Shirley

Just.... Strange. Kind of a weird train wreck to watch. Elisabeth Moss is a great actress and delivers as usual, but it's a little hard to get on board with the story, because you want the "good" characters to stand up for themselves and the "bad" characters are just pretty mean. Upon further recent (this is supposed to be based on the Haunting of Hill House author Shirley Jackson), there is no evidence that the real Shirley Jackson was so evil. This movie version of Shirley tears people down for sport. It leaves a bad taste in my life when famous figures are skewered in movies that promote themselves as biopics or "based on the life of" or "inspired by a true story." Skip this movie and read a Shirley Jackson novel instead!

I really don't get it. Director Josephine Decker supposedly wants her film to illuminate the life and work of author Shirley Jackson. The actors spent time researching and immersing themselves in the lives of Shirley and of Stanley Hyman. But the film's story is only ever vaguely representative of their lives and personalities. Huge liberties have been taken. To give just one example, this Shirley and Stanley are childless, and seemingly tortured about it, whereas the real Shirley and Stanley had four children. In the end, one can only wonder what the point of this film is. It's no kind of tribute and it neither illuminates, nor explores Jackson's life and work when there's only a passing resemblance to the known facts. Decker actually seems more interested in spinning a story about the creative process, and how all-consuming, twisted and destructive it can be. That's all very well. But Decker's notions have little to nothing to do with Jackson. So why not just admit that her story is fictional? Pretending that it is some kind of biography, however loosely based on facts, just seems dishonest and ultimately exploitative. Ethical issues aside, it also has to be said that Decker's exploration of her Shirley's creative process involves long stretches of extreme tedium, some seriously contrived dramatic scenarios and a great deal of shameless scenery-chewing, albeit by a couple of very fine actors. Given that the melodrama revolves around an academic, his frumpy wife and their young house guests (and attendant sexual tensions) there are whole scenes that play like an uncomfortable homage / parody of Who's Afraid of Virginia Woolf? If only it were even half as amusing and engaging.

I kept watching this movie to see if it would get any better. It didn't. I only gave it a five because for the most part the acting was good.

Based on a Book that Fantasizes about Real-Life Author Shirley Jackson, who Wrote 5 Novels and over 200 Short Stories.

Her most Famous Work is the Novel "The Haunting of Hill House" was made into a Feature Film Twice and a Mini-Series.

The First Film was"The Haunting" (1963) with Julie Harris.

As Stated, this is Not a Bio-Pic but has Elements of Shirley's Life that are True, like Her Marriage to Teacher (not Professor) and Literary Critic Stanley Hyman.

The Most Strikingly Real Thing about "Shirley" is Elizabeth Moss and Her Uncanny Transformation to the Appearance of the Real-Life Shirley.

She could be a Twin or a Clone, it is that Spot-On.

The Film is Interesting and Stylish Enough to Draw You in to the Story because it is Creepy and Haunting like the Author's Work.

And Again Moss is a Sight to Behold, Looking Like a Witch most of the Time and Acting just as Macabre.

The Rest of the Cast can Hardly Keep Up.

But are Given some Good Off-Beat Personas and Interactions with the Bizarre, Brilliant Shirley.

Just Don't Go Here to Acquire any Deep-Dive, although One can See the Similarities between the Real-Life and the Fictional Account.

Shirley Jackson Suffered Bouts of Amphetamine, Barbiturate, and Alcohol Abuse and was Over-Weight most of the Time.

Fans of the Author most Likely will Like this Peek at the Persona of Shirley Jackson.

Because it seems to Capture the Genius of a Gifted Talent's Struggle Against Who She Was and the Expected Conformity that was of Her Era.

All of that took a Toll on the Woman and She Died in Her Sleep of Heart-Failure at the Age of 48.

But the filmmakers decided to make this film anyway despite a flawed script. Dismal directing and over-the-top performances. This film is so damn boring unless you are interested in looking at close-ups of Elizabeth Moss without makeup emoting strange faces at the camera in scene after scene. Just didn't work.