[go: up one dir, main page]

    Calendrier de sortiesLes 250 meilleurs filmsLes films les plus populairesRechercher des films par genreMeilleur box officeHoraires et billetsActualités du cinémaPleins feux sur le cinéma indien
    Ce qui est diffusé à la télévision et en streamingLes 250 meilleures sériesÉmissions de télévision les plus populairesParcourir les séries TV par genreActualités télévisées
    Que regarderLes dernières bandes-annoncesProgrammes IMDb OriginalChoix d’IMDbCoup de projecteur sur IMDbGuide de divertissement pour la famillePodcasts IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalIMDb Stars to WatchSTARmeter AwardsAwards CentralFestivalsTous les événements
    Né aujourd'huiLes célébrités les plus populairesActualités des célébrités
    Centre d'aideZone des contributeursSondages
Pour les professionnels de l'industrie
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de favoris
Se connecter
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'appli
  • Distribution et équipe technique
  • Avis des utilisateurs
  • Anecdotes
  • FAQ
IMDbPro

Girl

  • 2018
  • Tous publics avec avertissement
  • 1h 45min
NOTE IMDb
7,2/10
18 k
MA NOTE
Victor Polster in Girl (2018)
Le passage à l'âge adulteDrame

Lara est une adolescente de 15 ans, née dans un corps de garçon. Elle rêve de devenir ballerine.Lara est une adolescente de 15 ans, née dans un corps de garçon. Elle rêve de devenir ballerine.Lara est une adolescente de 15 ans, née dans un corps de garçon. Elle rêve de devenir ballerine.

  • Réalisation
    • Lukas Dhont
  • Scénario
    • Lukas Dhont
    • Angelo Tijssens
  • Casting principal
    • Victor Polster
    • Arieh Worthalter
    • Oliver Bodart
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,2/10
    18 k
    MA NOTE
    • Réalisation
      • Lukas Dhont
    • Scénario
      • Lukas Dhont
      • Angelo Tijssens
    • Casting principal
      • Victor Polster
      • Arieh Worthalter
      • Oliver Bodart
    • 65avis d'utilisateurs
    • 140avis des critiques
    • 73Métascore
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 33 victoires et 39 nominations au total

    Photos47

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche

    Rôles principaux61

    Modifier
    Victor Polster
    Victor Polster
    • Lara
    Arieh Worthalter
    Arieh Worthalter
    • Mathias
    Oliver Bodart
    • Milo
    Tijmen Govaerts
    Tijmen Govaerts
    • Lewis
    Katelijne Damen
    • Le docteur Naert - le médecin
    Valentijn Dhaenens
    Valentijn Dhaenens
    • Le docteur Pascal - le psychiatre
    Magali Elali
    • Christine
    Alice de Broqueville
    • Lois
    Alain Honorez
    • Alain
    Chris Thys
    • Hannah
    Angelo Tijssens
    Angelo Tijssens
    • Hendricks
    Marie-Louise Wilderijckx
    • Marie-Louise
    Virginia Hendricksen
    • Alain's Assistant
    Daniel Nicodème
    • Opa
    Els Olaerts
    • Oma
    Hélène Theunissen
    • Meme
    Alexia Depicker
    Alexia Depicker
    • Anne
    Steve Driesen
    • Tom
    • Réalisation
      • Lukas Dhont
    • Scénario
      • Lukas Dhont
      • Angelo Tijssens
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs65

    7,217.6K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    7rubenm

    Good, but not sensational

    'Girl' was a sensation in Cannes and received rave reviews in the Flemish press. This film is about a teenage girl who wants to be a ballet dancer, but is born with the body of a boy. It is based on a real life story about a transgender ballet dancer, who has publicly endorsed the film.

    The film shows the anguish the girl feels about being stuck in the wrong body. She almost can't wait to get female curves. Although she looks very feminine and has the support of everyone around her, the whole process causes severe emotional problems. Moreover, her ballet classes are extremely hard and she isn't exactly an excellent pupil.

    The film succeeds in showing what a girl like her has to go through. But nevertheless, I was a bit dissapointed after having seen the film. Apart from the transgender theme, there is not much moving the story forward from a dramatic point of view. A lot of scenes show the ballet classes, and after a while they don't offer anything new to the story. The same goes for the conversations between the girl and the medical team. The doctors encourage her to be patient, she reacts by not saying much in reply. In order to add any dramatic evolution into the screenplay, there is a very shocking incident at the very end. But to me, this felt forced, out of place and overdone. (This scene is, by the way, not based on a real life event).

    The lead actor, Victor Polster, is in a way perfect for the role because he has the right androgyn looks. He is also convincing as a shy teenager, not feeling comfortable with a lot of things in life. But on the other hand I found his acting a bit restrained and one-dimensional, he showed little emotion.

    The film received criticism for being too obsessed with the physical aspects of being a transgender, and not enough with the emotional side of it. I think this is beside the point, because the only question that really should matter is: is this a good film? My answer to that question is: yes, but not as good as the hype around it makes us believe.
    7Doctor_Mongoose

    A poignant tale of a young transgender woman that could have benefited from a broader scope.

    It is difficult to review this film without referring to the performance and casting of Victor Polster as the Girl the title refers to. Both appear to be quite polarising. There seem to be many reviewers who feel his portrayal was brave, emotive and mature as an adolescent ballet dancer going through a transitionary period in her life in more ways than one: moving to a new school and meeting new people, moving to a different apartment, and, of course, the crux of the film, taking the next step in confirming her gender identity by taking hormones with a view to having gender reassignment surgery in the future. There also appear to be many people, mostly people who identify as either transgender themselves or part of the wider LGBT+ community, who think that the performance and casting is offensive and lacks the nuance that only a real-life transgender actor could bring to the role. Personally, I cannot believe I watched the same film as anyone who thinks that his performance was anything less than exceptional.

    Ballet as an art-form creates beauty out of pain, patience and practice, and Lara's journey to become a better dancer runs in parallel with her journey to physically become the woman she believes she is. The routine physical exhaustion and bleeding toes she experiences whilst dancing provide a visceral contrast with the emotional challenges of day-to-day living she has to face, such as showering or going to the toilet, whilst living in a body that just doesn't fit. Victor Polster manages to convey these experiences and emotions, showing an intense determination and underlying vulnerability that never spills over into melodrama. The question of whether or not he should have been cast in the role in the first place is moot as it is evident that he was up to the task. Morally I do not see any reason why a non-trans actor cannot play a trans role if they have the ability to do so, in the same way that an actor does not need to have kids to play the role of a father or mother. I believe that he got the role on merit, in the same way that Daniela Vega got the lead role in A Fantastic Woman, because they were the best person for the job.

    Where the film falls slightly flat, however, is that there are no other fully fleshed out characters apart from Lara, and although the film focuses around Lara's pain and experiences in the here and now, there isn't always a clear motivation for her actions. It isn't even clear why she is so keen on becoming a dancer in the first place. I'd like to have seen more of the father and younger brother and how their lives were affected by Lara's situation.

    Ultimately it is a painful portrait of a young woman fighting to be who she wants to be that could have benefited from widening the scope and delving into the lives of other characters more in order to give more weight to the situations Lara found herself in. I also feel that the ending, although earned and wincingly effective from an emotional standpoint, didn't provide much closure and left the film feeling unresolved. Having said that, I have a suspicion that this was intentional as stories such as these do not have a cut-off point where the transformation is complete and the only resolution is the acceptance that there is none and that the fight must go on.

    Definitely would recommend it.
    7Xstal

    Trapped in Another's Body...

    Following a year or so in the life of a teenager and the dilemmas faced as they struggle being somebody they're not. Sincerely and genuinely presented, although you will have to scrape your eyebrows off the ceiling toward the end as life's frustrations become all too overwhelming.
    6jramalho

    Good, not Great

    First things first: I really enjoyed the movie. Do I think its great? No. But I actually thought the ongoing ballet metaphor (and all the discipline and equilibrium that is involved in classical training) was powerful in showing the development of an "unbalanced" psyche that is trying desperately to cling on to whatever "normal" it can construct. Although certainly repetitive I thought it was inspired,, rather than boring. I also appreciated the non-preachy nature of most of the film, thus I rated it how I rated it. Having now read some of the reviews, I do understand possible objections to the depiction of the characters transition, and how it is shown. But, as in other instances with many other films for many different reasons, I don't know enough to judge. I will be more aware in the future, so for me both film and reviews were very useful.
    8moveebuff1953

    This is true cinematic brilliance

    Girl is the type of movie that will hopefully open your eyes and heart to the little known challenges that face someone caught in the wrong body. I fell in love with Lana almost immediately because of her sensitive, kind, passionate character. She brings you deep into her world of the pain it takes to hide her unwanted features with such elegance and composure. Even when egged on by fellow dancers she holds in her pain in hope of acceptance. Victor Polster is brilliant as the graceful and beautiful Lana. The determination, blood, sweat and tears it takes to be a ballerina is mind boggling but for Lara it is a passion she is not willing to give up on no matter what it takes.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The casting call for the protagonist was genderless, i.e. open for girls, boys, and those who were neither. 500 people between 14 and 17 auditioned but none of them could both dance and act well, so the filmmakers decided to cast the rest of the dancers first, and there they found Victor Polster.
    • Crédits fous
      The movie's title is not shown until the start of the end credits.
    • Connexions
      Featured in 2019 Golden Globe Awards (2019)
    • Bandes originales
      Tomboy
      Performed by Princess Nokia

    Meilleurs choix

    Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
    Se connecter

    FAQ16

    • How long is Girl?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 10 octobre 2018 (France)
    • Pays d’origine
      • Pays-Bas
      • Belgique
    • Sites officiels
      • Diaphana Films (France)
      • Official site (Japan)
    • Langues
      • Français
      • Flamand
      • Anglais
    • Aussi connu sous le nom de
      • Cô Gái
    • Lieux de tournage
      • Gent, Oost-Vlaanderen, Belgique(street scenes)
    • Sociétés de production
      • Menuet bvba
      • Frakas Productions
      • Topkapi Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 1 500 000 € (estimé)
    • Montant brut mondial
      • 4 179 737 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 45min(105 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.66 : 1

    Contribuer à cette page

    Suggérer une modification ou ajouter du contenu manquant
    • En savoir plus sur la contribution
    Modifier la page

    Découvrir

    Récemment consultés

    Activez les cookies du navigateur pour utiliser cette fonctionnalité. En savoir plus
    Obtenir l'application IMDb
    Identifiez-vous pour accéder à davantage de ressourcesIdentifiez-vous pour accéder à davantage de ressources
    Suivez IMDb sur les réseaux sociaux
    Obtenir l'application IMDb
    Pour Android et iOS
    Obtenir l'application IMDb
    • Aide
    • Index du site
    • IMDbPro
    • Box Office Mojo
    • Licence de données IMDb
    • Salle de presse
    • Annonces
    • Emplois
    • Conditions d'utilisation
    • Politique de confidentialité
    • Your Ads Privacy Choices
    IMDb, une société Amazon

    © 1990-2025 by IMDb.com, Inc.