Sequin in a Blue Room

SEQUIN IN A BLUE ROOM (2019) is a cold and emotionless film - like the lead character - that rarely captures the interest. The cinematography and score are stronger points but with a lead character like this it's not a world I care to revisit.

Australian cinema is unique. It has a rawness and nuance all of its own. It even transcends 'European' cinema which has its own feel. It certainly makes American cinematic efforts, apart from many indie films, look like cheap trash.

This film is certainly for cinephiles. It will shock the average cinema goer in its brutal sexuality and probably disturb most viewers. If the explicit depiction of homosexual sex is likely to offend, this film is most certainly not for you. It is provokingly honest.

If, however, you like a challenge and enjoy thought-provoking cinema this one is a stunner.

Simply extraordinary.

Cute young red head, bonus! Where are your friends, like even one your age online? I didn't understand, kid or not, why wouldn't stop behavior that puts him in danger. Interesting how staff turned blind eye and not shown. If this was grown adult, have at it with risks. The blue room was so off putting, big chunk of movie. For me anyhow not realistic, would never attend. The same glitter sequin outfit he wore over and over made me want him to be a kid shopping at mall for other alternatives. Not a movie to recommend or stay in gay collections.

3/10.

The film is quite slow, confusing and a bit vague because the characters and the plot are not really explained to us, it could have been much better, BUT I think it would be worth watching because it has and sends a huge message. First, the awareness of the LGBT population is raised and that everyone has the right to love and sleep with whomever they want, to be their own, without anyone judging them. We accept people as they are and divide them only into the good and the bad. The second is that a sparrow is better in the hand than a dove on a branch. And the third is that we should always be what we are but not forget to walk the earth. I also really liked the ending.

Director Samuel Van Grinsven's first feature explores a 16-year-old's sexual encounters that turn awry, in coming-of-age turned into thriller Sequin in a Blue Room, which won the audience award last month at Sydney Film Festival.

Sequin in a Blue Room tells the story of Sequin (named after the crop top he always wears when having sex), a gay teenager looking for sex with older men. Sequin (Conor Leach) lives in Sydney and mostly spends his time on hookup-apps looking for potential fun, while his family and friends don't have a clue what happens when they're not looking. Van Grinsven's queer film is one for the ages and sketches a very modern tale of what it's like to grow up in the age of social media.

One of the main characters of the film isn't one in the flesh, but rather one on screen in the form of text and visuals. Chris Johns' motion graphics never become overpowering and guide us through the story that develops under Sequin's thumbs, scrolling through lists of nameless yet labelled headless torsos. Sex and fear go hand in hand, and that's just what thrills the young man, blocking whomever he's met just after each encounter.

The title cards which are very present in the film, count down to the ending of the story. But the one that sticks the most is its opening sentence - 'a homosexual film by Samuel Van Grinsven'. Editor Tim Guthrie and the director wanted to pay tribute to Gregg Araki's New Queer Cinema, where Van Grinsven got his inspiration from. The cinematography by Jay Grant is mostly spellbinding and pulls you in by his use of colour, neon lights and closeups.

Here is where newcomer Leach comes up in full force. This fresh face plays Sequin with such confidence, you'd say he is this character in real life. Face acting galore, giving the right amount of looks and smirks to tell his story without even making a sound most of the time. This queer coming-of-age story turns dark while Sequin looks for love in a hopeless place when attending a sex-party in the titular location. Being mesmerised by a young man (Samuel Barrie), a married man (Ed Wightman) he met earlier becomes concerned with Sequin's reckless behaviour and turns into a threat that won't go away.

Co-written by Jory Anast, we also get to explore the relationship between Sequin and his unsuspecting father (Jeremy Lindsay Taylor). The boy isolates himself indoors, to which his father becomes more and more concerned there's more going on than just puberty happening under his roof.

After screening at Sydney Film Festival, where it received the audience award for best feature, the film is now headed for OutFest in Los Angeles to then screen at Melbourne International Film Fest in August. I had the opportunity to interview Van Grinsven and have a chat about the film and his plans with it, don't expect this talented filmmaker to slow down anytime soon. He clearly knows how to blend different genres while making a narrative that isn't overloaded with dialogue. I can't wait to see what Samuel has in store for us, but saying I'm excited is an understatement. Sequin in a Blue Room is New Queer Cinema at its finest.