Des entretiens inédits avec Elizabeth Taylor et un accès sans précédent aux archives personnelles de la star révèlent la vie intérieure complexe et la vulnérabilité de l'icône révolutionnair... Tout lireDes entretiens inédits avec Elizabeth Taylor et un accès sans précédent aux archives personnelles de la star révèlent la vie intérieure complexe et la vulnérabilité de l'icône révolutionnaire.Des entretiens inédits avec Elizabeth Taylor et un accès sans précédent aux archives personnelles de la star révèlent la vie intérieure complexe et la vulnérabilité de l'icône révolutionnaire.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 11 nominations au total
- Self
- (images d'archives)
- Self - Actor
- (images d'archives)
- Self - Actor
- (images d'archives)
Avis à la une
So, taken all in all, a fairly admirable person, especially when you include, as I'm happy to say this film does, her advocacy for the Hollywood gay community during the AIDS scourge when most straight folks were looking or running away. Give it a B plus.
Liz's top five films:
5) Cat
4) Father Of The Bride
3) Place In The Sun
2) Giant
1) Va. Woolf
And yes, "Butterfield 8" sucks!
Nanette Burstein's "Elizabeth Taylor: The Lost Tapes" sets out to answer this question. Featuring a recently unearthed 1964 interview with Liz. The actress talks about her career, her personal life, and other things. Although Taylor doesn't mention it in the interview, the documentary notes her friendship with gay actors Montgomery Clift and Rock Hudson; it sounds as though she was more comfortable around gay men than straight men, and she made sure to cover for her gay friends. As to Liz's serial marriages, I guess that we could chalk this up to her fame sweeping over her at a young age, or maybe that Hollywood was trying to boost her image (not counting her marriage to Mike Todd, which ended with his death in a plane crash). The documentary doesn't mention Taylor's friendship with Michael Jackson; I guess that his reputation has suffered too much to reference.
What emerges is an actress who was more than the sum of her parts. Whatever you think of Elizabeth Taylor's movies or about her as a person, you can't deny the impact that she had on popular culture. I think it's safe to say that her legacy will live on forever.
Taylor admits she made mistakes and was not perfect as her love life and many marriages would prove, and like any doc we the viewers are treated to photos, film clips, footage, and headlines, always when she wed and divorced it was front page news.
Highlighted was Elizabeth growing up in front of the camera from her young teen roles to winning an Oscar for "Who's Afraid of Virginia Wolf?". She owed much of her success to her parents for helping her get involved in movies learning to act at acting and film school.
Taylor's life was a roller coaster from being swept off her feet by director Mike Todd and dealing with his tragic death in a plane crash. Then Liz romanced Eddie Fisher after he left Debbie Reynolds, only Elizabeth changed again leaving Eddie for Richard Burton whom she meet on the set of "Cleopatra".
Touching was highlighting Taylor's friendships with closeted gay actors such as Roddy McDowall and Rock Hudson, which later lead to her activism for AIDS research. Good look at a legendary actress who's work public and private will never be forgotten.
The documentary mostly consists of conversations with her (with other folks like Burton thrown in the mix) with archival footage shown on screen. Sadly, it's less a reappraisal of her cinematic legacy and more of her marriage drama. There is hardly any insight into her cinematic career beyond the usual fluff (save for Cleopatra) though archival footage for her marriage isn't spared.
This documentary treats her like a spoiled mogul rather than a serious actor.
Le saviez-vous
- Citations
[last lines]
Elizabeth Taylor: [from a recording of a 1985 interview] Now, I find life so exciting. There's so many things to do now, so many things to learn. And I'm doing that now. If I want to go someplace, I *go.* If there's something I want to study, I'll *study it* now. I'm not under obligation to *anyone*
[pause]
Elizabeth Taylor: but myself. And to thine own self be true. That's all I have to do.
- ConnexionsFeatures Lassie Come Home (1943)
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Elizabeth Taylor: Las cintas perdidas
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 40min(100 min)
- Couleur