passion for filmmaking shines through with every beautiful shot. Love, pain, and longing are ongoing themes in her story work. Boo is no different. With a strong foundation and terrifying plot twist, Boo does not disappoint.
Super well done! The tone of the comedy was perfect. I have seen Rakefet's other short Jax in Love when it played at Nightmares Film Festival in 2017 and knew that whatever she made next was going to be great.
This almost felt like it could find it's home as an episode of the excellent 90s HBO series Tales from the Crypt, where there is some big reveal/twist that changes everything we have seen up to that point. I really miss that show.
It is not easy to wear so many hats from writing, to directint, to producing, and starring in a film.
Whatever is coming up the pike in the future is sure to be great.
This almost felt like it could find it's home as an episode of the excellent 90s HBO series Tales from the Crypt, where there is some big reveal/twist that changes everything we have seen up to that point. I really miss that show.
It is not easy to wear so many hats from writing, to directint, to producing, and starring in a film.
Whatever is coming up the pike in the future is sure to be great.
If you had the opportunity to see Jax In Love, then Boo will feel like a natural progression for Rakefet Abergel. Abergel wrote and stars in Boo, and took up the directorial reins as well. Although Boo is certainly darker than Jax was, both have a similar tone and texture, and a sprinkling of quirky fun. While both have horror elements, and a definite place within the horror genre, they are both deserving of consideration outside of that yoke.
Boo is the story of one evening in the life of Devi. She has just received a 7 years sobriety chip. She's engaged. She's in a good place in her life. But this night is going to challenge all of that.
My favorite scene happens early, outside the just-ended support group meeting. Devi (Abergel), Ava (Parisa Fitz-Henley), and Grace (Laura Wiggins) are hanging out in the parking lot. The conversation feels natural and the scene is well-acted. The three women share their individual vulnerabilities and find strength in their collective resolve to not let their addiction continue to ruin their lives. Within this scene, Abergel presents us with the stigma of addiction, the temptation, the tenuous footing that sobriety stands on, and the hope that support works "if you work it."
The evening takes a turn for the worse for Devi shortly after that. A turn that threatens her sobriety, her safety, and her fiance (Josh Kelly). Boo, while focused on addiction, also touches on sexual assault, the comraderie of shared experience, and the power of the sense of smell.
Can we talk about editing for a moment? I don't know how to edit a film. I don't know the technical terms. But I have heard that if a movie is edited well, then you don't even notice. I disagree. Boo is deftly edited and I noticed. The story does not follow a linear timeline, but all the events happen in a single evening. Done poorly, and the audience would be confused early and lose interest long before the final twist. Done well, and the audience follows the story. But Editor, Ned Thorne, does such a good job that the blends between scenes become part of the journey.
Boo is currently playing at film festivals across the country and has already taken its share of awards and nominations, including nods for Best Short Screenplay, Best Actress, Best Dialogue, and Best Film. No doubt there will be more accolades in store for Boo as its festival run continues.
Boo is the story of one evening in the life of Devi. She has just received a 7 years sobriety chip. She's engaged. She's in a good place in her life. But this night is going to challenge all of that.
My favorite scene happens early, outside the just-ended support group meeting. Devi (Abergel), Ava (Parisa Fitz-Henley), and Grace (Laura Wiggins) are hanging out in the parking lot. The conversation feels natural and the scene is well-acted. The three women share their individual vulnerabilities and find strength in their collective resolve to not let their addiction continue to ruin their lives. Within this scene, Abergel presents us with the stigma of addiction, the temptation, the tenuous footing that sobriety stands on, and the hope that support works "if you work it."
The evening takes a turn for the worse for Devi shortly after that. A turn that threatens her sobriety, her safety, and her fiance (Josh Kelly). Boo, while focused on addiction, also touches on sexual assault, the comraderie of shared experience, and the power of the sense of smell.
Can we talk about editing for a moment? I don't know how to edit a film. I don't know the technical terms. But I have heard that if a movie is edited well, then you don't even notice. I disagree. Boo is deftly edited and I noticed. The story does not follow a linear timeline, but all the events happen in a single evening. Done poorly, and the audience would be confused early and lose interest long before the final twist. Done well, and the audience follows the story. But Editor, Ned Thorne, does such a good job that the blends between scenes become part of the journey.
Boo is currently playing at film festivals across the country and has already taken its share of awards and nominations, including nods for Best Short Screenplay, Best Actress, Best Dialogue, and Best Film. No doubt there will be more accolades in store for Boo as its festival run continues.
I was NOT expecting this - in the best way possible. I love how this film navigates real-life challenges in the most surprising way. Kept me intrigued and on my toes the whole time. The acting was great - so natural. The filmmaking was excellent. I loved the choice of music. I loved how the shots were covered. The editing is paced so well & there are some really fun ways in which the film bends time. Any "effects" are the right amount of appropriate for the genre without being cheesy. I'm not usually into scary films, but this one adds enough depth that I truly enjoyed it. Bravo - how fun!! Can't wait to see what's next for this talented filmmaker!!
"Boo" delivers a lot in just 15 minutes; interesting premise, great production value, and a cast that delivers the goods.
Really enjoyed the ride and recommend you take it yourself... Bravo
Really enjoyed the ride and recommend you take it yourself... Bravo
Le saviez-vous
- AnecdotesJosh Kelly and Parisa Fitz-Henley also co-starred together in Midnight, Texas (2017-2018)
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Détails
- Durée15 minutes
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