Un journaliste traque l'histoire d'Anna Delvey, une femme qui a convaincu l'élite new-yorkaise qu'elle était une héritière allemande.Un journaliste traque l'histoire d'Anna Delvey, une femme qui a convaincu l'élite new-yorkaise qu'elle était une héritière allemande.Un journaliste traque l'histoire d'Anna Delvey, une femme qui a convaincu l'élite new-yorkaise qu'elle était une héritière allemande.
- Nommé pour 3 Primetime Emmys
- 1 victoire et 16 nominations au total
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I only write this short review to react to some of your reviews, lol. To all, who thinks that Anna is the hero of this story. She isn't. She comes off as a delusional, superficial con person. Which she was. And is, I guess. And the journalist and the lawyer, who fell for her, they come off as pathethic. They fell for the con woman. So I think the show doesn't want us to feel sympathy for Anna. Well I didn't, for sure.
I watched this with my wife and daughters and we was all really captured by it. However even thought the main story of Anna and the people she defrauded is intriguing and intertwined the side stories let the production down.
Anna C. Is pregnant throughout the series and this story was written by someone who clearly has never had a child as the line, 'I haven't even baby proofed the apartment.' From the workaholics guy who is the father made me laugh so loud (like a baby can crawl around the apartment on day 1 - LOL 😀) then the whole pregnancy pains and birth was all just total fluff. The story is Anna and the ppl she defrauded and the side stories got too much time that wasn't necessary.
Anna C. Is pregnant throughout the series and this story was written by someone who clearly has never had a child as the line, 'I haven't even baby proofed the apartment.' From the workaholics guy who is the father made me laugh so loud (like a baby can crawl around the apartment on day 1 - LOL 😀) then the whole pregnancy pains and birth was all just total fluff. The story is Anna and the ppl she defrauded and the side stories got too much time that wasn't necessary.
Netflix paid Anna Sorokin, the German scammer at the heart of this series, $320,000 for the rights to her story. Sorokin used the money to pay back some of the funds she had stolen from banks, and some of the fines she owed the State of New York. Then she got on every talk show and new excerpt she could to keep building her fame.
As of this writing, she is awaiting deportation back to Germany, but is currently sick with COVID. ICE believes she contracted COVID so that she could stay in the US longer, because, after all, Anna is a con artist.
And, just so that we all understand how sociopathy and Hollywood works, the banks were repaid with Anna's story rights. The ordinary human beings whose credit cards and bank accounts she use are still out of money. Despite NY's Son of Sam law, Anna is profiting from her crimes by becoming an antihero through this story written by Shonda Rimes. When we watch this film, we are helping a sociopath profit.
Grifters grift.
Julia Garner does a great job as Anna, although her voice made me want to shoot the TV. Shonda gives us an engaging script. But what's the difference in this an making a movie of OJ's "If I DID IT?" The degree of crime?
I didn't like the idea of elevating a grifter, and I especially didn't like the built in idea that her thefts were okay because she only stole from rich people. She didn't.
She wasn't Robin Hood. She was just a thief.
As of this writing, she is awaiting deportation back to Germany, but is currently sick with COVID. ICE believes she contracted COVID so that she could stay in the US longer, because, after all, Anna is a con artist.
And, just so that we all understand how sociopathy and Hollywood works, the banks were repaid with Anna's story rights. The ordinary human beings whose credit cards and bank accounts she use are still out of money. Despite NY's Son of Sam law, Anna is profiting from her crimes by becoming an antihero through this story written by Shonda Rimes. When we watch this film, we are helping a sociopath profit.
Grifters grift.
Julia Garner does a great job as Anna, although her voice made me want to shoot the TV. Shonda gives us an engaging script. But what's the difference in this an making a movie of OJ's "If I DID IT?" The degree of crime?
I didn't like the idea of elevating a grifter, and I especially didn't like the built in idea that her thefts were okay because she only stole from rich people. She didn't.
She wasn't Robin Hood. She was just a thief.
It is a mixed bag. I like the premise. A con artist tricks all of New Yorks elite into thinking she is a German heiress. The actress who plays Anna does a good job. I don't like the character, but, she is interesting. Then this pregnant journalist is trying to write a story about her, I find the journalist extremely annoying. Then there are all of the super rich characters, I hate them all so much. The show does quite a good job (maybe unintentionally) of showing just how horrible these ultrarich people must be in real life. I am finding it interesting enough, that I will probably finish watching it, but I don't really like it and I am never going to rewatch it.
Have you ever watched something where the producer tried to mock something they have contempt for but turns out to be the world the producers actually live in? This program is about a European grifter who pretends to be an heiress and she proceeds to fool all manner of Americans into giving her money and letting her rack up debts she can never pay. All of the characters cry about their victimhood rich and poor. It is a statement about how shallow and phony people have become. In this day and age this type of wealth, pretend or real, is distasteful and ugly. The script is full of contradictions. A journalist who wrote fake news wants people to believe it wasn't her fault. Working class people want you to believe they have already made it and the rich want you to believe they have scruples. Everyone is fake just like the story. Shonda should know that you need at least one redeeming character to hold the audience's attention. I got through episode 5 and couldn't think of one reason to continue watching.
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- AnecdotesLead Julia Garner actually visited Anna Delvey (born Anna Delvey Sorokin) in Rikers Island prison as part of her research for the role. In the course of their conversation, Delvey asked Garner how the shoot was going and how she was going to portray her in the series. Garner found Delvey to be quite intimidating at times, even with journalist and series co-writer Jessica Pressler present in the room throughout the interview.
- GaffesThroughout the series Anna is seen using an iPhone 8 Plus, however this is not possible because it wasn't released until late 2017.
- Crédits fousEach episode opens with the credit: "This whole story is completely true. Except for the parts that are totally made up."
- ConnexionsFeatured in Jeremy Vine: Épisode #5.40 (2022)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Anna: Tiểu Thư Dựng Chuyện
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 5min(65 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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