NOTE IMDb
7,5/10
66 k
MA NOTE
Une série de retrouvailles après plusieurs décennies dans la vie d'un réalisateur en souffrance.Une série de retrouvailles après plusieurs décennies dans la vie d'un réalisateur en souffrance.Une série de retrouvailles après plusieurs décennies dans la vie d'un réalisateur en souffrance.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 2 Oscars
- 71 victoires et 178 nominations au total
Avis à la une
I. Short review:
Half autobiographic, half fiction, Almodóvar's most intimate work is an european drama carved with humor and intense emotions you wouldn't want to miss, Antonio Banderas is a tour de force.
II. Full review:
Since this year's Cannes Film Festival celebration in which Pain and Glory competed for the Palm d'Or for best picture and supposedly the favorite to win, I took quite interest in Almodóvar's new film, also my personal experiences with two of his films that I've seen, 'Talk to Her' (which I think is an absolute masterpiece), and the very creative thriller 'The Skin I Live In' (also starring Antonio Banderas), were strong factors of that interest.
The film tells the story of a depressed and aching director that reconnects with old friends and people he used to care about, at the time that he reflects on his humble but enlightning past in several ways, all from the perspective of his gloomy and lonesome present.
Pain and Glory escalates in a ladder of triumphs, since its mesmerizing soundtrack by Alberto Iglesias (Tinker Tailor Soldier Spy), an astonishing cinematography by José Luis Alcaine, a masterful direction and gripping script by Pedro Almodóvar, to its top and greatest gift of all: a colossal performance by Antonio Banderas, which justifies his award for best actor in Cannes 2019.
Half autobiographic, half fiction, Almodóvar's most intimate work is an european drama carved with humor and intense emotions you wouldn't want to miss, Antonio Banderas is a tour de force.
II. Full review:
Since this year's Cannes Film Festival celebration in which Pain and Glory competed for the Palm d'Or for best picture and supposedly the favorite to win, I took quite interest in Almodóvar's new film, also my personal experiences with two of his films that I've seen, 'Talk to Her' (which I think is an absolute masterpiece), and the very creative thriller 'The Skin I Live In' (also starring Antonio Banderas), were strong factors of that interest.
The film tells the story of a depressed and aching director that reconnects with old friends and people he used to care about, at the time that he reflects on his humble but enlightning past in several ways, all from the perspective of his gloomy and lonesome present.
Pain and Glory escalates in a ladder of triumphs, since its mesmerizing soundtrack by Alberto Iglesias (Tinker Tailor Soldier Spy), an astonishing cinematography by José Luis Alcaine, a masterful direction and gripping script by Pedro Almodóvar, to its top and greatest gift of all: a colossal performance by Antonio Banderas, which justifies his award for best actor in Cannes 2019.
We are what we are, because of choices we made and people we met. Our past defines who we are today. Can we change if we think we go a direction that isn't a "good" one? Maybe we can - but that is not the major revelation or plot that you get served here.
Here you get a director, who seems to have lost his ... muse and sense and so many other things. Not his will to live of course ... no matter what he does or what he puts in his body, nothing implicates he has lost that will. Quite the opposite can be seen (subtly I'd say) in an interaction he has while buying drugs at a know place apparently.
He has regrets, he has sorrows and he still has a lot of things in him that want to get out (one way or another). Played fantastically by Antonio Banderas - you almost forget how he is in real life, so mellow, so convincing is his performance! Well done and another collaboration with Almodovar and him that shows they are a great pairing. Certain things may offend you no matter the rating - drug use, homosexuality and so forth. But those are part of life ... maybe not yours or mine ... but they are there - they exist. For this character more than for others.
Here you get a director, who seems to have lost his ... muse and sense and so many other things. Not his will to live of course ... no matter what he does or what he puts in his body, nothing implicates he has lost that will. Quite the opposite can be seen (subtly I'd say) in an interaction he has while buying drugs at a know place apparently.
He has regrets, he has sorrows and he still has a lot of things in him that want to get out (one way or another). Played fantastically by Antonio Banderas - you almost forget how he is in real life, so mellow, so convincing is his performance! Well done and another collaboration with Almodovar and him that shows they are a great pairing. Certain things may offend you no matter the rating - drug use, homosexuality and so forth. But those are part of life ... maybe not yours or mine ... but they are there - they exist. For this character more than for others.
The story about the artistic crisis and depression. Once the noise of the glory goes away, there's nothing but emptiness and pain inside.
Almodóvar has created this autobiographical masterpiece during his darkest and the most lonely moments in his life. It's different from everything that the genius had shared with the world before.
Feeling of loneliness and pain in every scene, that makes a glory so unimportant and empty, when you have no one to share it with. The director made the audience hold the breath while he was speaking and sharing his most intimate secrets, his memories and regrets about the past.
Endless respect for Almodóvar for making this autobiographical movie so personal and sincere.
Endless respect for Almodóvar for making this autobiographical movie so personal and sincere.
As Salvador (exquisitely played by Antonio Banderas) says in the movie "A great actor is not the one who cries, but the one who knows how to contain the tears" and I think that describes the movie perfectly, you feel the pain in every scene but never get the chance to let that emotion overcome, it's a beautiful and raw portrayal of life in a way we've never seen Almodóvar do before, the film breathes a diaphanous simplicity and spontaneity, far from what we're used to see from the filmmaker. Every aspect of this movie felt very personal and intimate, almost like reading someone's diary while it's being written or someone sharing a part of their soul, i'm sure this movie wasn't easy to make.
This is a story about pain, sadness, solitude, self discovery, forgiveness and regret but most of all, it's a movie about overcoming and I honestly feel this is one of his best works in recent years.
This is a story about pain, sadness, solitude, self discovery, forgiveness and regret but most of all, it's a movie about overcoming and I honestly feel this is one of his best works in recent years.
It is a slow film, similar to life. I really enjoyed this movie, no one is clear what it is about until about and hour in. In simple terms is is film director who had lost his mojo because of the death of his mother and a back operations. He also begins to look back on his career and pivotal moments in his childhood. The flashback shots are perfectly and wonderfully capture the atmosphere of his young life while seamlessly interwoven with moments of present day.
Pain and glory is painful and glorious, as you'd except from a director who lives, suffers, enjoys and jogs his memory to find the small and grand moments of his human existence.
The acting of everyone was brilliant but limited so no Oscar here, Almodovar and Banderas are such a good match, the boy and the painter is such a delicate combination & the mother and the son in different moments of their lives, but mainly in the end, when they are both old. the dialogues are very meaningful, but movie as a whole had some profundity and was ravishingly shot as usual.
Pain and glory is painful and glorious, as you'd except from a director who lives, suffers, enjoys and jogs his memory to find the small and grand moments of his human existence.
The acting of everyone was brilliant but limited so no Oscar here, Almodovar and Banderas are such a good match, the boy and the painter is such a delicate combination & the mother and the son in different moments of their lives, but mainly in the end, when they are both old. the dialogues are very meaningful, but movie as a whole had some profundity and was ravishingly shot as usual.
Le saviez-vous
- AnecdotesJulieta Serrano and Antonio Banderas already played mother and son, more than 30 years before, in another two movies by Pedro Almodóvar: Femmes au bord de la crise de nerfs (1988) and Matador (1986)
- GaffesThe eye color of Penelope Cruz (Antonio's young mother) are brown while the old mother's are pale blue. In the very last scene of the film, it appears that Penelope Cruz is an actress who plays Antonio Banderas's young mother while filming a scene in front of him.
- Citations
Salvador Mallo: The nights that coincide several pains, those nights I believe in God and I pray to him. The days when I only suffer a type of pain I'm an atheist.
- ConnexionsFeatured in 2020 Golden Globe Awards (2020)
- Bandes originalesA tu vera
Written by Juan Solano (as Juan Solano Pedrero) and Rafael de León (as Rafael de Leon Arias de Saavedra)
Performed by Rosalía and Penélope Cruz
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- How long is Pain and Glory?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Pain and Glory
- Lieux de tournage
- Paterna, Valencia, Comunidad Valenciana, Espagne(underground dwelling)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 4 567 338 $US
- Week-end de sortie aux États-Unis et au Canada
- 152 636 $US
- 6 oct. 2019
- Montant brut mondial
- 37 359 689 $US
- Durée
- 1h 53min(113 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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