Rifkin's Festival
- 2020
- Tous publics
- 1h 28min
NOTE IMDb
6,1/10
10 k
MA NOTE
Un couple américain marié se rend au Festival de Saint-Sébastien et se laisse emporter par la magie de l'événement, la beauté et le charme de la ville et la fantaisie du cinéma.Un couple américain marié se rend au Festival de Saint-Sébastien et se laisse emporter par la magie de l'événement, la beauté et le charme de la ville et la fantaisie du cinéma.Un couple américain marié se rend au Festival de Saint-Sébastien et se laisse emporter par la magie de l'événement, la beauté et le charme de la ville et la fantaisie du cinéma.
- Récompenses
- 1 victoire et 1 nomination au total
Avis à la une
One of Woody's better artistic achievements after a few disturbingly disappointing movies he made over the last years.
Wallace Shawn might not be the perfect actor in the lead, and as a fan of Allen's work it's easy to recognize all his repetitive motifs, but somehow the beauty of the locations and the camera work, the charming aspects of the story worked out for me here. I can totally see how much Allen loves the European Cinema of the last century, it's clear he mourns that this kind of cinematic art is slowly getting lost in our times of ignorance and stupidity, and his parodistic sequences of citing Fellini, Bergman, Lelouch, Godard, Bunuel and Truffaut are funny and a bit melancholic to watch at. But of course to fully enjoy it you need to know the artists and films he's referring to.
Wallace Shawn might not be the perfect actor in the lead, and as a fan of Allen's work it's easy to recognize all his repetitive motifs, but somehow the beauty of the locations and the camera work, the charming aspects of the story worked out for me here. I can totally see how much Allen loves the European Cinema of the last century, it's clear he mourns that this kind of cinematic art is slowly getting lost in our times of ignorance and stupidity, and his parodistic sequences of citing Fellini, Bergman, Lelouch, Godard, Bunuel and Truffaut are funny and a bit melancholic to watch at. But of course to fully enjoy it you need to know the artists and films he's referring to.
Entertaining with the beautiful city of San Sebastián as a backdrop.
Woody Allen revisits many themes viewers have seen before in his earlier films, and spoofs of scenes from famous European filmmakers. The 2 female leads are very good and the scenery is gorgeous.
A tribute to cinema, existentialism and Woody Allen's career.
Great story, great lines, great directing but I think casting wasn't good enough. We all know that after the allegations against Woody Allen (and I have no doubt of his innocence) casting would be a little hard to do.
Wallace Shaun isn't cogent being a couple with Gina Gershon, but he's delivered a good interpretation.
At the end, is a clear tribute to Bergman, with some points of Godard, Truffaut and Woody Allen's career.
Great story, great lines, great directing but I think casting wasn't good enough. We all know that after the allegations against Woody Allen (and I have no doubt of his innocence) casting would be a little hard to do.
Wallace Shaun isn't cogent being a couple with Gina Gershon, but he's delivered a good interpretation.
At the end, is a clear tribute to Bergman, with some points of Godard, Truffaut and Woody Allen's career.
I enjoyed this film. Allen speaks through Wallace Shaun whose character says he was happiest at being a film teacher. His respect and love of classical European film directors come face to face with today's and he finds today's lacking. One of my favorite scenes from Breathless is shown. Some scenes are hilarious. I found myself laughing out loud. Something I haven't done in a while. In particular, Louis Garrel character as a contemporary film director finds himself being interviewed at the festival by journalists and then the bongo drum scene. The San Sebastián location is magnificent. Lot of references to Paris and New York. When he says there's nothing like walking down Boulevard Saint-Michel in the rain - you know what he means.
Le saviez-vous
- AnecdotesFilming ended one week ahead of schedule. The last scene was shot on August 16 in the morning and in the afternoon a charity market was organized in which props and costumes used in the film were put up for sale. The benefits were donated to the local foundation "Zaporeak", dedicated to giving food to refugees on the coasts of Greece.
- GaffesDuring the game of chess played against Death, the table appears incorrectly rotated. According to the rules of chess, the right square on the bottom row of each player should be white. Both players should know better than to make this mistake. Interestingly, the same mistake appears in the original movie Le Septième Sceau (1957) by Ingmar Bergman..
- Citations
Mort Rifkin: Nobody wants to die. Not even for love.
Jo Rojas: You wouldn't die for love?
Mort Rifkin: I'd frankly prefer not to die for anything. And that includes sickness, old age or choking on a bagel.
- ConnexionsFeatures À bout de souffle (1960)
- Bandes originalesSan Sebastián
Composed by Stephane Wrembel
Performed by Stephane Wrembel, Thor Jensen, Josh Kaye, Ari Folman-Cohen, Nick Anderson, Scott Kettner, Adrien Chevalier, Nick Driscoll & David Langlois
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Rivkin's Festival
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 2 319 180 $US
- Durée
- 1h 28min(88 min)
- Couleur
- Rapport de forme
- 2.00 : 1
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