Death and Nightingales

It's good but, the ending is not satisfying. Location and sound mixing 👌

The plot is very plain. It was painfully slow and empty. I can't recommend it, but I gave 5 stars because the music, the picture and the scenery was quite enjoyable and the characters weren't black and white.

With so many first class actors (with the exception of the female lead who was pretty dire throughout and couldn't even manage a Northern Irish accent) this mini series should have been great, but sadly it failed due to too slow pacing and an unsympathetic and unfathomable main character (Beth).

Matthew Rhys and Jamie Dorman were excellent. The period detail was great. It was atmospheric and engaging - up to a point, but really this could easily have been condensed into 1 hour 30 minutes (instead of 3 long hours). Having the main character Beth talking aloud to herself to explain plot points/feelings was clumsy and lazy scriptwriting too, by the third episode the character had lost all believability. A real pity, as this could have succeeded with some major editing and a more skilled female lead.

An excellent and captivating drama. A fascinating exploration of a young woman's plight at the hands of a tempestuous father and exploitative lover who only wishes to use Beth as a means to support Republicanist terror in England. Wonderful dialogue and haunting Irish music creates a chilling atmosphere. Beth is beautiful, vulnerable, brave and enduring and ultimately a symbol of judgement over the wickedness perpetrated by the men she encounters in her tragic life.

Death and Nightingales really has a lot going for it with an interesting kind of plot and a great cast of actors who are all very present and good in their roles.

But the third episode which is final part of the miniseries manages to unravel the goodwill I felt for the protagonist which is the main reason for the low star rating. The problem is that the other actors Matthew Rhys and Jamie Dornan give many kinds of signs in their expressions and what not that they are redeemable characters. And I did not feel Ann Skelly (though I like her) really had enough motivation for it to make sense to do what she did or for us to root for her. I believe this is probably the fault of the script or the novel it adapts from for the poor decisions Ann Skelly's character makes or her near non existent decision making process. But at any rate Ann Skelly can't quite pull of her character's melodramatic and novelistic morbid way of speaking, probably largely because the rest of the series isn't stylistic like that so it seems acutely peculiar at times.

But otherwise I think at times they almost pull off a hard to pull off story, I mean beyond the failure of episode 3. I think this series did a decent job for what it is. Very atmospheric with a repetitive but fitting soundtrack.

Watch just to enjoy the performances that you can. Enjoy the ride but don't expect much in the way of a meaningful conclusion.