Suite à un terrible accident de voiture ayant coûté la vie à ses parents, Okko se retrouve envoyée chez sa grand-mère qui tient une auberge à la campagne. Là, un gentil fantôme la pousse à a... Tout lireSuite à un terrible accident de voiture ayant coûté la vie à ses parents, Okko se retrouve envoyée chez sa grand-mère qui tient une auberge à la campagne. Là, un gentil fantôme la pousse à aider sa mamie dans la gestion de l'établissement.Suite à un terrible accident de voiture ayant coûté la vie à ses parents, Okko se retrouve envoyée chez sa grand-mère qui tient une auberge à la campagne. Là, un gentil fantôme la pousse à aider sa mamie dans la gestion de l'établissement.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 nominations au total
- Akino Matsuki
- (voix)
- Akino Miyo
- (voix)
- Suzuki
- (voix)
- Seki Mineko
- (voix)
- (as Harumi Ichiryûsai)
- Kise Shôta
- (voix)
- Uribo (Makoto Tateuri)
- (English version)
- (voix)
- Mineko
- (English version)
- (voix)
- (as Glynis Ellis)
- …
- Akande Kanda
- (English version)
- (voix)
- …
- Yoriko Ikezuki
- (English version)
- (voix)
- Okko's Father
- (English version)
- (voix)
- Glory Suiryo
- (English version)
- (voix)
Avis à la une
The problem, though, is that events don't naturally flow from one to another. It's a cute girl going through processing of personal drama, but her behavior is almost robotic. And I don't mean STTNG's "Hero Worship" type of thing, it's just that she goes through all of the actions required by the script without any internal conflict. She starts off afraid of countryside insects, but accepts ghosts immediately, for example. Maybe it was an editing problem, but I doubt it.
In order for a story to hit, things need to happen for a reason that is clear to the audience and slightly forcing to the characters. A person who just does what she was supposed to do and then the movie ends doesn't really fall into that.
Bottom line: really cute, satisfactory, but totally predictable and derivative.
On a rainy day, I decided to watch this anime in the hope of a little colour, in the hope of a little hope.
Two hours later, having laughed, and cried, and clapped, in other words, having been thoroughly entertained for a change, I knew I had to come here and write a review.
This is just a beautiful movie, a delightful story that stays with you.
Okko's Inn has the purity of spirit, of love, of energy that is so sadly lacking in the Anglosphere these days and I did not realise just how much I was missing this.
Ten stars and THANK YOU to the creators.
Le saviez-vous
- Citations
Okko's Father: I'm so sorry, Okko, that we can't be there.
Okko: But Daddy...! Mommy...!
Okko's Father: Your mom and dad are happy because their beautiful little girl is still alive and healthy. I know we can't be in this world with you anymore, but please smile and become a wonderful junior innkeeper.
Okko: No! No! Mommy, Daddy, please don't leave me all alone!
Okko's Father: Okko, you are not alone.
Okko's Mother: Never.
- ConnexionsFeatured in 47th Annie Awards (2020)
- Bandes originalesMata Ashita
(See You Tomorrow)
(opening theme song)
Vocals by Sakura Fujiwara
Lyrics & Music by Sakura Fujiwara
Arrangement by Mabanua
Courtesy of Speedstar Records
Meilleurs choix
- How long is Okko's Inn?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 134 787 $US
- Week-end de sortie aux États-Unis et au Canada
- 763 $US
- 28 avr. 2019
- Montant brut mondial
- 317 547 $US
- Durée
- 1h 34min(94 min)
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1