Ajouter une intrigue dans votre langueA screenwriter known for ripoff "mockbusters" asks his successful former colleague for feedback on his first serious script.A screenwriter known for ripoff "mockbusters" asks his successful former colleague for feedback on his first serious script.A screenwriter known for ripoff "mockbusters" asks his successful former colleague for feedback on his first serious script.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 20 victoires et 10 nominations au total
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The dialogue feels so formulaic and structured, but the film overall is far from boring: actually it's fairly amusing and quite fun to watch. The ludicrous, silly comedic bits - albeit frequently a bit too much - work well for the most part. The leads are really amiable, to be honest.
(6/10)
(6/10)
Going into this I thought, "Well he seems to know a lot about movies so this should be decent." Well turns out I was wrong. This movie is horrible. The first problem is the tone. It's like some kind of weird back n forth from awkward comedy to the serious path of a struggling film maker which is obviously Chris Stuckmann's film-making path put into this movie. I wouldn't mind the comedy if it wasn't spoken by two mediocre actors with no chemistry which points back to bad directing.
Last problem is its almost all handheld cam and if you pay attention hard enough you can see the camera shaking like someone is having a panic attack mid-scene. Really not needed and again bad directing choice. Only good thing I'll say is Flickinger's performance because it seems like he really wanted to show out for Chris. Other than that bad.
Last problem is its almost all handheld cam and if you pay attention hard enough you can see the camera shaking like someone is having a panic attack mid-scene. Really not needed and again bad directing choice. Only good thing I'll say is Flickinger's performance because it seems like he really wanted to show out for Chris. Other than that bad.
Funny, heartfelt, and well-acted; I'm looking forward to seeing what Stuckmann, Heidger, and Newberry have to offer.
I'll be honest, a lot of the gags here are pretty hackneyed and the plot is just a conversation in which the only real pay off is that the main character learns to steal ideas from his love interest rather than existing movies.
That said, the camera work is spot on and the acting (particularly from Newberry) is so good that you actually briefly believe these characters in this weird roller coaster of a script that bounces back and forth from emotional-to cheesy-to funny.
The gags are each various dressings for over the top Flickinger cameos and they are pretty funny the first couple of times. If the script didn't rely so much on them, they might have retained their humor throughout, but unfortunately it does, and they don't.
In the end, Stuckman will likely go on to bigger and better things and this weird entry will just be a footnote.
That said, the camera work is spot on and the acting (particularly from Newberry) is so good that you actually briefly believe these characters in this weird roller coaster of a script that bounces back and forth from emotional-to cheesy-to funny.
The gags are each various dressings for over the top Flickinger cameos and they are pretty funny the first couple of times. If the script didn't rely so much on them, they might have retained their humor throughout, but unfortunately it does, and they don't.
In the end, Stuckman will likely go on to bigger and better things and this weird entry will just be a footnote.
The acting was alright. The only thing I liked was the b movie guy that made me chuckle a few times. The rest was just meh, felt long because I had no interest what these two actors were talking about. Just my opinion.
Le saviez-vous
- AnecdotesChris Stuckmann said Mason Heidger and KateLynn E. Newberry memorized the script and recorded one of their rehearsals in one take .
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Détails
Box-office
- Budget
- 4 000 $US (estimé)
- Durée
- 19min
- Couleur
- Rapport de forme
- 1.78 : 1
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