Palm Beach

Enjoyed this movie more than I expected, such great views and family secrets to keep the pot boiling so to speak

Frank (Bryan Brown) is having a big birthday party so he invites his best friends Leo (Sam Neill) and Billy (Richard E Grant) with their spouses and families to his house in PALM BEACH. It doesn't take long for the grudges, old and new, to emerge and the old secrets refuse to be buried. The commotion that rocks the three families threatens to ruin the holiday. What will it take to get things back on track?

Exploring the nature of a true family, that goes far beyond blood relations, PALM BEACH is a colourful portrait of a lifelong friendship with all its outcomes, good and bad, beautiful and ugly.

While the dining table drama-comedy has become its own sub genre in France (Little White Lies, Namesake) and Italy (PERFECT STRANGERS) middle class families rarely take centre stage in Australian film.

Palm beach takes a very Australian approach, avoiding high concept drama, it is breezy summer fun that focuses on the characters' onscreen chemistry. Sam Neill and Bryan Brown celebrate their birthdays together in real life, and it shows. Add a great location, breathtaking views, a catchy seventies soundtrack and you get an hour and a half of a cosy dramedy where jokes are never forced and funny, and the sad moments ring true.

Director Rachel Ward (who is also credited as one of the writers) gives an unexpected depth to a simple story, makes some basic ideas look interesting and fresh, and manages to deliver the point without preaching.

Some films are a remedy and a getaway from real life problems. See this movie. Be this party's crasher. You won't want it to end.

My Review- Palm Beach 6/10

I wish this Australian movie success just because I support our film industry but it wasn't my cuppa tea at all.

It's set of course in one of the most beautiful beach side settings in Australia so it looks splendid but I just couldn't warm to any of these spoiled self indulgent Nouveau riche characters.

The saying house guests are like fish , they go off after 2 days is more than true with these characters , they went off for me about half an hour in to the story and began to wish for a Tsunami to whisk them away. Especially Richard E Grant as Billy an insipid , sarcastic failed musician who taunts the host and mocks his wife.

All the stereotypes of dysfunctional family characters are on display in Palm Beach , the ageing actress , the dutiful but unhappy wife , the spoiled indulged adult children and all the men are in crisis of some sort or another.

The acting is good, the setting is delightful the script is ok but one particular scene involving a chimney demolition and the underlying tension involving DNA identification left me at the end thinking I really dislike these people .

I much preferred meeting The Fockers , at least they were interesting but perhaps unlike me you may enjoy it .

I just thought it was like an enticing chocolate wrapped in gold foil but when eaten, a little bitter and disappointing.

Palm Beach, which premiered as the opening film of this year's Sydney Film Festival, tells the story of a group of good friends who have a few secrets. Those secrets are bound to surface at some point. Why not do it while celebrating a birthday?

Director Rachel Ward co-wrote the story with Joanna Murray-Smith, which tackles some ethical predicaments and feelings that get repressed with (expected) catastrophic consequences. Every year we get a similar scenario presented to us on television or even on the big screen, so why do we keep making these films? The difference with Palm Beach, is that I couldn't sympathise with any of these characters. Rich white people having rich white people problems - can't relate.

That doesn't mean these stories aren't allowed to have a platform to be told, everyone wants to escape their daily life at some point and peek through a window to see what happens behind closed doors. The film takes place in the titular Sydney suburb - blue skies and crystal clear waves everywhere you look. Three members of our group of friends (Bryan Brown, Sam Neil and Richard E. Grant), used to form the band Pacific Sideburns. Their partners and children are also present and ready for a weekend of beachy tranquility.

The evening our friends arrive at Frank (Brown) and his wife Charlotte's (Greta Scacchi) house, Leo (Neill) mentions to Charlotte the pact they formed a very long time ago. Not entirely clear why he recalls this pact so suddenly, this causes the amicable vibe in the house to rise with a few degrees and everyone seems to be feeling this tension. This secretive pact lingers in the background while everyone passes their days behind luscious cheese boards and champagne by the crate, in and around Frank and Charlotte's lush hilltop habitat with panoramic view. A panoramic view ruined by a chimney, which becomes a daily discussion topic that drives Frank to his boiling point.

Cinematographer Bonnie Elliott does a great job showing off the beautiful beaches of Sydney and the nighttime scenes, but when it comes to garden gatherings it all looks a little bit too much like a commercial of some kind. The glossiness makes it look like as if some scenes were shot on an indoor-set, while I'm pretty sure this wasn't her intention. Nonetheless, a great effort that lifted the film to a higher level.

The problems these characters face are nothing but drama on the surface while being comfortable in their day-to-day life - shallow and smug. But like I said before, why tell a story that has been told in different forms many times before, if there isn't a character to relate with or feel sympathy for? The cast does a great job though. There wasn't a single person that I could point out as being a bad actor, neither was there a performance considered to be scene-stealing.

Going in with low expectations, I thought the first half was more interesting than the second. Clocking in at 100 minutes, the film feels a lot longer and without any real stakes, there's no satisfying ending to look forward to. Palm Beach is a film without a purpose and could easily be dropped on a streaming platform, to attract a bigger audience or people wanting to check it out without paying extra for it.

10 out of 10 for the cinematography and production design. I love my films to look like tourism commercials, and we don't do enough of that in Australian cinema.

But as a thirtysomething female, the content of this film really irritated me. It's a bit hard to watch a bunch of privileged, egotistical, white male baby boomers sip Dom Perignon in a Palm Beach mansion and lament about their "real-life problems" - even if it is somebody's birthday!

I'm reminded enough of this generation wealth and health gap going to work everyday; this isn't something I want to watch on the big screen too.

Having said that, if you are an older male, then finally someone has made a film for you. There have been a string of films like this for the over 60s women, now men it's your turn!

You can not fault the actual film making, everything is beautiful, and I want to support Australian film, I'm just the wrong target-market.