Dronningen

The stepmother is, as someone else said, evil personified. But it comes as a shock because during the first 2/3 of the movie she is portrayed in an entirely different light: an abuse survivor who found her calling fighting for abuse victims. Although she is not without flaws, we ultimately think she is a good person; until it's revealed that not only is she a sexual predator, but a narcissist capable of unspeakable evil. A shocking turn in the film that made me literally hate this character. I've known a couple of actual sociopathic narcissists like the lead character in my life, and it's amazing how well they can manipulate people to being on their side, no matter what facts their victims lay out about the abuse inflicted by the narcissist. It's a horrifying dynamic, portrayed all too well in this film. Yes, it's a very entertaining drama thriller, like others that have come out of Scandinavia in recent years especially, but the shock and disgust factor at this character's actions cannot be understated. This one will stay with you.

Good Nordic psychological drama that examines parenthood current issues. The whismy title doesn't do it justice. The film is great, poignant and of tremendous relevance. Shot with great style and acting.

Saw this at the Rotterdam film festival 2019, where it was part of the Big Screen Competition (another film got the price, alas). Despite that I usually do not like relational dramas, this one involved me due to a compelling plot, believable characters and unexpected developments. It is sad that it does not end well for everyone involved (no details, no spoilers), but I don't think that a different outcome would have been so much better. Main character Anne makes unwise choices, and has to live with the dire consequences, but it is easy for us to say from our comfy chairs.

All in all, unexpectedly for me with this kind of relational theme, I scored a maximum 5 for the audience award, for which it eventually received a very good 13th place (out of 162) with score 4.487 (out of 5).

You immediately get sucked into their world, and feel a part of the family and situation. It's truly an experience in its own right to watch this movie, because you feel the feelings of the characters and at times feel equally confused and frustrated. It's an emotional rollercoaster that you feel apart of.

I will start by saying that I like the Danish title much better than the English one. "Dronningen" means simply "the queen", and that is precisely what Anne (Trine Dyrholm) is in her world. Both at home and at work, she is the solid, self-confident and straightforward monarch everybody knows and expects her to be. Everything threatens to break apart when Gustav (Gustav Lindh), her husband's son from a previous marriage, moves from Stockholm to go live with them in the Danish countryside. She will prove ready to everything in her power in order to salvage her marriage and her reputation from downfall, even if this means to turn her back on everything she stands for.

Although the way in which the moral issues are addressed tends sometimes to be a little bit too didactic (see the fact that Anne's job as a lawyer is to assist teenagers who have suffered from abuses), the plot is overall pretty convincing and I'd dare say even gripping at times, especially in the second part of the film. The acting's also not bad at all, with some moments of genuine intensity.