The Great Buster
- 2018
- Tous publics
- 1h 42min
NOTE IMDb
7,5/10
2,6 k
MA NOTE
Ajouter une intrigue dans votre langueDocumentary on the life and works of comic genius Buster Keaton, directed by Peter Bogdanovich.Documentary on the life and works of comic genius Buster Keaton, directed by Peter Bogdanovich.Documentary on the life and works of comic genius Buster Keaton, directed by Peter Bogdanovich.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
Dick Cavett
- Self
- (images d'archives)
Frank Capra
- Self
- (images d'archives)
Louise Keaton
- Self
- (images d'archives)
Harry Keaton
- Self
- (images d'archives)
- (as Harry "Jingles" Keaton)
Buster Keaton
- Self
- (images d'archives)
Avis à la une
People's collective sense of humor change with time. But, this reminds me of people frantically trying to keep up with technology that is supposed to make their lives easier. Just as we become more and more addicted to and dependent on technology and all its modern gadgets - we gradually lose our own resourcefulness and creativity.
This is what happened in movie industry with comedies (and not just comedies). First we had silent B&W movies where you needed to be a genius to make audience laugh with no use of sound and color, with things you could barely call special effects today and smart use of dialogues only when necessary. A while later, it was easier for actors and directors as they could use all those things to make a good movie. Need for ingenuity lowered.
Then suddenly, the only thing that worked was actors swearing in almost every line they spoke. Nowadays, almost exclusively, directors rely on swearing, sarcasm and cheap irony (in other genres blood, nudity, violence, etc.).
Need for ingenuity practically disappeared. Or do we need it more than ever?
One of such original genius of the silent era was Buster Keaton. And he pretty much did all his best work himself - he wrote the scenes, directed them, acted in them and pulled many highly dangerous stunts to achieve perfection each time. This documentary by Peter Bogdanovich (Petar Bogdanovic in Serbian - he's my countryman :)) puts the Great Buster under the spotlight right in time as the cinema is crying for it. And it will serve as a quality intro for announced restoration of the comic's top movies. Bogdanovich's choice of talking heads is questionable, but some of them are obviously selected to draw the younger audience.
It is truly a celebration of Keaton's legacy but also a reminder what the real, healthy humor is all about - not vulgarity and humiliation, but simplicity, originality and inventiveness. This brilliant comic was known as the Great Stone Face, but - as pointed out by Cybill Shepherd (and as told by John Ford once) - you act with your eyes, not with your face.
I just hope that at least a part of today's spoiled audience that only ask for new, loud, fast (and senseless) movies will recognize the great value of Buster's works - all presented timely and nicely by Bogdanovich - and discover it for themselves. I sure will, although I decided this already after watching The General.The Genius Buster - the one we need today...
This is what happened in movie industry with comedies (and not just comedies). First we had silent B&W movies where you needed to be a genius to make audience laugh with no use of sound and color, with things you could barely call special effects today and smart use of dialogues only when necessary. A while later, it was easier for actors and directors as they could use all those things to make a good movie. Need for ingenuity lowered.
Then suddenly, the only thing that worked was actors swearing in almost every line they spoke. Nowadays, almost exclusively, directors rely on swearing, sarcasm and cheap irony (in other genres blood, nudity, violence, etc.).
Need for ingenuity practically disappeared. Or do we need it more than ever?
One of such original genius of the silent era was Buster Keaton. And he pretty much did all his best work himself - he wrote the scenes, directed them, acted in them and pulled many highly dangerous stunts to achieve perfection each time. This documentary by Peter Bogdanovich (Petar Bogdanovic in Serbian - he's my countryman :)) puts the Great Buster under the spotlight right in time as the cinema is crying for it. And it will serve as a quality intro for announced restoration of the comic's top movies. Bogdanovich's choice of talking heads is questionable, but some of them are obviously selected to draw the younger audience.
It is truly a celebration of Keaton's legacy but also a reminder what the real, healthy humor is all about - not vulgarity and humiliation, but simplicity, originality and inventiveness. This brilliant comic was known as the Great Stone Face, but - as pointed out by Cybill Shepherd (and as told by John Ford once) - you act with your eyes, not with your face.
I just hope that at least a part of today's spoiled audience that only ask for new, loud, fast (and senseless) movies will recognize the great value of Buster's works - all presented timely and nicely by Bogdanovich - and discover it for themselves. I sure will, although I decided this already after watching The General.The Genius Buster - the one we need today...
A good doc on Keaton, but not great.
Once again another film confronts its viewers with talking heads telling us why ***they*** think the title character was great. Please, don't tell us, show us! Give the viewer credit for having some substance between his/her ears. Show us why Keaton was a great comedian. Don't inundate us with personal opinions. It's easily demonstrated, i believe, because the man was truly great.
I tire of entertainment personalities acting as qualified historians. If they have good, unbiased insight into the man, I'll listen; however, none of this movie's talking heads are unbiased. They all have a dog in the fight. They all passionately adore BK. That's fine, but please don't think because you knew the man that you have some secret insight into him. Many of the talking heads are simply repeating apocryphal stories.
A good written biography and a small selection of his best film's on DVD is a fine introduction to the man.
This film is more hagiography than insightful biography.
Having said all this, I'd still recommend the film. Just make sure you pick up those DVDs.
Once again another film confronts its viewers with talking heads telling us why ***they*** think the title character was great. Please, don't tell us, show us! Give the viewer credit for having some substance between his/her ears. Show us why Keaton was a great comedian. Don't inundate us with personal opinions. It's easily demonstrated, i believe, because the man was truly great.
I tire of entertainment personalities acting as qualified historians. If they have good, unbiased insight into the man, I'll listen; however, none of this movie's talking heads are unbiased. They all have a dog in the fight. They all passionately adore BK. That's fine, but please don't think because you knew the man that you have some secret insight into him. Many of the talking heads are simply repeating apocryphal stories.
A good written biography and a small selection of his best film's on DVD is a fine introduction to the man.
This film is more hagiography than insightful biography.
Having said all this, I'd still recommend the film. Just make sure you pick up those DVDs.
An excellent overview of Buster Keaton's life and work. The man was such a genius and seeing this touching documentary made me smile. I liked seeing all the miscellany and smaller things he did in his later life, even the commercials, because I had never seen them before. I also liked getting a little excerpt out of so many of the early two-reelers, and of course those extraordinary moments from his major works. I'm not sure about all the choices Bogdanovich made in terms of the celebrity interviews and would have preferred a little more depth in places that didn't get it, but it does show the scope of the influence Keaton had. In the end I appreciated the balance in the documentary, between all of the little clips and rare bits (running the risk of turning attention away from the major films) and the truly amazing physical comedy in those epic moments (running the risk of just becoming just a montage of film clips). It's not perfect, but I saw and learned new things, and was touched and inspired afterwards.
While maybe not the most definitive look at the man, this does a great job of explaining why and showing why he was so great and will leave you wanting to track down all of his movies you can. IF you've seen lots already and already love him, it's not really much new, unless you really wanted to know what Johnny Knoxville thinks... That said, Keaton was amazing so this is well worth watching.
The Great Buster (2018) -
I recently watched 'Go West' (1925) and found an appreciation for the comedy genius that was Buster Keaton within the first few minutes and by the end of it, he was my new favourite. As a result of that I was very keen to watch this documentary in order to find out as much as I could about him and the other films that he had been a part of.
It was a shame that the narrator's (Peter Bogdanovich) voice was so monotonous and dull, because the clips of Buster were hilarious and quite often laugh out loud moments at times.
The journey mostly followed a chronological direction and gave warning when it would have to go back to something for further investigation, as such it was easy to understand and it clearly showed the highs and lows of Buster's life.
I think that for me to find such joy in performances that are over 100 years old says something about the brilliance and skill of the man in question. His works have certainly stood the test of time better than a lot of others, including some of the more recent efforts from just the last 40 years, which are already dated and cringey.
There's nothing really to say about production values, etc, so this review will be finished here, but if you've ever been tempted by silent movies, watch this to see where to start.
760.11/1000.
I recently watched 'Go West' (1925) and found an appreciation for the comedy genius that was Buster Keaton within the first few minutes and by the end of it, he was my new favourite. As a result of that I was very keen to watch this documentary in order to find out as much as I could about him and the other films that he had been a part of.
It was a shame that the narrator's (Peter Bogdanovich) voice was so monotonous and dull, because the clips of Buster were hilarious and quite often laugh out loud moments at times.
The journey mostly followed a chronological direction and gave warning when it would have to go back to something for further investigation, as such it was easy to understand and it clearly showed the highs and lows of Buster's life.
I think that for me to find such joy in performances that are over 100 years old says something about the brilliance and skill of the man in question. His works have certainly stood the test of time better than a lot of others, including some of the more recent efforts from just the last 40 years, which are already dated and cringey.
There's nothing really to say about production values, etc, so this review will be finished here, but if you've ever been tempted by silent movies, watch this to see where to start.
760.11/1000.
Le saviez-vous
- AnecdotesThe final documentary & feature film of director Peter Bogdanovich.
- Citations
Werner Herzog, Himself: Buster Keaton always had that quiet tragedy which is very, very funny.
- ConnexionsFeatures Fatty garçon boucher (1917)
- Bandes originales1812 Overture
Written by Pyotr Ilyich Tchaikovsky
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- How long is The Great Buster?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- The Great Buster: A Celebration
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 118 344 $US
- Week-end de sortie aux États-Unis et au Canada
- 7 107 $US
- 7 oct. 2018
- Montant brut mondial
- 125 807 $US
- Durée
- 1h 42min(102 min)
- Couleur
- Rapport de forme
- 1.78 : 1
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