Sur une montagne isolée, dans la Macédoine du 19ème siècle, une jeune femme est enlevée puis transformée en sorcière par un esprit ancestral.Sur une montagne isolée, dans la Macédoine du 19ème siècle, une jeune femme est enlevée puis transformée en sorcière par un esprit ancestral.Sur une montagne isolée, dans la Macédoine du 19ème siècle, une jeune femme est enlevée puis transformée en sorcière par un esprit ancestral.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 16 nominations au total
Avis à la une
Absolutely nothing to do with witchcraft or horror once you've peeled away the skin, but a magnificent and engaging exploration of the influences and effects that take their toll and shape your soul.
We follow Nevena who has a very boring childhood - promised to a witch as a new-born (and made mute at the same time), her mother brings her up in a cave until the age of sixteen when the witch reappears, takes the form of her mother and turns her into a witch as well. I mean, we've all been there, right?!?
Unfortunately, Old Maid Maria (the original witch) isn't too impressed with Nevena's witching skills - she prefers playing with the animals rather than breaking their necks and eating them raw (apparently that's what real witches do). This results in Maria leaving Nevena to fend for herself with no knowledge of the real world - which goes just about as well as you'd imagine it would. To start with anyway, but as time goes on she gets the hang of things and the film manages to conjure up a surprisingly emotional ending.
It's possibly a little too deliberate at times - some of the scenes certainly couldn't be accused of rushing things. For "horror" (it's not really a horror film at all, but it has some horror elements), it's very poetic and beautiful - The Guardian calls it spellbinding, but I can quite imagine that a lot of people would describe it as dull - for me it fell somewhere in between. It was very nice to look at and I was somewhat intrigued as to how it was going to end, but it really could have done with getting there a bit quicker.
It's a very atmospheric film with stylish visuals (and some very cool locations) and a sparse, yet effective soundtrack. It portrays a sense of wonder well - lots of things are being seen through Nevena's eyes for the first time and you get the mix of confusion and awe well. Overall, I'd say it's well written and shot (by Goran Stolevski) but maybe some harsher editing wouldn't have gone amiss - although it's not the sort of film that would benefit from being rushed.
However, because of that sense of wonder, the actors often don't have an awful lot to do other than gaze into the middle distance - Nevena is played by seven different actors across the film (if you include the baby!) and Sara Klimoska, Noomi Rapace, Carloto Cotta and Alice Englert all do a good job as adult Nevena so it feels harsh not to mention Petra Ciric Leontina Bainovic and Anastasija Karanovich as the other incarnations, even if they have less to do. The only other character we really spend any time with is Old Maid Maria who is played well by Anamaria Marinca, but she's rather disguised under tons of make-up (as a result of a rather unfortunate "burning at the stake" incident).
One last thing to talk about is the way that the witches shapeshift because it's really quite something - they take the guts of their intended target and shove them into a cavity which magically opens in their chest. I can assure you that would never have occurred to me, but I guess that just proves I'm not a witch!
WIkipedia tells me that it actually counts as an Australian film and was put forward as their nomination for the Best International Feature Film Academy Award. It also tells me it's shot in IMAX aspect ratio (1.44:1) - which feels like an odd choice but directors do odd things and we've had a lot less weird aspect ratios this year than we had last, so I'm considerably more tolerant of it!
All in all for me, I think it's an "admire" rather than a "like" (although I did like the ending), but is it a recommendation? Probably not to be honest - it has a lot to recommend it but I'm just not sure who'd really "like" it. But if you're in the mood for some fantasy/horror which gives you plenty of time to ponder the very nature of humanity whilst regaling your eyes with some beautiful visuals, then this is just the film for you and it's available to rent in all the usual locations.
It's about witchcraft and horror and outcast monsters. But there is so much more explored than just horror and scary situations. This movie will make you look at being human and life in general with new eyes, from a perspective of innocence and appreciation. There is so much beauty explored, from the beauty of basic human relationships to the beauty of nature and the beauty of the dark, scary and unknown aspects of reality.
A lovely movie, well acted with a meaningful and deeply philosophical story. Give it a try.
Le saviez-vous
- AnecdotesAccording to Focus Features, writer/director Goran Stolevski traced the terrifying legends of his family's homeland to find his characters and plot. "From researching Macedonian folk tales, I discovered that when individuals were accused of witchcraft, they were also suspected of taking the shape of another person or animal," he recalls. "Those two things sparked the idea of the film."
- GaffesWhen the raptor "lands" on the rock at the 14 minute mark, it is obvious that it was a film clip played backwards, where the bird was actually flying away from the rock his handler placed him on.
- Citations
Biliana: Every last bit of me thirsts
Biliana: For everything bit of him
Biliana: Only not the skin-flesh him.
Biliana: Him the boy inside.
Biliana: Him the boy with the eyes..
Biliana: The eyes that look scared, Even when they're smiling
Biliana: It's that boy, him i want to put my arms around.
Biliana: To hold him.
Biliana: To hold him.
Biliana: To chase that timidness away.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- You won't be alone
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 264 055 $US
- Week-end de sortie aux États-Unis et au Canada
- 124 750 $US
- 3 avr. 2022
- Montant brut mondial
- 335 465 $US
- Durée1 heure 48 minutes
- Couleur
- Rapport de forme
- 1.44 : 1