Un amour impossible

This movie grabbed me because I love French films, and I'm drawn to watching films with both of the lead actors.

It started off good, if not extremely maddening, due to the storyline of the main female character letting herself being used and walked over. That was hard to watch.

Then, halfway through, as the daughter starts to grow up and different actors are used for the character, it gets messy. The storyline in the second half, which I was not expecting, and made me pretty sick, was weird and could be triggering for some.

I love how films make you really feel something, but if it's a storyline for a movie (such as the one that starts halfway through in this movie), I'll usually give it a miss - but who knew from the outset? You'd never guess, and it's pretty gross. Then comes the hastily put-together ending between mother and daughter. I think the title An Impossible Love / Un amour impossible was inaccurate. Perhaps, Un amour revoltant would have been more apt.

I saw this film in London yesterday and loved it. The story takes place in France in the late 50's. It is about love that is subverted by extreme selfishness and class difference, about shifting attitudes and emotions and about reconciliation. Corsini's direction is understated, and the acting of all the leads is very convincing. The film is over two hours long and I wasn't bored for a second.

The plot is overloaded with all sorts of personal, psychological, familial malfunctions. It ends up tiring you rather than entertain or make one think. The development of the characters is a bit predictable even though they have many different hardships to undergo. The acting is excellent without an exception and the aesthetics of the film is brilliant. I'd say it's like a crush test for yourself to see how you'll react and what you think intuitively about all that's going on.

I came to this film with no prior knowledge of it (I didn't even realise it was going to be in French until I started watching) and so had no preconceived ideas about it. So I was pleasantly surprised to find myself hooked by the storyline from quite an early stage and captivated throughout - perhaps not the easiest of tasks for a lengthy subtitled film (my French is somewhat lacking).

Essentially a woman's account of the relationship between her parents (from their first meeting) and herself (from birth through to adulthood), the story is full of twists and frequently wrong-footed me as to just where it was going to head next, even though the progression of events was generally logical and believable.

Telling its story over the course of decades, I was glad it didn't fall into the usual trap of trying to ram the styles and fads of each period down the viewer's face. The gradual aging of the characters, always a tricky thing for filmmakers to get right, was remarkably convincing too.

Although I'd like to comment on certain specifics of the plot, which can be hard and uncompromising at times (as indeed the effects of human love can be), that would only serve to reduce this film's capacity to surprise the first-time viewer. However, Virginie Efira gives a terrific central performance as Rachel, the woman who spends her whole adult life providing love but finding precious little of it reciprocated. Yes, some might question the rather one-note tone of Rachel's behaviour throughout and the manner in which she just accepts the metaphorical kicks in the teeth without histrionics, but I think it works in this context. Some people are like that and the lack of any reactionary aggression on Rachel's part emphasises how cruelly she is treated, and also demonstrates how being passive does not necessarily always achieve the best outcomes.

Sometimes I think it is only France that is producing one incredible film after another. I have a list of the great films that I have seen from this country ( the ones that I believe will last and be returned to as great works of art ) and this joins them. I watched it late at night and I could not sleep such was the impact. To tell its story is to do it a disservice. It is the story of a life, and the people in that life; it questions and it probes, and it shows how far we all are from knowing those who affect us during this short span of living that we have. Many philosophical questions are asked, and the scene at the end of the film between Virginie Efira and Jehnny Beth is so precise, so clear that my head was spinning with its truth and sometimes dreadful clarity. Society and us as individuals are pitilessly drawn into question, but all this would mean nothing without the direction of Catherine Corsini and the group of actors she has brought togethet. Efira is superb, and Jehnny Beth has a fierce force in her acting that I found overwhelming. I have admired Niels Schneider for quite a while, but here he surpasses himself. I am a poet myself, and one fine writer said about one of my poems that it was above criticism. So is this film. Like that elusive thing that we call truth it shifts and it changes, and perhaps truth in its essence is beyond us all, both in its certitude and its horror and its beauty. ' Un Amour Impossible ' cuts into the heart and the brain like a scalpel.