L'Amour ou presqque

Almost Love starts with a few people/couples with relationship problems. An hour and half of a whole lot of filler latter and they come to the obvious answer that everyone knew at the beginning or the film or just go with the "I'm not going to let it bother me" philosophy. There is no real drama or tension which means no real character development/growth in the movie which makes it feel kind of pointless. I've seen episodes of television shows that accomplish more with less than a half hour of actual story telling than this movie did in over an hour and a half of story telling.

This movie is a delightful comic soaper. My only problem is the plot comes across as choppy and not enough info on the secondary characters. (Think Carl) Plus the house in the woods - how did that figure into the story?

The recurring appearance of the ice-cream truck was brilliant!

I truly enjoyed Sell By. I found it insightful and thought provoking, yet still laugh out loud funny at moments. This film is well worth your time to watch, and may even cause you to think about relationships, gay and heterosexual, in ways you have not before!

This is one of those films where someone has decided that a coasting relationship that is of little interest to those in it, and of even less to those of us watching needs to be the subject of a bit of shake, rattle and roll. The mundanity of life is beginning to sap the passion from the lives of "Adam" (Scott Evans) and his boyfriend "Marklin" (Augustus Prew) and that's not being helped by the newly invigorated "Cammy" (Michelle Buteau) completely loved-up and the rest of their friends going through their own forms of mid-life crises. Is it possible that all these shenanigans will make them appreciate that what they had was worth fighting for, or will they just serve to point out that you only get one life and shouldn't be afraid to move on when the time comes? At least here we are not looking as the usual white-tooted, gym-baby, characters - there is a semblance of normalcy from the characterisations, but there anything remotely innovative stops. The acting and writing are the stuff of a daytime hospital soap and the stereotypes included could be ticked off from a checklist written fifty years ago by Quentin Crisp. Will they or won't they? I'm afraid I really found the story arc ensured that I didn't much care.

I guess in order to get a decent rating for a movie involving gay men it has to include half naked chiselled bodies accompanied by that one homophobe character who comes along to shake things up. Haven't we evolved into wanting more for our gay characters and wanting to actually see and relate to a long term relationship between two men. This movie has its faults but deserves more credit than what it seems to be getting. It's nice to see two men in a long term relationship trying to navigate the ups and downs of what they want their future to look like together.