NOTE IMDb
6,6/10
8,1 k
MA NOTE
Adaptation cinématographique d'une comédie musicale sur un adolescent de Sheffield, en Angleterre, qui veut être une drag queen.Adaptation cinématographique d'une comédie musicale sur un adolescent de Sheffield, en Angleterre, qui veut être une drag queen.Adaptation cinématographique d'une comédie musicale sur un adolescent de Sheffield, en Angleterre, qui veut être une drag queen.
- Réalisation
- Scénario
- Casting principal
- Nomination aux 1 BAFTA Award
- 2 victoires et 11 nominations au total
Lauren Fidget Haywood
- Ellie Hayler
- (as Lauren 'Fidget' Haywood)
Résumé
Reviewers say 'Everybody's Talking About Jamie' is celebrated for its themes of self-acceptance and LGBTQ+ representation. Max Harwood and Richard E. Grant's performances are lauded for charm and depth. Musical numbers and choreography receive praise for energy and quality. However, some find the story predictable and songs less memorable, with certain characters lacking depth. The film's inclusivity message is widely appreciated, though some critics argue it caters more to straight audiences.
Avis à la une
You can tell this was filmed in 2019. Jamie feels like a pre-pandemic LGBT movie musical, if ever there was one.
The heart and charm of the stage musical is not apparent in this adaptation. It feels like an ode to narcissism and self-obsession, rather than a tribute to self-expression. Maybe this film would have had resonance fifteen years ago, but it feels so out of sync with the current zeitgeist. The more it tries to be inspiring, the more on-the-nose and garish it becomes, and the more I want to crawl back into my metaphorical closet...
The main fault of this film is the direction. It lacks vision. It's trying to be a 2000s British feel-good movie one minute, then the next it's a parody of a Netflix teen drama. Either way, with the number of stereotypes it perpetuates, it feels like an LGBT story more concerned with pleasing its straight audience than its gay one. If it had rooted itself in a time and place - 2010 Sheffield - examined that culture, and honed in on the mother-son emotional centre, then it could have been something interesting.
It's not a bad film, per se. It just doesn't know what note it's trying to hit... But, alas, the doe-eyed beauty of Sarah Lancashire's performance broke my heart and Work of Art will always be that bop...
6/10.
The heart and charm of the stage musical is not apparent in this adaptation. It feels like an ode to narcissism and self-obsession, rather than a tribute to self-expression. Maybe this film would have had resonance fifteen years ago, but it feels so out of sync with the current zeitgeist. The more it tries to be inspiring, the more on-the-nose and garish it becomes, and the more I want to crawl back into my metaphorical closet...
The main fault of this film is the direction. It lacks vision. It's trying to be a 2000s British feel-good movie one minute, then the next it's a parody of a Netflix teen drama. Either way, with the number of stereotypes it perpetuates, it feels like an LGBT story more concerned with pleasing its straight audience than its gay one. If it had rooted itself in a time and place - 2010 Sheffield - examined that culture, and honed in on the mother-son emotional centre, then it could have been something interesting.
It's not a bad film, per se. It just doesn't know what note it's trying to hit... But, alas, the doe-eyed beauty of Sarah Lancashire's performance broke my heart and Work of Art will always be that bop...
6/10.
Max Harwood delivers a standout debut performance in this camp coming-of-age musical, which features dazzling musical numbers, great costumes and set designs and an over-the-top drag queen performance by the wonderful Richard E. Grant. I could do with less of the gay clichéd themes - they are cringey.
This would definitely come code to home for lots of queer people. It was nice to see a British queer story that featured something that I related with.
It has a heart and is definitely feel good. I do think it's definitely tailored for a straight audience. It has a softness and digestible feel.
It's painfully northern (I'm northern). I think younger Northern people struggle to act, they all sound like they are in year 7 drama class. Obviously Sarah Lancashire is great and had such a deep feel to her character. She brought a lot. The lead...he's a good singer.
I think it's too long and the script is rough, it feels like a 40 year old has wrote teenage characters. Everything they say just sound so off. Aside from the dialogue I also felt like the story was strange. I think it seems very muddy. There is a internal conflict that comes of of absolutely nowhere right in the middle of the movie. Totally unwarranted to this character that we have watched for over an hour. It makes complete sense when explained but why they chose to place this in the middle of the movie without building to it, I have no idea. Another strange thing for me was the choice of dress at the end. It was like he went in granny's closet? Such a strange choice.
I'm glad movies like this are becoming more common and I want them to continue and become even better.
It has a heart and is definitely feel good. I do think it's definitely tailored for a straight audience. It has a softness and digestible feel.
It's painfully northern (I'm northern). I think younger Northern people struggle to act, they all sound like they are in year 7 drama class. Obviously Sarah Lancashire is great and had such a deep feel to her character. She brought a lot. The lead...he's a good singer.
I think it's too long and the script is rough, it feels like a 40 year old has wrote teenage characters. Everything they say just sound so off. Aside from the dialogue I also felt like the story was strange. I think it seems very muddy. There is a internal conflict that comes of of absolutely nowhere right in the middle of the movie. Totally unwarranted to this character that we have watched for over an hour. It makes complete sense when explained but why they chose to place this in the middle of the movie without building to it, I have no idea. Another strange thing for me was the choice of dress at the end. It was like he went in granny's closet? Such a strange choice.
I'm glad movies like this are becoming more common and I want them to continue and become even better.
I watched this cautiously as I had not seen the musical on stage, and somehow I felt I was too old to be interested, and I was wrong!! This is a tremendous film and the plot no doubt has been explained over and over again. Jamie is the 16 year old who realises he is a part of Gay History, and that drag queen which he wants to be had also been a cornerstone of that History. The key scene was when Richard E. Grant sings a homage to the 1980's and 90's when drag queens died of AIDS and there is heart wrenching footage of Princess Diana visiting hospitals and hospices. It all made sense; the whole purpose of the film in showing those aspects of Gay History that still many choose to forget. Jamie takes on that continuing History of bullying, mockery, as well as help at home and in school. Sarah Lancashire is moving as his devoted mother trying to hide him from the fact that his father wants to disown him as his son, and despite all the songs that vary in quality I love this film for its bravery in showing us that a 16 year old can be a part of the revolution, which is the perhaps never ending legacy of Gay History, and for every supporter there is a homophobe who wants to destroy that History. A film for all ages and a welcome breath of fresh air. A perfect film for the children of the future in any country that is hostile towards homosexuality that I can think of. A deserved 10.
I've missed Broadway musicals, I love heartfelt movies, and drag, AND cameos with my favorite drag queen Bianca, so this was all around fantastic for me. The singing was top notch, couple songs weren't the best, but the story touched me, and I shed a few tears.
Plus if you love dancing and singing, you don't want to miss this movie!!!
Plus if you love dancing and singing, you don't want to miss this movie!!!
Le saviez-vous
- AnecdotesTo prepare for his role, Richard E. Grant watched 11 seasons of RuPaul's Drag Race in three weeks.
- Citations
Pritti Pasha: Oh my days, look at ya! You're amazing. You're fearless. You're Emmeline Pankhurst.
Jamie New: Who's she?
Pritti Pasha: Oh, she were like Beyoncé back in't day.
- Crédits fousInspired by the True Story of Margaret and Jamie Campbell aka Fifi la True..
- ConnexionsFeatured in Sophie Ellis-Bextor & The Feeling: While You're Still Young (2021)
- Bandes originalesAnd You Don't Even Know It
Written by Dan Gillespie Sells and Tom MacRae
Performed by Max Harwood and Year 11
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Everybody's Talking About Jamie
- Lieux de tournage
- Sheffield, South Yorkshire, Angleterre, Royaume-Uni(City of Sheffield is where Jamie's house is in ceremonial South Yorkshire County, in traditional County of Yorkshire.)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 55min(115 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant