Rosie Davis

"Rosie" (2018 release from Ireland; 86 min.) brings the story of Rosie and her family: 4 kids ages 3 to 13, and her partner John Paul. As the movie opens, we hear in voice-over TV clips about the shortage of affordable living in Dublin, with lease rates skyrocketing. We then see Rosie and her 4 kids in a car, as Rosie calls around to various cheap hotels for a room, but to no avail. Meanwhile, Jean Paul is working as a dish washer. Just as the situation looks to be really bleak, Rosie manages to find a hotel room for one night. The whole family crashes in the hotel room, and from the looks of the hotel, they are not the only family staying there... At this point we are 10 min. into the movie but to tell you of the plot more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this movie is directed by Irish director Paddy Breathnach. Here he brings the story of one fictional family whose lease was terminated by a landlord looking to sell and cash in on the red hot real estate market in Dublin. With a shortage of affordable housing, Rosie and her family are unable to find another place to rent, and now rely on government assistance to stay in cheap hotels, assuming they can find a vacancy. This is truly a family that is barely, but just barely, hanging on by the skin of their teeth. Along the way the family encounters social issues, such as the kids that go to school, where it is quickly noticed that something isn't quite right. At one point the school's head mistress asks Rosie point blank: "Are you living in your car?", to which Rosie with indignity responds "we are not homeless! we're just lost for a bit". As much of the film plays out in the car, Breathnach does a great job giving us a sense how difficult and cramped everything is. Sarah Greene as Rosie is nothing short of masterful as she conveys the frustration, anger, shame and love for her family. Please note that the acting performances are in full-blown Irish accents, and there were a number of conversational exchanges that went completely over my head.

"Rosie" premiered to great acclaim at last year's Toronto International Film Festival, yes almost a year ago. The movie popped up out of the blue at my local art-house theater here in Cincinnati, and I couldn't wait to see it. The Friday early evening performance turned out to be a private screening: I was literally the only one in the theater. Given the bleak nature of this movie (there is, literally and figuratively, not a ray of sunshine in this movie), I cannot imagine this can last more than a week in the theater. That said, there is a reason why this movie is currently rated 97% certified fresh on Rotten Tomatoes. I found it a challenging movie, in the best possible way, and about as far away as possible from this summer's never-ending wave of super-hero movie, sequel, prequels, Disney re-imaginations, and on and on. "Rosie" is HIGHLY RECOMMENDED.

Some people have complained about the slowness of this movie, but that is part of it. The director let's you live with Rosie the small details allowing you to get the raw emotions that are meant to be felt throughout the film. A truly brilliant movie with excellent acting by Sarah Greene.

Great performances, and a very realistic story. Just a day in the life of family who are temporarily homeless. I'm from NZ and it could have happened pretty much exactly the same way here, down to the ridiculous bureaucratic phone call after another, after another with the Mother having to explain her situation to a different person on the other end every single time. That scene just gnawed away at me. The rentable house that only wanted yopros. I won't spoil it any further, just to say that it reminded me of a Ken Loach film and left me with an ache inside that stayed even after it had finished.

This movie was very well acted. The storyline was harsh, painful and grim. Not having enough food or money is bad enough, but not having somewhere to lay your head down at night is heart-breaking. Much of the homelessness in America can be traced back to greed and the inequity of wealth that is rampant throughout America. It appears that those who own the apartments and housing complexes want more and more money for them. This leave less and less housing for the poor. The government can only do so much with what's available. As to the movie, it reflected the painful reality of life as the homeless must deal with. The actors in the movie were to be applauded.

A tough watch which is the exact point. The end is a bit sudden. More could have been done, after sitting through the film, potentially exlporing other outcomes. But that's a minor criticism. Great acting even though the script is rather slow at times.