NOTE IMDb
5,6/10
10 k
MA NOTE
Une femme des plaines est confrontée à la dureté et à l'isolement des terrer arides du Far West de la fin des années 1800.Une femme des plaines est confrontée à la dureté et à l'isolement des terrer arides du Far West de la fin des années 1800.Une femme des plaines est confrontée à la dureté et à l'isolement des terrer arides du Far West de la fin des années 1800.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 6 nominations au total
Avis à la une
"The Wind" follows a young woman and her husband who attempt to make a settlement in New Mexico in the late 19th century. They are the only people on the plain until another young couple arrives and moves into an adjacent derelict cabin. Both women share a common experience: There seems to be something living in the surrounding land that is trying to destroy them.
First off, I am a major fan of Western horror films, and frankly believe there are not enough of them--this period in U.S. history is ripe for horror movies, but it doesn't seem to be mined nearly as much as it could--so from that alone, I was thrilled at the concept of this film.
Director Emma Tammi really nails it here in terms of mood and atmosphere; the film is impeccably dressed, beautifully shot, and evokes a consistent dread that seems to close in on the protagonist. The narrative is told in a fragmented, non chronological manner, which might frustrate some, but it allows for a few clever juxtapositions and plot developments that wouldn't be possible otherwise, so it serves a purpose. Caitlin Gerard delivers a great performance here as pioneer woman Lizzy, the tormented lead. Hers eclipses the other performances from the small cast, and Julia Goldani Telles, though decent, seems miscast here. There are a few minor inconsistencies here in terms of the characters' appearances, as they all look far too primped and pressed for pioneers living in brutal conditions--but that aside, the period is well-represented.
The final act is where the film's screenplay starts to show its cracks. The explanation behind the events, albeit ultimately vague, is not entirely satisfying--it feels in some ways arbitrary, and the mythos is not fleshed out enough for the audience to ultimately care; it feels like a tacked-on afterthought that has little to support it. Despite this, though, I still found the film entertaining and at times thrilling. As far as Western horrors go, "The Wind" is a fine (albeit flawed) entry. 6/10.
First off, I am a major fan of Western horror films, and frankly believe there are not enough of them--this period in U.S. history is ripe for horror movies, but it doesn't seem to be mined nearly as much as it could--so from that alone, I was thrilled at the concept of this film.
Director Emma Tammi really nails it here in terms of mood and atmosphere; the film is impeccably dressed, beautifully shot, and evokes a consistent dread that seems to close in on the protagonist. The narrative is told in a fragmented, non chronological manner, which might frustrate some, but it allows for a few clever juxtapositions and plot developments that wouldn't be possible otherwise, so it serves a purpose. Caitlin Gerard delivers a great performance here as pioneer woman Lizzy, the tormented lead. Hers eclipses the other performances from the small cast, and Julia Goldani Telles, though decent, seems miscast here. There are a few minor inconsistencies here in terms of the characters' appearances, as they all look far too primped and pressed for pioneers living in brutal conditions--but that aside, the period is well-represented.
The final act is where the film's screenplay starts to show its cracks. The explanation behind the events, albeit ultimately vague, is not entirely satisfying--it feels in some ways arbitrary, and the mythos is not fleshed out enough for the audience to ultimately care; it feels like a tacked-on afterthought that has little to support it. Despite this, though, I still found the film entertaining and at times thrilling. As far as Western horrors go, "The Wind" is a fine (albeit flawed) entry. 6/10.
The trailer already made me feel like I'm gonna like this - and I did. I love and respect folk horror movies & I think this has all the qualities to belong to that subgenre, even though it's a western.
"The Wind" possesses many qualities - a strong lead performance, decent, on-point-bleak cinematography and crafty editing, an ambiguous (I enjoy ambiguous horror movies) and twisty plot, very fitting original score & eerie, isolated atmosphere. Those were the reasons Why I liked it, so what were the flaws? Honestly, I can't quite pin them down, put it in words. It might the be fact that, ultimately, it offers nothing new or that the chills weren't ... chilly enough. Like, for example, "The Witch", which I find similar in some ways, is a more effective movie. At least for me. Whatever the flaws are, nothing stuck out to me, it's just that objectively this is neither a masterpiece or the best horror movie of the year.
If You like modern folk horror movies, bleak, atmospheric movies or ambiguous plots, be sure to give this a watch - it deserves more attention. I'm interested to see what's next from this director. My rating: 7/10.
"The Wind" possesses many qualities - a strong lead performance, decent, on-point-bleak cinematography and crafty editing, an ambiguous (I enjoy ambiguous horror movies) and twisty plot, very fitting original score & eerie, isolated atmosphere. Those were the reasons Why I liked it, so what were the flaws? Honestly, I can't quite pin them down, put it in words. It might the be fact that, ultimately, it offers nothing new or that the chills weren't ... chilly enough. Like, for example, "The Witch", which I find similar in some ways, is a more effective movie. At least for me. Whatever the flaws are, nothing stuck out to me, it's just that objectively this is neither a masterpiece or the best horror movie of the year.
If You like modern folk horror movies, bleak, atmospheric movies or ambiguous plots, be sure to give this a watch - it deserves more attention. I'm interested to see what's next from this director. My rating: 7/10.
Ok, that first review is a bit much to read and a bit over thought ... Don't let it detour you from giving this movie a chance if you like the slow burn psychological thriller type of movies (fast paced gore fans will probably find it dull). Its very well done in my opinion. Good acting, nice steady pace that keeps the suspense going. Along with a really good score, or lack of at times enhancing how completely isolated and alone she is. The few special effects it does have are done well and not cheesy. Definitely worth taking a chance on. I love the fast gore fest stuff as well if done right but this is definitely not that.
There are only a handful of actors and the main character is alone a lot of the time. You do need to make sure you can actually sit and watch it without doing other things as well because there are a lot of flashbacks and back and forth from past to present. So try and wait until you can actually kick back and let yourself get sucked into the story. The pieces fit together. Anyone that likes suspenseful, mysterious, slow burn phycological thrillers that make you think will love is. It is a very well done thought out story, the characters are likeable and you end up caring about what happens to them.
I am not saying anything about what actually happens story wise as I do not like posting spoilers if I can help it. Knowing too much can take away from the suspense of these kinds of movies. Its better to go in blind. So I am leaving it at that.
There are only a handful of actors and the main character is alone a lot of the time. You do need to make sure you can actually sit and watch it without doing other things as well because there are a lot of flashbacks and back and forth from past to present. So try and wait until you can actually kick back and let yourself get sucked into the story. The pieces fit together. Anyone that likes suspenseful, mysterious, slow burn phycological thrillers that make you think will love is. It is a very well done thought out story, the characters are likeable and you end up caring about what happens to them.
I am not saying anything about what actually happens story wise as I do not like posting spoilers if I can help it. Knowing too much can take away from the suspense of these kinds of movies. Its better to go in blind. So I am leaving it at that.
A folkloric tale of madness, paranoia & things that go bump in the night, The Wind paints a menacing portrait of isolation, loneliness & their overwhelming nature with its desolate wilderness setting, ominous atmosphere, arresting camerawork, stellar sound design & excellent performances yet the story as a whole fails to deliver the maximum impact due to shortcomings of its own making, for its muddled narrative structure, inconsistent editing & overuse of flashbacks prevents it from realising its true potential.
The acting is great and it gets the feeling of eerie isolation across well. Rather than being scary thanks to big effects, it relies on subtle and slowly increasingly more obvious sounds and visuals, as well as the (well acted) emotional states of the characters, which I really enjoyed. Would definitely recommend.
Le saviez-vous
- AnecdotesThe character Emma seems to enjoy Gothic literature. Among the books from her collection that read aloud at various points in the film are Mary Shelley's Frankenstein and Ann Radcliffe's The Mysteries of Udolpho.
- GaffesThe double-barrel shotgun Lizzy uses requires percussion caps, but whenever she fires it or prepares to fire it by pulling back the hammers, there are no caps. Without them, the weapon is inoperable.
- Citations
Lizzy Macklin: I don't suspect God has much business out here.
- ConnexionsFeatured in Woodlands Dark and Days Bewitched: A History of Folk Horror (2021)
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- How long is The Wind?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- El viento
- Lieux de tournage
- Nouveau-Mexique, États-Unis(location)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 28 252 $US
- Week-end de sortie aux États-Unis et au Canada
- 14 138 $US
- 7 avr. 2019
- Montant brut mondial
- 130 974 $US
- Durée1 heure 28 minutes
- Couleur
- Rapport de forme
- 2.39:1
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