L'intrigue suivra une famille de Manchester dont les vies convergeront vers une nuit cruciale en 2019.L'intrigue suivra une famille de Manchester dont les vies convergeront vers une nuit cruciale en 2019.L'intrigue suivra une famille de Manchester dont les vies convergeront vers une nuit cruciale en 2019.
- Récompenses
- 1 victoire et 18 nominations au total
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Remarkable, unforgettable. This is the kind of stuff that motivates me to keep writing and working in this industry.
I don't remember another story giving me such an intense amount of feelings altogether. The weight it left on my heart got heavier and heavier with every sequence, every episode, every line of (magnificent) dialogue, and I could feel the writer's goal being accomplished within me. What a ride. Everything here is interesting, even arcs coming from minor characters, every detail.
Episode 4 was easily one of the toughest viewing experiences of my life (in a tremendously good way). It affected my mind in a way that I know I'll never forget, and could never fully describe (or recover, truly).
I always say that a good project "doesn't end when it ends", and this is the perfect example. Years and Years, somehow, left a permanent and stunning mark in my mind and soul.
It really doesn't get any better than this.
I don't remember another story giving me such an intense amount of feelings altogether. The weight it left on my heart got heavier and heavier with every sequence, every episode, every line of (magnificent) dialogue, and I could feel the writer's goal being accomplished within me. What a ride. Everything here is interesting, even arcs coming from minor characters, every detail.
Episode 4 was easily one of the toughest viewing experiences of my life (in a tremendously good way). It affected my mind in a way that I know I'll never forget, and could never fully describe (or recover, truly).
I always say that a good project "doesn't end when it ends", and this is the perfect example. Years and Years, somehow, left a permanent and stunning mark in my mind and soul.
It really doesn't get any better than this.
10freeobun
I created an account because I can't stop thinking about this show! Russell T Davies has worked his magic again and created something stellar. The first episode is an absolutely brilliant and terrifying hour of tv. The acting is totally convincing and raw, and the last twenty minutes in particular are pure genius - the tension is absolutely stifling. I am completely convinced that television history has been made with Years and Years. Really, really fantastic, and very sinister. I highly recommend and can't wait for next week.
How often do you watch a pilot, then immediately watch it again? Not often, in fact rarely, right? I just have. Absolutely enthralled by the fast pace, intertwining world events with daily family life. A mixed race and class family cemented by two brothers and a sister, helped along by a Gran that says some outrageous things but is quite happy to accept all no matter what their race or sexuality because they're family.
The Alt Right are having kittens about this one, so it's already doing some good. 'Little Englanders' are claiming it's an attempt by the 'Marxist' BBC to feed the people anti Right propaganda, mostly because they don't like freedom of speech unless it's used for hurling insults or the idea of little brown babies with gay uncles. Or just the idea that people can get along without the need for a label denoting their origin, and therefore status. Sometimes Auntie Beeb is Left, sometimes Right, but always consistent with the quality of its dramas. This is one of the best I've seen for a long time, up there with Threads. YOU WILL HATE IT IF... you don't like the modern world, what it has become, if you're wearing a red baseball cap, if you think all foreigners are rapists, terrorists or drug traffickers, that gay people go against God. You will despise it if you hate the idea of removing barriers rather than wanting to build more. As the world in reality descends into a corrupt, billionaire run world where disparity between the haves and have nots is becoming more apparent by the day a drama like this is needed. The actors are already well known in the UK, most have been leads in other UK dramas, there's plenty of humour to lighten the load. Gran's insistence that tsunamis never used to happen, that they're 'a modern thing' had me howling. The original soundtrack adds an extra 20 beats a minute to an already racing heart rate, and is sometimes euphoric with speedy drums, violins frenetically going up the scales as choirs produce angelic cries of doom. Most of all it's a warning, a 'be careful what you wish for'. I can't wait for ep 2.
UPDATE; It's finished now, can't get across how disappointed I was with the final episode. Long monologues that seemed to want to cram in as much as possible. Almost like the writer, Russel T. Davies had planned on doing 8 episodes, but the producers said 'No. There's only enough money for 6' at the last minute, prompting a chaotic and clumsy rewrite. Same thing happened with Bodyguard, also a Beeb production. Come on BBC! This is why Netflix is kicking your backside at the mo'.
The Alt Right are having kittens about this one, so it's already doing some good. 'Little Englanders' are claiming it's an attempt by the 'Marxist' BBC to feed the people anti Right propaganda, mostly because they don't like freedom of speech unless it's used for hurling insults or the idea of little brown babies with gay uncles. Or just the idea that people can get along without the need for a label denoting their origin, and therefore status. Sometimes Auntie Beeb is Left, sometimes Right, but always consistent with the quality of its dramas. This is one of the best I've seen for a long time, up there with Threads. YOU WILL HATE IT IF... you don't like the modern world, what it has become, if you're wearing a red baseball cap, if you think all foreigners are rapists, terrorists or drug traffickers, that gay people go against God. You will despise it if you hate the idea of removing barriers rather than wanting to build more. As the world in reality descends into a corrupt, billionaire run world where disparity between the haves and have nots is becoming more apparent by the day a drama like this is needed. The actors are already well known in the UK, most have been leads in other UK dramas, there's plenty of humour to lighten the load. Gran's insistence that tsunamis never used to happen, that they're 'a modern thing' had me howling. The original soundtrack adds an extra 20 beats a minute to an already racing heart rate, and is sometimes euphoric with speedy drums, violins frenetically going up the scales as choirs produce angelic cries of doom. Most of all it's a warning, a 'be careful what you wish for'. I can't wait for ep 2.
UPDATE; It's finished now, can't get across how disappointed I was with the final episode. Long monologues that seemed to want to cram in as much as possible. Almost like the writer, Russel T. Davies had planned on doing 8 episodes, but the producers said 'No. There's only enough money for 6' at the last minute, prompting a chaotic and clumsy rewrite. Same thing happened with Bodyguard, also a Beeb production. Come on BBC! This is why Netflix is kicking your backside at the mo'.
...broken hearted having just watched episode four of this ground breaking show and broken is vey much the state of the world portrayed in 'Years and Years'...which isn't as far fetched as it should be. The show is set in the near future and while things look bleak, they're presented in an everyday way through the eyes of one family. Rather than take a 'shock horror' approach to events as they chillingly unfold, the family simply live it day to day, as we would, with warmth and humour. This normalises the horrors of this future world and that packs a far greater emotional punch, because there is a real beating heart at the centre of everything. I can honestly say that I've never seen anything quite like this on television before. Each episode kinda pulls you in for a hug, then rips your heart out. 'Years and Years' is clever, nuanced and absolutely not-to-be-missed. Even in the midst of what seems like despair it still manages to be endlessly entertaining and never dry or dull. I dare you not to be challenged by this, in the best possible way. More of this kind of story telling/social commentary please.
The opening episode of this show captured everything we are all feeling in this post-2014 world. It didn't pull a single punch, it hit every note in a way that made you not just question the world, but yourself.
It did suffer one thing, and that is that it didn't hide its own political stance. But, in a world where insanity seems to prevail, we need sensible people like Russell T Davies showing us where the line used to be, and hopefully help us get back to it.
It did suffer one thing, and that is that it didn't hide its own political stance. But, in a world where insanity seems to prevail, we need sensible people like Russell T Davies showing us where the line used to be, and hopefully help us get back to it.
Le saviez-vous
- AnecdotesMany ideas used in the show can be seen in Russell T. Davies' work on Doctor Who (2005), particularly the episodes Turn Left (2008) and The Sound of Drums (2007). The most notable similarity is the re-use of the name Vivienne Rook.
- GaffesThe use of the virtual assistant Signor is inconsistent. On a few occasions it is triggered without anyone preceding a question with the word "Signor". One time it even interrupts a casual conversation unprompted to give a definition (about the movie Shirley Valentine).
- ConnexionsReferenced in Cadena Nacional: Épisode datant du 23 novembre 2022 (2022)
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What is the Canadian French language plot outline for Years and Years (2019)?
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