NOTE IMDb
6,4/10
14 k
MA NOTE
Quatre courts métrages de quatre des plus grands réalisateurs indiens explorant l'amour, le sexe et les relations dans l'Inde moderne.Quatre courts métrages de quatre des plus grands réalisateurs indiens explorant l'amour, le sexe et les relations dans l'Inde moderne.Quatre courts métrages de quatre des plus grands réalisateurs indiens explorant l'amour, le sexe et les relations dans l'Inde moderne.
- Récompenses
- 1 victoire et 5 nominations au total
Avis à la une
Heard a lot about it early this summer and today I finally decided to watch it. So here is my review. It has four individual stories of women are involved or want to be involved in a relationship and we are shown how and what they feel as their stories unfold.
From a technical standpoint, all the four stories have great amount of work involved. The character development is very good, the art and sound are just right. There are small and healthy doses of humor added which is enjoyable. The choice of actors for the roles is appropriate and each of them have played the roles perfectly.
From a deeper perspective, although it is intended to be for matured and highly educated audience who are possibly upper middle class and from high society, this film is hollow in that none of the stories narrated have a moral/lesson. They are worth watching once but not that worthy to come back for more. I was sitting pondering how each story was connected, was there a hidden secret, a deep rooted meaning or an easter egg for me to think about. Sadly (it may be only me), I couldn't find any. When one story ends, I felt I learned nothing from it except the third one with some really good storyline. Except for being good looking visual art pieces nothing is really conveyed that the audience can go back to.
Maybe it was intended for that. A good coffee movie about relationships for women and matured audiences can watch once and go about their lives again. Maybe they were designed such that we could find a character which we could identify with and see our feelings through them. Or just like reading a book of short relationship stories. I don't know.
From a technical standpoint, all the four stories have great amount of work involved. The character development is very good, the art and sound are just right. There are small and healthy doses of humor added which is enjoyable. The choice of actors for the roles is appropriate and each of them have played the roles perfectly.
From a deeper perspective, although it is intended to be for matured and highly educated audience who are possibly upper middle class and from high society, this film is hollow in that none of the stories narrated have a moral/lesson. They are worth watching once but not that worthy to come back for more. I was sitting pondering how each story was connected, was there a hidden secret, a deep rooted meaning or an easter egg for me to think about. Sadly (it may be only me), I couldn't find any. When one story ends, I felt I learned nothing from it except the third one with some really good storyline. Except for being good looking visual art pieces nothing is really conveyed that the audience can go back to.
Maybe it was intended for that. A good coffee movie about relationships for women and matured audiences can watch once and go about their lives again. Maybe they were designed such that we could find a character which we could identify with and see our feelings through them. Or just like reading a book of short relationship stories. I don't know.
There comes a film every once in a while that tries too hard to convey a message but falls flat on its own face mostly due to a lack of substantial content and heavy doses of embellishments. Netflix's Lust Stories is one such anthology film with four 30-minute stories that aspire to break taboos associated with women's sexuality but are, in fact, purveyors of nonsense. Except for Karan Johar and Anurag Kashyap hitting one or two right chords with their stories about vaginal pleasure and emotional attachment respectively, Lust Stories gasps for freshness and logic. While Johar's young housewife (Kiara Advani) is dissatisfied with her husband's performance on bed and so looks for external stimuli in a righteous way, Kashyap's teacher (Radhika Apte) is obsessed with a youngster who she had a poontang with despite telling him herself to not take it to the heart. Zoya Akhtar comes in third with her excellently acted trash about a housemaid (Bhumi Pednekar) taken for granted by her bachelor employer after they engage in some nasty sex. There's not even a sprinkle of inference you can gather from the story other than the subtle performance by the cast which also include Neil Bhoopalam. Dibakar Banerjee certainly did not get the memo as his story looks like a nonsensical excerpt from an awful book. Manisha Koirala takes cues from Banerjee to take marital decisions for her character while enjoying the mess she has made the lives of two men and vice versa. (I mean it, don't tell me otherwise.) The music and overall cast performance is good and high-energy, thanks to Netflix, but the content seems like it was concocted just to frame it with the word 'feminism' and then sent for human consumption. I get it when Johar tries to highlight the importance of women's sexuality but it does not have to be forced, just like the little humor that Lust Stories overall boasts of. Don't waste your time unless you want to have a look at how the actors look when they act 'it'. TN.
It is an anthology of 4 short films. But only the first and last one directed by Anurag Kashyap and Karan Johar fits in the bill. The remaining two are boring and drab. The theme of all 4 short films revolves around lust but doesn't leave an impact after watching. It could have been better and entertaining. A decent one-time watchable in Netflix.
First of all, i am not a big fan of commercial bollywood films., although some are worth watching( Rajkumar hiranis and aamir khan movies). Coming to this movie , my expectations were high after watching the trailer , which gave me vibes similar to a hollywood film 'The little death. But everything went downhill when i was half way through this boring piece of cinema. The Producers have obviously cheated netflix by saying that they are adding a new concept and wonder what? Lust!!. What a new concept right? Just the right formula to get both critics appraisal and grab money from the poor audience, mostly feminists. The movie started with radhika aptes story, who is a teacher obsessed with one of her students. There are mental thoughts happening with her which are shown as an interview section. The end was pretty average for general audience and mind blowing for feminists. The second movie was literally us staring at a wall for over 30 minutes. The movie was pointless and didnt knew where it was going. The third movie can be described as another wall which the audience needs to stare for a long time except one difference.. the wall is painted with a new colour. The best part was the last film by karan johar. This film had some life in it and provides occassional laughs. The end scene could have been funny if it was not copied from the Gerard butler movie 'The ugly truth'. The scene was hilarious except the fact that it doesnt have the charm of the original movie.
Overall this movie is just a typical movie which feminists can hold debates and appreciate. But for a regular movie buff this is just a money grabbing fare and can give it a skip. Watch The little death instead.
Overall this movie is just a typical movie which feminists can hold debates and appreciate. But for a regular movie buff this is just a money grabbing fare and can give it a skip. Watch The little death instead.
I watched this series with a lot of hope. But it falls flat on it's face. Either the filmmakers slept walked through the making or tried too hard. Apart from Karan Johar's movie, the rest delivers almost nothing. Anurag Kashyap's movie tries to ask a few important questions about love and existence. Yet it fails to make an impact.
Joya Akhtar and Banerjee fails to impress. It's Karan Johar who makes it watchable and puts across question of female desire and pleasure. Something not seen in popular media.
You can watch it once. But not something you will ever come back to.
Joya Akhtar and Banerjee fails to impress. It's Karan Johar who makes it watchable and puts across question of female desire and pleasure. Something not seen in popular media.
You can watch it once. But not something you will ever come back to.
Le saviez-vous
- AnecdotesRapper Baadshah was offered role of Vicky Kaushal.
- ConnexionsFollowed by Ghost Stories (2020)
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- How long is Lust Stories?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Bajo el hechizo del deseo
- Lieux de tournage
- St. Xavier's College, Bombay, Inde(Neha advising Kiara)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 2h(120 min)
- Couleur
- Mixage
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