Rifkin's Festival
- 2020
- Tous publics
- 1h 28min
NOTE IMDb
6,1/10
10 k
MA NOTE
Un couple américain marié se rend au Festival de Saint-Sébastien et se laisse emporter par la magie de l'événement, la beauté et le charme de la ville et la fantaisie du cinéma.Un couple américain marié se rend au Festival de Saint-Sébastien et se laisse emporter par la magie de l'événement, la beauté et le charme de la ville et la fantaisie du cinéma.Un couple américain marié se rend au Festival de Saint-Sébastien et se laisse emporter par la magie de l'événement, la beauté et le charme de la ville et la fantaisie du cinéma.
- Récompenses
- 1 victoire et 1 nomination au total
Avis à la une
As we get older and love doesn't seem to be enough and life is actually - quite simply inbalanced and almost artificial - watching Woody Allen movies brings life to the relatable and makes you laugh at the ridiculous of human behavior. Especially the fantasies of grandeur, - the intimacy between professor and the student or plumber and plumbers assistant, what have you, Rifkins Festival still plays at the comedy of the desperation and the fear to become stagnant.
Well shot. Good speed. Bold choice in actor, but the chemistry between authenticity and subtly feels balanced throughout.
Don't watch it expecting an Oscar. Watch it to enjoy cinema again. The movie also tells you that.
Well shot. Good speed. Bold choice in actor, but the chemistry between authenticity and subtly feels balanced throughout.
Don't watch it expecting an Oscar. Watch it to enjoy cinema again. The movie also tells you that.
One of Woody's better artistic achievements after a few disturbingly disappointing movies he made over the last years.
Wallace Shawn might not be the perfect actor in the lead, and as a fan of Allen's work it's easy to recognize all his repetitive motifs, but somehow the beauty of the locations and the camera work, the charming aspects of the story worked out for me here. I can totally see how much Allen loves the European Cinema of the last century, it's clear he mourns that this kind of cinematic art is slowly getting lost in our times of ignorance and stupidity, and his parodistic sequences of citing Fellini, Bergman, Lelouch, Godard, Bunuel and Truffaut are funny and a bit melancholic to watch at. But of course to fully enjoy it you need to know the artists and films he's referring to.
Wallace Shawn might not be the perfect actor in the lead, and as a fan of Allen's work it's easy to recognize all his repetitive motifs, but somehow the beauty of the locations and the camera work, the charming aspects of the story worked out for me here. I can totally see how much Allen loves the European Cinema of the last century, it's clear he mourns that this kind of cinematic art is slowly getting lost in our times of ignorance and stupidity, and his parodistic sequences of citing Fellini, Bergman, Lelouch, Godard, Bunuel and Truffaut are funny and a bit melancholic to watch at. But of course to fully enjoy it you need to know the artists and films he's referring to.
It isn't a great film, but I enjoyed spending time watching Wallace Shawn reciting Woody Allen's genius words about the meaning of life, the pretentiousness of art and the adrenaline of new love. Allen rarely disappoints... and this late-life crisis hits most of the classic notes.
Woody Allen revisits many themes viewers have seen before in his earlier films, and spoofs of scenes from famous European filmmakers. The 2 female leads are very good and the scenery is gorgeous.
Possibly more clever than outrightly funny, Woody Allen's charming RIFKIN'S FESTIVAL stars Wallace Shawn as a geeky film studies teacher who's attending the San Sebastian Film Festival with his wife (Gina Gershon), who's a publicist. As in his STARDUST MEMORIES, Allen shows he has little interest in box office, press conferences, fake glitz, and the self-anointed.
While Shawn trudges around the festival which promotes, in his opinion, garbage, he re-casts the situations in which he finds himself in scenes from his favorite films (but with the actors in this film). So we see these 4:3 B&W inserts of films by Truffaut, Bergman, Bunuel, Godard, Fellini, and a funny CITIZEN KANE bit.
Oy vey! Not as star studded as in days of yore, but some familiar faces show up, including Christoph Waltz as Death, Steve Guttenberg and Tammy Blanchard as Rifkin's brother and his wife, Richard Kind as Rifkin's father. We also get Elena Anaya as the doctor, Louis Garrel as the "star," and Douglas McGrath as Gil.
And Wallace Shawn does well as Woody's alter-ego, but he can't deliver a line or a joke with Woody's aplomb.
While Shawn trudges around the festival which promotes, in his opinion, garbage, he re-casts the situations in which he finds himself in scenes from his favorite films (but with the actors in this film). So we see these 4:3 B&W inserts of films by Truffaut, Bergman, Bunuel, Godard, Fellini, and a funny CITIZEN KANE bit.
Oy vey! Not as star studded as in days of yore, but some familiar faces show up, including Christoph Waltz as Death, Steve Guttenberg and Tammy Blanchard as Rifkin's brother and his wife, Richard Kind as Rifkin's father. We also get Elena Anaya as the doctor, Louis Garrel as the "star," and Douglas McGrath as Gil.
And Wallace Shawn does well as Woody's alter-ego, but he can't deliver a line or a joke with Woody's aplomb.
Le saviez-vous
- AnecdotesFilming ended one week ahead of schedule. The last scene was shot on August 16 in the morning and in the afternoon a charity market was organized in which props and costumes used in the film were put up for sale. The benefits were donated to the local foundation "Zaporeak", dedicated to giving food to refugees on the coasts of Greece.
- GaffesDuring the game of chess played against Death, the table appears incorrectly rotated. According to the rules of chess, the right square on the bottom row of each player should be white. Both players should know better than to make this mistake. Interestingly, the same mistake appears in the original movie Le Septième Sceau (1957) by Ingmar Bergman..
- Citations
Mort Rifkin: Nobody wants to die. Not even for love.
Jo Rojas: You wouldn't die for love?
Mort Rifkin: I'd frankly prefer not to die for anything. And that includes sickness, old age or choking on a bagel.
- ConnexionsFeatures À bout de souffle (1960)
- Bandes originalesSan Sebastián
Composed by Stephane Wrembel
Performed by Stephane Wrembel, Thor Jensen, Josh Kaye, Ari Folman-Cohen, Nick Anderson, Scott Kettner, Adrien Chevalier, Nick Driscoll & David Langlois
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- How long is Rifkin's Festival?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Rivkin's Festival
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 2 319 180 $US
- Durée
- 1h 28min(88 min)
- Couleur
- Rapport de forme
- 2.00 : 1
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