1917

Sam Mendes' war drama is set during World War I and very personal to him, as it tells a story his grandfather used to tell him when he was still a young lad. Dedicated to Mendes' hero, this drama cuts deep when we join two young soldiers on a mission to deliver a message that could possibly save thousands of fellow combatants.

Filmed and edited as if it was one long take, the camera never leaves our main protagonists, Blake (Dean-Charles Chapman) and Schofield (George MacKay), out of its sight. Mendes (Skyfall) and co-writer Krysty Wilson-Cairns (Penny Dreadful) therefore corner themselves by relying on this kind of linear storytelling, to tell a very focused but at times a somewhat thin tale. Some of the scenes are so empty, it will for sure test audiences' patience. Technical, '1917' is a true feast for the eyes and ears.

Roger Deakins' (Blade Runner 2049) cinematography is once again breathtakingly superior to anything else you've seen this year, and for sure will be the one thing people unanimously praise. Sound editing/mixing, visual effects and production design are all outstanding. These are the things, people will remember. It is Thomas Newman's (Passengers) score that elevates every moment happening in front of you, intensifying the emotions brought by our main characters. And although MacKay (Captain Fantastic) and Chapman (Game of Thrones) do a pretty phenomenal job at capturing the true essence of their characters going through a literal hell, it's the side characters with little-to-no screen time who steal their spotlight. Andrew Scott (Fleabag), Mark Strong (Shazam!), Richard Madden (Rocketman) and Benedict Cumberbatch (Dr. Strange) are checkpoints along the way, but man, do they impress with the few lines they're given.

1917 is without a doubt a technical masterpiece, that will inspire many filmmakers, but I can't feel a bit let down. As an overall film, it wants to play a heavy tune on your heartstrings, but can't reach that level of sentiment, because the focus on technicalities pulled me out of the story. It for sure is one of the better films 2019 has brought to the big screen, yet a bit more focus on the script could've made this the cinematic masterpiece of the decade. Nonetheless, I recommend watching this on the biggest screen possible and enjoy another fine piece of cinema brought to you by Sam Mendes.

The entire movie made to look like it's shot at one single take, this is possible because of extraordinary talented 14 times Academy Award nominee cinematographer Roger Deakins. This man is a genius, the movie is shot beautifully. it is mesmerizing to a watch world war 1 movie like it is happening right in front of you. The pacing is phenomenal. The only real flaw in the movie is that there are no great character building movements like other war movies but that is also intentional because, the main intention or motive is to save lives and not focus on characters in the movie and that works.

It's a stunning watch from start to finish. The amount of work that went into this film alone deserves your attendance, and even then, the story never stalls, and has a fair balance between war and humanity, and has some of the most incredible camera work I've seen in a while. It's hands down my favorite film of 2019.

Last night COL Ferry and I (COL Coldwell, both USA) were able to watch the new WWI film, 1917, before it has national release. It is a cinematographic feast for the eyes, long expansive shots that follow the protagonists as they execute their mission. It does not hide the horrors that existed in trench warfare, it shows them for their brutality and abundance. (My great uncle died as a consequence of his service fighting in the trenches, mustard gas poisoning). In many ways it reminded me of Saving Private Ryan.

For those who have served in combat (I have deployments to Iraq and Afghanistan), I cannot tell you if the film will be too difficult to watch, it might well be, especially if incoming artillery is a trigger. For me, as the camera travels a few inches above the dirt advancing slowly up a berm, my response was visceral. I was taken back to the patrols we walked in Afghanistan, not knowing what was around the corner; not relaxing heightened vigilance, not knowing if there would be an IED, a child wearing a suicide vest, a sniper taking aim. For the protagonists in this film (as for all who served and are serving) surviving the climb up the berm, there is no sigh of relief, no respite from the fear of uncertainty. They (we) survive to move forward to face more uncertainty.

Watching allowed me to pay homage to my great uncle, and the approximate 800,000 other Brits who were killed or died as a consequence of their service. (Germany lost over 2 million soldiers in the war). Estimates put the total casualty numbers for both military and civilians at 40 million, half killed or died from wounds/infection.

I rate this film as 10/10, for many reasons. Directing, acting, set design, cinematography, musical score, the raw emotion it invokes. Some critics have said they never felt a connection with the characters, I suspect they never served in combat. While the brotherhood (including female War Fighters) is strong, there is also a common characteristic possessed by all War Fighters, the ability to focus on a mission and suppress emotion, even as those around the Fighter fall. This was the quality I recognized in the actors and why the viewer doesn't "bond" with the main protagonists; we, the viewer, were on the mission with them, we grieve as we can and move on.

Watch if you will, but know there is no pleasure in watching and the film will grab you and the beginning and not let you go. Even though we know the outcome of WWI, there is no joy, there is no peace. Watch because it will allow you a glimpse at the horror and brutality of war; reflect on their service and sacrifice. Note, as we (the viewer) are "walking" through the trenches, glancing shots of the young soldiers shows them with flat affect, isolation, almost apathy; this is the face of "shell shock," what we know call post-traumatic stress disorder.

For original WW1 footage, watch "They Shall Never Grow Old," an exceptional documentary.

Watching 1917, the audience might discern its apparent single-shot presentation, a testament to director Sam Mendes' remarkable craftsmanship. Is it filmed in one shot? A minimum of 34 discreet edits were subtly introduced to create the illusion of a continuous shot. This prompts speculation about the extent of the set, given the limited number of cuts, particularly within a wartime backdrop.

Transitioning to the narrative and cast evaluation, the film embarks on a riveting journey. The ensemble, including delivers a commendable performance. The artistic nuances employed to bolster the script, characters, pivotal moments, and conflicts resonate as an exquisite touch.

The film doesn't merely captivate with its story but also portrays a natural splendor, subtly showcasing its essence. I couldn't recall watching any movie with only 2 female characters including a baby girl.

My experience was satisfying although it doesn't rely heavily on suspense or thrills. It is a delightful watch!