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7,3/10
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MA NOTE
Un détective est contraint de confronter des vérités difficiles sur son passé et son présent, alors qu'il est sur la piste d'un tueur en série dans le nord de la campagne finlandaise.Un détective est contraint de confronter des vérités difficiles sur son passé et son présent, alors qu'il est sur la piste d'un tueur en série dans le nord de la campagne finlandaise.Un détective est contraint de confronter des vérités difficiles sur son passé et son présent, alors qu'il est sur la piste d'un tueur en série dans le nord de la campagne finlandaise.
- Récompenses
- 2 victoires et 4 nominations au total
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I became quite hooked on the first series although I am not sure why. The characters were interesting and very three dimensional which is rare. The crime element was very much a sub plot. The gist of the series is about two very different cops coming to a brutal realisation of who they are and where they come from. The one thing it lacks, however, is any suspense whatsoever. Not a huge problem, but noticeable.
However, season 2 for me is the whole package. I am only on episode 3 but felt compelled to write this review. The acting is fabulous. Matti Ristinen especially steals the show. There is palpable tension in every episode as the righteous but traumatise cop deals with a new world order on one side and suffocating, corrupt religious zealots on the other.
Love it.
This is a little gem of a series. The performances are truly top-notch and I found myself tearing up near the end, which I rarely do. The lead actor and actress are incredibly solid and vulnerable. The screenwriting and plotting was solid. The filmography and landscapes are beautiful and you can really feel that you're watching Ostrobothnia--could the landscape be more flat?
The theme of the series really is about the trauma of religion. I have rarely seen a movie/TV-series tackle the subject with such vulnerability and from so many points of view. It's interwoven with grief, internalized homophobia and domestic violence. The storytelling comes across with very little melodrama, except for the culmination at the end. That's one of the reasons I didn't rate this a total 10/10. But the ending was well done and believable to me, so it isn't a huge complaint, and perhaps the culmination needs some extra drama, so it may be just a personal thing. Some characters, like the business man, were also too stereotypically depicted to my liking. But again, that is a small complaint in the big picture.
Bonus points for Lauri's mother's performance. It still brings me goosebumps when I think back on it. Such raw grief and guilt really makes you feel for her even with everything you know about her. But it's the humanity coming across in the series. I also thought it was very well done to have Lauri slowly start to speak more and more in his childhood dialect as the series went on. This is something foreigners won't catch, but it was a very satisfying detail for them to include, as that's what happens when one goes back.
I have ties to Laestadianism and what is portrayed does ring true to me. But I'm sure only someone who has left the religion can truly say anything about this depiction of it.
The theme of the series really is about the trauma of religion. I have rarely seen a movie/TV-series tackle the subject with such vulnerability and from so many points of view. It's interwoven with grief, internalized homophobia and domestic violence. The storytelling comes across with very little melodrama, except for the culmination at the end. That's one of the reasons I didn't rate this a total 10/10. But the ending was well done and believable to me, so it isn't a huge complaint, and perhaps the culmination needs some extra drama, so it may be just a personal thing. Some characters, like the business man, were also too stereotypically depicted to my liking. But again, that is a small complaint in the big picture.
Bonus points for Lauri's mother's performance. It still brings me goosebumps when I think back on it. Such raw grief and guilt really makes you feel for her even with everything you know about her. But it's the humanity coming across in the series. I also thought it was very well done to have Lauri slowly start to speak more and more in his childhood dialect as the series went on. This is something foreigners won't catch, but it was a very satisfying detail for them to include, as that's what happens when one goes back.
I have ties to Laestadianism and what is portrayed does ring true to me. But I'm sure only someone who has left the religion can truly say anything about this depiction of it.
I loved the first season with its human interest background as well as the investigative aspects. The sexuality of Lauri was a factor in the development of the plot inasmuch as it was one of the main reasons for his long-ago departure from the area and the way people reacted to him upon his return. The fractured relationship he has with his husband was in large part engendered by the restrictive teachings of the Laestadian sect of his upbringing. It is hard to believe that such people exist in a modern, progressive society such as Finland that regularly tops the world happiness index and that their cold, exclusionist and rejectionist beliefs cause havoc with the minds of people who are connected to them. This is an overarching theme of both seasons.
Season Two is a prequel, if you will. It stems from a glancing reference made by Lauri to Sanna in the first season about previous murders in the area and is introduced by a "Previously on All the Sins" introduction in the first episode before the theme song comes up. We immediately learn about the murder and who was convicted for it and their relationship to one of the key characters in the first season. After the opening credits, we are transported 15 years into the past before the events of Season One. Clearly the actors and the characters they are playing are nearly all different with a couple of exceptions. Once more, the unforgiving and closed religious community is a major theme and we see again how it closes in to protect its own against perfectly decent and honest non-members.
As in Season One, there are some surprising, but believable, plot twists and turns. Nothing is as it seems and the revelation of the perpetrator and then the final gruesome twist leading to the arraignment in court are hard to watch. Yes, I can understand the actions taken but cannot accept them as justifiable.
I know Finland well, but this sort of religious community controlling whole towns was something I was unaware of. This particular setting takes place in a fictional town in the vicinity of Oulu, a lovely part of the country where normality, thankfully, reigns.
This was an original concept, well shot and acted with plot devices that held the attention throughout. The acting was excellent and the characters seemed true to life in their roles. Six episodes per season was just right.
I'm hoping that there will be a Season Three!
Season Two is a prequel, if you will. It stems from a glancing reference made by Lauri to Sanna in the first season about previous murders in the area and is introduced by a "Previously on All the Sins" introduction in the first episode before the theme song comes up. We immediately learn about the murder and who was convicted for it and their relationship to one of the key characters in the first season. After the opening credits, we are transported 15 years into the past before the events of Season One. Clearly the actors and the characters they are playing are nearly all different with a couple of exceptions. Once more, the unforgiving and closed religious community is a major theme and we see again how it closes in to protect its own against perfectly decent and honest non-members.
As in Season One, there are some surprising, but believable, plot twists and turns. Nothing is as it seems and the revelation of the perpetrator and then the final gruesome twist leading to the arraignment in court are hard to watch. Yes, I can understand the actions taken but cannot accept them as justifiable.
I know Finland well, but this sort of religious community controlling whole towns was something I was unaware of. This particular setting takes place in a fictional town in the vicinity of Oulu, a lovely part of the country where normality, thankfully, reigns.
This was an original concept, well shot and acted with plot devices that held the attention throughout. The acting was excellent and the characters seemed true to life in their roles. Six episodes per season was just right.
I'm hoping that there will be a Season Three!
I have watched two seasons of this great Finnish TV serie. I have learned out that the third is on air. I wanted to write my comment before watching the third season. I really liked the second season and I can even say that I like it more than the first season. The difference between revenge and punishment is very well analyzed in the second season. Although, there were very unnecessary dialogoues and moments in the first season, the second season lack these and it focuses on an old case that haunted the town. In addition to this, the acting is absolutely great in the second season, and you really enjoy the nature of Northern Finland.
Wow this was excellent. The interlinking of series 1 and 2 was very creative. Great characters and storyline and in series 2 we get snow. Nothing like snow to enhance a Scandi-noir. Can see many points of departure for series 3. Bring it on👍
Le saviez-vous
- AnecdotesThe creators of the series, director-screenwriter Mika Ronkainen and screenwriter Venla Aakko, make a cameo role at the closing montage of the series, lifting a large police sign off the wall at the Varjakka police station.
- GaffesEach episode of the production seasons has the same closing credits although not all the actors appear in each episode.
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Todos Os Pecados
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 45min
- Couleur
- Rapport de forme
- 2.35 : 1
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