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Sorry We Missed You

  • 2019
  • Tous publics
  • 1h 41min
NOTE IMDb
7,6/10
27 k
MA NOTE
Katie Proctor and Kris Hitchen in Sorry We Missed You (2019)
A delivery driver and his wife struggle to get by in modern-day England. Directed by Ken Loach.
Lire trailer2:26
2 Videos
95 photos
Workplace DramaDramaFinancial Drama

En Angleterre de nos jours, un chauffeur-livreur endurci et son épouse ont du mal a joindre les deux bouts et doivent lutter pour s'en sortir.En Angleterre de nos jours, un chauffeur-livreur endurci et son épouse ont du mal a joindre les deux bouts et doivent lutter pour s'en sortir.En Angleterre de nos jours, un chauffeur-livreur endurci et son épouse ont du mal a joindre les deux bouts et doivent lutter pour s'en sortir.

  • Réalisation
    • Ken Loach
  • Scénario
    • Paul Laverty
  • Casting principal
    • Kris Hitchen
    • Debbie Honeywood
    • Rhys Mcgowan
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,6/10
    27 k
    MA NOTE
    • Réalisation
      • Ken Loach
    • Scénario
      • Paul Laverty
    • Casting principal
      • Kris Hitchen
      • Debbie Honeywood
      • Rhys Mcgowan
    • 154avis d'utilisateurs
    • 176avis des critiques
    • 82Métascore
  • Voir les informations de production sur IMDbPro
    • Nomination aux 1 BAFTA Award
      • 10 victoires et 22 nominations au total

    Vidéos2

    Official Trailer
    Trailer 2:26
    Official Trailer
    Sorry We Missed You - official US trailer
    Trailer 1:50
    Sorry We Missed You - official US trailer
    Sorry We Missed You - official US trailer
    Trailer 1:50
    Sorry We Missed You - official US trailer

    Photos95

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    Rôles principaux53

    Modifier
    Kris Hitchen
    Kris Hitchen
    • Ricky
    Debbie Honeywood
    Debbie Honeywood
    • Abby
    Rhys Mcgowan
    • Seb
    • (as Rhys Stone)
    Katie Proctor
    Katie Proctor
    • Liza Jane
    Ross Brewster
    • Maloney
    Charlie Richmond
    Charlie Richmond
    • Henry
    Julian Ions
    • Freddie
    Sheila Dunkerley
    • Rosie
    Maxie Peters
    • Robert
    Christopher John-Slater
    • Ben
    • (as Christopher John Slater)
    Heather Wood
    • Mollie
    Albert Dumba
    • Harpoon
    • (as Alberto Dumba)
    Natalia Stonebanks
    • Roz
    Jordan Collard
    • Dodge
    Dave Turner
    • Magpie
    Stephen Clegg
    • Policeman
    Darren Lee Jones
    • Council Worker
    • (as Darren Jones)
    Nikki Marshall
    Nikki Marshall
    • Traffic Warden
    • Réalisation
      • Ken Loach
    • Scénario
      • Paul Laverty
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs154

    7,627.4K
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    Avis à la une

    8anuradhapandey

    Hits the right cords.

    His film hits home in every possible way. Such a simple story and yet to relatable because the struggles are so universal. Absolutely beautiful. After I, Daniel Blake, this is another one that made me cry my heart out, quite literally.
    9deniseireland-54237

    Shines a light on the gig economy

    Ken Loach films are always on point, no matter the issues and societal ills being explored. Sorry We Missed You takes its audience into the life of a family whose circumstances result in both parents being at the mercy of zero hours contracts and corporate misuse of self employment to exploit their workforce for bigger profits. Its a sad indictment of our society and the gig economy which journeys more and more towards placing higher value on the pursuit of profit over the lives and well being of ordinary working class people. Anyone who buys on line and has your parcel delivered to your door or has relatives who rely on paid carers should watch this film to fully appreciate what they do for us and the sacrifices and hardships they may be facing.
    8adityakripalani

    Giving voice to those who can't be heard.

    For Loach, who is peaking yet again at this point in his career, this is another song about those unspoken for. This time it's delivery drivers. Be it an Amazon or a food delivery service. The most beautiful parts however are the the filmmaker also does say along with depicting the toughness of their lives, that the only way to breathe normally amidst this is to stick together as family.
    9gokselll

    A striking experience!!!

    Ken Loach, great director of working class movies, gifts an awesome political art-work to the audience, again.

    The movie doesn't say any directly political word or doesn't picture any agitative scene. But, it really strikes the audience and reflects hard reality of actual daily life in U.K. Within a plain narration (however much more harder than "I, Daniel Blake") and masterfully avoiding a catharsis final, Loach tells great majorities' pity lives;

    -. Flexible working conditions instead of officially regular work hours

    -. Ambigious labour shifts which comprise no stable daily break-time or weekly holiday

    -. obligations of unemployment and debts to consent those terrible working conditions.

    -. the one can't find any time for the family, friends or any leisure avtivity and could easily transform to a non-sensual monster... Loach, with no boring narration and without a huge agitation, tells an ordinary family's very realistic and sentimental story.

    I think every audience will leave the theatre with a high anger to the capitalist system!!! Thank you, Ken Loach!!!
    8faroukgulsara

    "you don't work for us, you work with us..."

    During the infancy of my career, many a time, being the most junior of the team, I usually ended up having to see poor patients who just made it to the clinic at closing time. I soon came to know that they were living far from civilisation, deep in rubber or palm oil estate. Coming to the hospital meant getting up at four in the morning, preparing breakfast for the school-going children and being able to get on the first 6 o'clock morning bus to town. Invariably, they would be delayed. The transport out to the main road would not turn up. Perhaps, the feeder bus would break down or the bus that they had to change left earlier.

    They would eventually reach the hospital close to noon. After getting an earful for not keeping to their time, they would have to seen by the junior most doctor of the team. The senior ones would have left the clinic for more pressing needs. Unable to make a definitive plan of medical treatment for them, these patients who would require most of the expertise from the medical team ended up discarded by the system. They would be given another appointment; the whole ritual needs to be repeated. On top of all these, as they are daily wage earners, absence from work meant the loss of a day's earning.

    I thought all these slave-like working conditions would end as the world changed. With globalisation, workers were promised working conditions and preservation of unassailable rights of the workers. Marx's dream of working for sustenance and having leisure time to enjoy the reason for their existence, they thought, would of fruition with the gig economy. They do a gig when and if they want. The workers would be their own boss. They work for themselves; not for the bosses or company. They do not work for a company but with the company. What the company failed to highlight were the fine prints, the exclusion clauses and the penalty they were to be imposed if specific rules are not followed.

    Fast forward, and workers realise that the whole economy is just a scam. The same old economic ideology is just re-packaged. The same plot of scheming the poor to feed the rich is in full force. The workers continue breaking their back until a new horizon emerges. Who knows what else would they promise the next time. Meanwhile, like Sisyphus, the unendowed have the find simple pleasures within their unending cycle of hardship, a flicker of hope, resolution, pain and the curse of repeating it all over again.

    Still reeling with debts from the 2008 economic downturn, Ricky thought he found a sure way to end his financial woes. The promise of good returns as an independent despatch services provider, he felt his hard work was the only thing that separated him from economic independence. For that, however, he needed to purchase a pickup van. For its down payment, he had to sell off the family car in which, the wife, Abbie, a home care nurse moved around to meet her patients.

    Soon everyone realises that it is not all hunky-dory. Ricky has to spend long hours at work. Abbie finds it taxing to meet her demanding schedule. Their two teenage children are left to their devices. The parents are unable to meet up to their school and their children's emotional needs. Ricky's woes only accumulate. He has to pay damages for lost items which are not covered by insurance and to work despite his injuries after mugged.

    It looks like the dependence on others will spill over on to the next generation. Their dependency on their digital hand-held devices is not mere addiction. It has become their essential tools to do their school, learning, communication and more. The digital world is another platform that is manipulated by the economic giants to make people fall at the service providers' feet. This is yet another doublespeak and the dehumanising trap of the neoliberal economy. Instead of building an antifragile society that grows stronger with every stress that is hurled upon them, we will be left with a brittle one, needing support at the mere thought of pressure.

    Again, our electron microscopic friend, COVID-19 has shown us the fragility of the gig economy. Being locked down for two weeks may be excellent for family time and bonding, but neither bring in the cash nor pays the bills.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Kris Hitchen took inspiration for his part from his time working as a plumber in the years between acting jobs.
    • Gaffes
      At 59 minutes and 37 seconds into the movie the head of a crew member is visible in the background mirror when Ricky is reading a letter from the school.
    • Citations

      Abbie Turner: This is my family, and I'm telling you now, nobody messes with my family.

    • Connexions
      Featured in WatchMojo: Top 10 Movies of 2020 (So Far) (2020)
    • Bandes originales
      Know How
      Written by Matt Dike, Isaac Hayes, John Wylie King, Michael Simpson and Marvin Young

      Performed by Marvin Young (as Young MC)

    Meilleurs choix

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    FAQ

    • How long is Sorry We Missed You?
      Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 23 octobre 2019 (France)
    • Pays d’origine
      • Royaume-Uni
      • France
      • Belgique
    • Sites officiels
      • Official Facebook
      • Official Instagram
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Lazos de familia
    • Lieux de tournage
      • Shields Road, Byker, Newcastle upon Tyne, Tyne and Wear, Angleterre, Royaume-Uni(street scene)
    • Sociétés de production
      • Sixteen Films
      • BBC Film
      • BE TV
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 28 273 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 9 436 $US
      • 8 mars 2020
    • Montant brut mondial
      • 8 943 790 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 41 minutes
    • Couleur
      • Color
    • Mixage
      • Stereo
    • Rapport de forme
      • 1.85 : 1

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