NOTE IMDb
5,9/10
5,6 k
MA NOTE
Lorsque son ex-père tombe dans un mystérieux coma, une jeune femme cherche des réponses dans son ancienne villa où elle et sa demi-soeur découvrent de sombres secrets.Lorsque son ex-père tombe dans un mystérieux coma, une jeune femme cherche des réponses dans son ancienne villa où elle et sa demi-soeur découvrent de sombres secrets.Lorsque son ex-père tombe dans un mystérieux coma, une jeune femme cherche des réponses dans son ancienne villa où elle et sa demi-soeur découvrent de sombres secrets.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 15 nominations au total
Avis à la une
I was told, disturbing and gory so I had to search for this Indonesian flick. Simple, it's on Netflix. Seen it I have to agree that some shots are gory.
Starts a bit slowly with a great start after 30 minutes I thought is this it and just when I thought to stop this flick slowly the eerie atmosphere comes in. And once the possession is out there this turns into a rather good horror.
Disturbing, not for me but i do understand that the creepy possessed people can be to much for some. One shot is indeed full of gore and well done.
Above mediocre but not one that will stuck to mymind, still if you like them dark and scary, watch it.
Gore 1/5 Nudity 0/5 Effects 3/5 Story 3/5 Comedy 0/5
Starts a bit slowly with a great start after 30 minutes I thought is this it and just when I thought to stop this flick slowly the eerie atmosphere comes in. And once the possession is out there this turns into a rather good horror.
Disturbing, not for me but i do understand that the creepy possessed people can be to much for some. One shot is indeed full of gore and well done.
Above mediocre but not one that will stuck to mymind, still if you like them dark and scary, watch it.
Gore 1/5 Nudity 0/5 Effects 3/5 Story 3/5 Comedy 0/5
It's the Indonesian Evil Dead. Great directing & really terrifying visuals. Some of the shots were amazing. But could have been so much more if there was a good story to it. Another case of a script that goes no where. Still, had fun watching.
This is a terrifying film. It doesn't pull its punches. It hits hard from the start. It has genuine moments of horror that is missing from most films these days that just rely on cheap jump scares with sudden loud noises and ghosts jumping from out of screen.
Having said that, it does not transcend the usual horror tropes with characters making bad mistakes and acting downright stupid at times. The brother character, in particular, is frustratingly stupid. The movie also suffers from poor acting by the child actor who just isn't convincing that she is frightened. Any human being would be terrified in the circumstances of the film but her expressions are just robotic and she does not seem to be in the same movie as the rest of the actors.
All in all I recommend this movie to all horror movie geeks a 100% but do not expect an exceptional film like the likes of Hereditary (2018) or IT (2017).
Having said that, it does not transcend the usual horror tropes with characters making bad mistakes and acting downright stupid at times. The brother character, in particular, is frustratingly stupid. The movie also suffers from poor acting by the child actor who just isn't convincing that she is frightened. Any human being would be terrified in the circumstances of the film but her expressions are just robotic and she does not seem to be in the same movie as the rest of the actors.
All in all I recommend this movie to all horror movie geeks a 100% but do not expect an exceptional film like the likes of Hereditary (2018) or IT (2017).
Director Timo Tjahjanto is the man behind a couple of my favourite action films of recent years - Headshot and The Night Comes For Us - and, along with Gareth Evans, he co-directed a fun story for horror anthology V/H/S/2. Naturally, I was pumped to see May the Devil Take You, which some have described as an Indonesian The Evil Dead.
I can certainly understand the comparison - both are fast, frenetic, gory tales of possession that, for the most part, take place in an isolated rural building - but Tjahjanto's film cannot hold a candle to Sam Raimi's cult classic: although it features some well handled individual scenes, a messy, unfocussed plot makes it a confusing tale that is definitely less than the sum of its parts.
The basic plot revolves around a young woman, Alfie (Chelsea Islan), who goes to see the ailing father she hasn't seen in ten years. On discovering that he has left an old villa in her name, Alfie pays a visit to the building, where an evil presence lurks in the cellar. When her stepmother and step-siblings also turn up, the malevolent spirit is freed and, in one of the film's most effective moments, possesses the stepmother. One by one, the family members fall victim to the evil at large...
Superbly executed scenes of suspense (the girl with the hammer behind her back) rub shoulders with derivative Asian spooky nonsense (what is it with Asians and haunted hair?), while predictable scares fail to do the trick. At no point was I tempted to turn off or catch some Zzzzzs - a brisk pace ensured that - but I did find the uneven, jumbled nature of the whole thing frustrating. I certainly expected better from Tjahjanto.
I can certainly understand the comparison - both are fast, frenetic, gory tales of possession that, for the most part, take place in an isolated rural building - but Tjahjanto's film cannot hold a candle to Sam Raimi's cult classic: although it features some well handled individual scenes, a messy, unfocussed plot makes it a confusing tale that is definitely less than the sum of its parts.
The basic plot revolves around a young woman, Alfie (Chelsea Islan), who goes to see the ailing father she hasn't seen in ten years. On discovering that he has left an old villa in her name, Alfie pays a visit to the building, where an evil presence lurks in the cellar. When her stepmother and step-siblings also turn up, the malevolent spirit is freed and, in one of the film's most effective moments, possesses the stepmother. One by one, the family members fall victim to the evil at large...
Superbly executed scenes of suspense (the girl with the hammer behind her back) rub shoulders with derivative Asian spooky nonsense (what is it with Asians and haunted hair?), while predictable scares fail to do the trick. At no point was I tempted to turn off or catch some Zzzzzs - a brisk pace ensured that - but I did find the uneven, jumbled nature of the whole thing frustrating. I certainly expected better from Tjahjanto.
The audience is not afraid because of the visual appearance or plot, but just "surprised". The film only shows evil characters with a creepy appearance, and only to make the audience surprised by displaying it suddenly on the screen with sound and music as loud as possible. Even the characters seem very slow in speaking.
Le saviez-vous
- AnecdotesThe director, Timo Tjahjanto, is a big fan of the original The Evil Dead. This is a kind of a love letter from him to the movie and the Cabin in the Woods genre in general. You can spot several homages throughout the movie.
- Citations
The Priestess: Lesmana! Not now, not later, but when you least expect it, you will lose everything!
- ConnexionsFollowed by Sebelum Iblis Menjemput: Ayat Dua (2020)
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- How long is May the Devil Take You?Alimenté par Alexa
Détails
- Durée
- 1h 50min(110 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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