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SSSS.Gridman

  • Série télévisée
  • 2018
  • TV-14
  • 23min
NOTE IMDb
7,0/10
1 k
MA NOTE
Katsuyuki Konishi, Hikaru Midorikawa, Masaya Matsukaze, Ken'ichi Suzumura, Ryôsuke Takahashi, Yume Miyamoto, Aoi Yûki, Reina Ueda, Sôma Saitô, and Yûya Hirose in SSSS.Gridman (2018)
AnimeActionAventureScience-fictionAnimationAnimation dessinée à la mainKaijuMechaSuper héros

Ajouter une intrigue dans votre langueA being calling itself "Hyper Agent Gridman" contacts high schooler Yuta through an old computer, recruiting him in the fight against impending terror.A being calling itself "Hyper Agent Gridman" contacts high schooler Yuta through an old computer, recruiting him in the fight against impending terror.A being calling itself "Hyper Agent Gridman" contacts high schooler Yuta through an old computer, recruiting him in the fight against impending terror.

  • Création
    • Gridman
  • Casting principal
    • Reina Ueda
    • Lindsay Seidel
    • Brandon McInnis
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,0/10
    1 k
    MA NOTE
    • Création
      • Gridman
    • Casting principal
      • Reina Ueda
      • Lindsay Seidel
      • Brandon McInnis
    • 10avis d'utilisateurs
    • 2avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 victoires et 10 nominations au total

    Épisodes12

    Parcourir les épisodes
    HautLes mieux notés1 saison2018

    Photos50

    Voir l'affiche
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    + 46
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    Rôles principaux99+

    Modifier
    Reina Ueda
    Reina Ueda
    • Akane Shinjo
    • 2018
    Lindsay Seidel
    Lindsay Seidel
    • Akane Shinjo
    • 2018
    Brandon McInnis
    Brandon McInnis
    • Yuta Hibiki
    • 2018
    Jill Harris
    • Rikka Takarada
    • 2018
    Greg Ayres
    Greg Ayres
    • Sho Utsumi
    • 2018
    Barry Yandell
    • Alexis Kerib
    • 2018
    Sôma Saitô
    Sôma Saitô
    • Sho Utsumi
    • 2018
    Tetsu Inada
    Tetsu Inada
    • Alexis Kerib
    • 2018
    Yûya Hirose
    • Yuta Hibiki
    • 2018
    Yume Miyamoto
    • Rikka Takarada
    • 2018
    Ian Sinclair
    Ian Sinclair
    • Samurai Calibur
    • 2018
    Amber Lee Connors
    Amber Lee Connors
    • Hass
    • 2018
    Akari Kitô
    • Hass
    • 2018
    Sarah Wiedenheft
    • Namiko
    • 2018
    Robert McCollum
    Robert McCollum
    • Gridman
    • 2018
    Hikaru Midorikawa
    Hikaru Midorikawa
    • Gridman
    • 2018
    Anastasia Munoz
    • Rikka's Mother
    • 2018
    Suzuko Mimori
    • Namiko
    • 2018
    • Création
      • Gridman
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs10

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    Avis à la une

    10mohammadirfan274

    tremendous by far! Tsuburaya production is back on buisness!!!

    Started watching recently and i must say its really amazing as anime!! Gridman was a live action series in 90's but now its revived as anime in 2018 and i must say it was worth a wait!! i would recommend that you should all give it a try! great great visuals, bgm hence everything is perfect! yes! tsuburaya is back on buisness!!!
    8puneetsharma9

    It has different prospective

    This anime put you in the shoes of the artiest AND it is fresh to see something that you don't see this before. Animation is one of best and ground-breaking. It just perfect.

    Other thing look very generic first and by the way if I say anything about this anime it spoil the freshness. Just I like to say anime GOD is something you never see before and that way it behave is something else this type of character I never see before.
    8RebelPanda

    Akira Amemiya is a master at his craft

    After 25 years since the original Gridman TV series debuted in 1993, Studio Trigger and Tsuburaya Productions, the company behind Gridman and Ultraman, have collaborated to produce the magnificent tokusatsu inspired reboot SSSS. Gridman. For those who are new to Gridman and tokusatsu entertainment, it is the Japanese term attached to any sci-fi/fantasy live-action series that uses an abundance of special effects. More specifically, practical effects; think people wrestling in rubber monster suits smashing through model cities and stop motion animation.

    That leads us to SSSS. Gridman, the love child of first-time director Akira Amemiya and Keiichi Hasegawa, famed screenwriter of the 1990s Ultraman. It is overflowing with references and callbacks to the live-action series, SSSS is a lovingly crafted modernized take on the original series. The new story takes a theme relevant to today's audiences and focuses on the youth of Japan and their relationship to technology.

    The show opens on Yuta Hibiki, an amnesiac first-year in high school who's just woken up in the home of Rikka Takarada, a girl in his class. With no clue who she is, or who he is for that matter. His standard introduction no doubt had people rolling their eyes, including me, and it does detract from the story, at least until we learn why he lost his memory. Yuta sees hallucinations of a robot named Gridman in an old computer in Takarada's family store, later called 'Junk' in reference to its name in the original show. Afterward, he meets Sho Utsumi, his friend before getting amnesia. Sho helps him with his memory loss, which is more or less his role in the series, being Yuta's support. He's a decent character, with a minor arc and some development. Throughout the first episode, the information we're being fed by the characters is incongruous with what we observe from Yuta's perspective. Rikka and Utsumi easily accept Yuta's amnesia and when he sees Kaiju looming in the distance they assume he's joking because-like his Gridman hallucinations-he is the only one who can see them at first. In spite of the mundane reactions of people around Yuta, the directing of nearly every scene communicates dread. It constantly feels like danger is just off the frame and the next scene will change everything.

    Amemiya lingers on long shots too long for them to feel normal, instead, they communicate anxiety, you constantly are waiting for something to happen that will break the mundanity. Lighting is oversaturated during the daytimes to convey the crushing heat of the summer, and at night is subdued with fog and the monsters are constantly shown looming in the distance over the heroes. In the first episode, a radio playing is placed in between scenes to shift the tone. It bears so much similarity to Neon Genesis Evangelion. It's no surprise considering the director is a Gainax veteran. No doubt, SSSS. Gridman's greatest strength is the tone, it balances the mundane life of high school students with the dread of a Kaiju attack. Eventually, when the Kaiju do attack, it is equally satisfying to watch play out. The three main characters are together in Rikka's family store when the first Kaiju begins wreaking havoc on the city, forcing Yuta to work with Gridman fight off the monsters in giant robot form. Together they create the Gridman Alliance, dedicated to defeating any Kaiju that threatens to destroy their city.

    Animation is fluid, characters are incredibly expressive, storyboards are filled with detail, shots are excellently framed. The camera work is dynamic making the action always exciting and even the CGI used during many of the fight scenes is superb. The sound design is especially amazing at giving audio feedback during these scenes, a vehicle being crushed, the ground crumbling under a monster, and all of the attacks sound so visceral and lifelike. From time to time the show's incredible opening is used as background music in fights, and this would typically grow tiresome but because the song is so good and relevant to the story it never bothered me. At times the monster's movements look janky, but it never feels unintentional, watching old tokusatsu series shows that this is how the monster/giant robot fights looked, they move in ways that make it seem as though someone is inside a suit navigating them. 2D animation could never have achieved the authenticity of the monsters they were aiming for here. Not every scene is exploding with action, but even when the pace slows down, the directing and intruiging storyboarding are still visually arresting. One qualm I would bring up is the overabundance of fanservice placed at awkward moments, this thankfully only happened in certain episodes around the midpoint of the show. All around, this show is incredibly faithful to the original series, visually, audibly, and narratively.

    The story is at times too standard to the genre and could have used more originality rather than reliance on the source material. It delivers it's story beats confidently and plenty self-aware of the nostalgia it's evoking, but the times it updates the script to a modern audience are worthwhile. Important information is shown to us rather than told, a characters motivation is never told to us before it is shown, a twist never comes that wasn't foreshadowed heavily. This showing rather than telling comes across the most in Akane Shinjou's scenes, a classmate of Yuta's. She offers the most exciting writing in the show. In the first episode alone, her scenes convey more fear than any of the Kaiju scenes. She's subtle with her dark side and when she gets her quiet moments of angry reflection you get to see how bitter she is. Her psychotic tendencies and lack of care for others are made all the more frightening by how much power she proves to have.

    Although Yuta's simplistic personality is explained very well in the narrative, Rikka and Akane get far more development than him. Eventually, they even take his place as the protagonists, and the show is much better for it. Rikka gets more development than Yuta and becomes a remarkably sympathetic character right away. While Yuta and Utsumi celebrate their victories against Kaiju she worries about the fallout of the city being attacked and if her friends are safe. She's the most nuanced character in the show, and it often feels like she is a normal person who was placed into the plot of a wild sci-fi kids show. Her apprehension towards conflict and her contemplation of the effects of what's occurring in the story are what makes her so believable. Yuta and Utsumi are at first, ecstatic to escape the mundane life of being a student, then the shock of the danger they're in forces them to face reality and change their mindsets. Whereas Yuta accepts he has to overcome challenges at face value and follows through like a typical protagonist, Rikka is constantly questioning why she's in such a dire situation and where her place is in all of it. Her development throughout the show is intertwined with Akane's and they both change in ways that are very engaging to watch play out.

    The themes of Gridman are showcased throughout the story in the elaborate technology the villain has, all alone in her room, contrasted with the beat-up old computer the Gridman Alliance use. Yet even with basic technology, they prove to be formidable foes to the Kaiju, and they enjoy working together. What the screenwriter is trying to say is rather basic, but it's nonetheless a well-reinforced theme and consistent throughout the show, you don't need an abundance of technology to have good relationships and valued friendships.

    SSSS. Gridman stands as one of the best mecha in recent memory. Stylistically it is much different than the rest of Studio Trigger's anime, but it is one of their greatest works yet. It wears its love for the original series and tokusatsu entertainment on its sleeve. The story is wonderfully nostalgic, and surprisingly enough, thought-provoking. Laden with subtle details building up to every twist, every theme, it is both visually interesting and endlessly analyzable. I look forward to rewatching it time and time again in the future.
    9fh147

    Girl in her Own Little World

    I am not a big mecha fan, but this show was touched a little part of my brain That is still a child, wants to see robots fight monsters, and I had a wonderful time seeing it.

    Fun fighting, a good soundtrack for big monster fights, and a storyline that goes interesting places, and a girl who needs to clean her room.

    The characters work well together has a good dynamic and weirdo character works really way good as contrast.

    I really enjoy the story, in the first half It feels like you're watching at normal mecha with some weird ideas, and then in the later half it becomes an Intervention for a person soul.

    . It's a show about fighting big monster, but still is about having to live and not running from reality, it is a show with a message that I think is awesome and it's one of the reasons, I have this show in such high regard. An anime show with a good ending is worth recommending in itself.
    7Mysterygeneration

    Gridman is just all around fantastic

    At first, SSSS. Gridman was not well received by the public. Many of the superficial aspects, in my opinion, put off viewers, especially considering how plodding and formulaic the first few episodes were. However, the show's real content kept us watching week after week as it started underway, and it eventually became not just one of my favorite shows of the season but the entire year.

    Gridman is a dangerous hybrid of genres that juxtaposes massive mecha battles with what appears to be regular school life. The former defies popular perceptions of mecha animation and is probably the reason the program is regarded as sluggish. Nevertheless, these two very different parts of the world strangely complemented one another, with the action sequences' catharsis being fueled by the tension of everyday life. This assessment will concentrate on the more commonplace stuff because that appears to have received the greatest criticism.

    I'll quickly discuss the show's treatment of homage. I believe that a large portion of the criticism directed towards the show stems from its excessive use of allusions to other television programs; in fact, Obari Masami, the animator of the first Gridman, expressed dissatisfaction over the show's lack of originality. Having said that, I don't mind at all since these references provide fanservice to the original film's audience and don't interfere with the plot. In addition, how angry can I really be since every character design is inspired from a Transformers obscure series? That is so cute.

    Finally, Gridman is just all around fantastic. Because of the first unfavorable reviews, if you've been hesitant to see Gridman, I'd say it's worth a go. Although I'm still not quite sure why so many people in the community dislike this show, I thought it was fantastic and I really hope more people would give it a shot.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Collaboration with Tsuburaya Productions.
    • Connexions
      Edited into SSSS.Gridman (2023)

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    FAQ

    • How many seasons does SSSS.Gridman have?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 7 octobre 2018 (Japon)
    • Pays d’origine
      • Japon
    • Site officiel
      • Official Site (Japan)
    • Langues
      • Japonais
      • Anglais
    • Aussi connu sous le nom de
      • SSSS.Ґрідмен
    • Lieux de tournage
      • Tokyo, Japon
    • Sociétés de production
      • Trigger
      • Tsuburaya Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      23 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital

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