Ma vie avec Dalí

This is a biopic of Salvador Dali (Ben Kingsley/Ezra Miller). It's 1974 New York City. James (Christopher Briney) is a young man working in an art gallery which is promoting Dali's next work. He gets assigned to assist Dali and ensure that the artist is working hard. Gala (Barbara Sukowa) is Dali's wife. Together, they lead an unusual group of followers.

This has an intriguing cast led by Ben Kingsley. I have no problem with Kingsley. Sukowa is great. The movie lets the audience snippets of Dali, but it's hard to get inside the man. His relationship with Gala is the big revelation. Maybe this doesn't need a kid to represent the audience and should just be the love story of Dali and Gala.

You have seen this a million times before: young mangenue enters the magical world of X where things he couldn't have ever imagined change his vision of the world and inspire him to greatness. This time is a young beautiful boy from New York who gets to be part of Dali's world at the end of his career. And just like any young person he wants to feel special and part of something greater than himself, only to realize that it's all a facade behind which people are still regular old people.

The formula has been used again and again and again because it works, but you have to implement it in a way that captivates and inspires. You have to make art if you want to showcase art, even if it is a cheap copy of other great films in the genre you have to at least reach that level of competence. Unfortunately Daliland feels just as naive as the main character is supposed to be, wanting to be more than it is without effort and realizing no one thinks they're special. And funnily enough, the ending of the film does involve cheap knock-offs of Dali's work, which felt inadvertently hilarious.

Ben Kingsley is his usual good actor, without aspiring to greatness, Barbara Sukowa too, the rest of the cast are more props than anything else. And Christopher Briney is the perfect casting choice for the lead role: a pretty face. The sets are good, yet feel cheap all the same. The entire production feels a carbon copy of something better that you've seen before.

Bottom line: I don't recommend the film.

I had no idea what to expect on viewing this movie, but I was not at all disappointed.

It was fantastic and so very well filmed.

We see little of the genius at work, instead what we have is a peek into the mind of Dali, and his followers.

The film reminds me that some people have minds that simply work differently from yours and mine.

The great geniuses see the world differently than we do. In other eras I am sure some of these geniuses would be unrecognized and cast out as insane.

And it has occurred to me that many such persons die early.

There is a price to pay for fame and genius.

Anyway, the acting was terrific, I actually felt like I was back in the 70s again in some of the scenes.

And the filming is most beautiful.

All in all a great movie that should be enjoyed by all.

I remember being taught about Salvadore Dalí in high school (decades ago!) and was intrigued by his surrealist art. But I have never known much about him as a person. Dalíland is a captivating drama that delves into this man's life and artistic journey. Dalí was an influential and controversial figure of the 20th century. This film explores Dalí's years in Spain, followed by his remarkable ascent to fame in Paris as a key leader of the surrealist movement. Throughout his journey, we witness the complexities of his relationships with family, his muse Gala and fellow artists like Luis Buñuel and Federico García Lorca. The movie delves into Dalí's artistic process, eccentric personality, and unyielding fascination with immortality.

Directed by Mary Harron, known for her work on films like Psycho and The Notorious Bettie Page, Dalí boasts meticulous attention to detail and a delightful touch of humour that perfectly captures the essence of Dalí's whimsical world. Visually striking with its colour palette and imaginative interpretations of Dalí's paintings, this film showcases the impeccable cinematography by Marcel Zyskind, which masterfully juxtaposes realism with surrealism within each scene. Isona Rigau's remarkable production design flawlessly recreates settings and costumes with precision and flair. The special effects employed are also noteworthy in those mesmerising moments where Dalí's paintings spring to life.

The movie showcases a cast led by Ben Kingsley in the role of Dalí. Kingsley delivers a captivating portrayal capturing the complexity and charisma of this genius madman. He skillfully embodies Dalí's mannerisms, accent and expressions with subtlety. He effectively conveys Dalí's emotions, from passion and joy to fear and loneliness. Supporting Kingsley is Barbara Sukowa, as Gala, who delivers a sympathetic performance as Dalí's partner (Dalí would have been almost impossible to live with). Manville portrays Gala's intelligence, charm, and ambition while expressing her frustration and pain at being overshadowed by Dalís fame and eccentricity. There's a large supporting cast, all putting in good performances.

Unfortunately, Dalí sometimes suffers from a lack of focus and coherence; it jumps from one episode to another without a clear narrative thread. It also attempts to cover too much ground within its two-hour runtime resulting in a superficial overview that feels disjointed. The movie also misses the chance to delve into some of Dalí's aspects, like his beliefs, sexual orientation, and exploitation of Gala. These issues are either skimmed over or lightly touched upon in the film missing out on an opportunity to present a critical perspective on Dalí. Despite the events in Dalí's life, the film lacks impact. It fails to make us truly care about Dalí or his relationships, leaving us detached and indifferent.

Dalíland is a film with potential but falls way short of its ambitions. It is visually stunning and entertaining as it showcases Dalís artistry and personality, but it also comes across as shallow and fragmented, unable to capture the essence and significance of Dalí. While it may appeal to fans of Dalí and surrealism, it may disappoint those seeking insights into one of history's captivating artists.

As noted in some other reviews, the film covers some aspects of Dali's life that are fascinating, in particular his complex relationship with Gala, his muse / lover / mother figure. The film also touches on the massive amounts of fraud occurring with Dali lithographs and prints, though it doesn't do much with this angle. So if you don't know the Dali story, this will be informational, at least about his later years. If you do know the Dali story, you will recognize the truth and have a richer experience.

While enjoyable, this film has a major structural problem. It focuses on a young person being brought into the world of Dali, and serving as our proxy as we learn about Dali, Gala and their struggles. This is a common storytelling tactic (used recently, for example, in both The Exception and Il Cattivo Poeta), but it's unnecessary and diverts attention from what we really came to see. No one will go this film for the young person's story, they will go for the Dali story.