NOTE IMDb
6,1/10
6,1 k
MA NOTE
Le superhéros de bande dessinée indonésien et son alter ego Sancaka entrent dans l'univers cinématographique pour combattre le méchant Pengkor et son escouade diabolique d'assassins orphelin... Tout lireLe superhéros de bande dessinée indonésien et son alter ego Sancaka entrent dans l'univers cinématographique pour combattre le méchant Pengkor et son escouade diabolique d'assassins orphelins.Le superhéros de bande dessinée indonésien et son alter ego Sancaka entrent dans l'univers cinématographique pour combattre le méchant Pengkor et son escouade diabolique d'assassins orphelins.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 7 victoires et 19 nominations au total
Arswendy Bening Swara
- Ferry Dani
- (as Arswendi Bening Swara)
Avis à la une
From the very start to the middle of the story where we are brought throughout the harsh life Sancaka has to endure at a very young age until he was mature enough to take care of himself (and anybody else who needs help), I was ready to give it a 9 out of 10, a rarity for a superhero movie, especially local superheroes (as there weren't so much of Indonesian comicbook movies before): great character build up, better than most superhero origin story, without having to impose so much of Marvel-style forced jokes, that reflects the condition of the real life of low class Indonesian citizens.
But alas, "wasted potential" was the common theme that would, I think, perfectly describe the execution of the third act, where our hero was faced by his hardest test of strength and faith: it was so rushed that almost none of the interesting, strong bad guys (and girls) has any value at all. why not make the movie a little (or much, depends) longer then, to make space for the development of these badass bad people that would automatically lift the movie to the same world-class level of "The Raid" and "The Raid 2"? Well, maybe it's the matter of the budget or the family friendly rating, I don't know for sure, the point is, for a director as hard-working and dedicated as Joko Anwar, it's pretty disappointing.
The CGI isn't so great by Hollywood standard. Fighting scenes kind of remind you of action movies like "The Raid" instead of a comicbook movie (without so much of lightning power, Gundala's iconic attribute), maybe it's the impact of the budget problem, but I think it was intentional as the great director himself has declared that in this movie, Sancaka hasn't even realized about his true potential, his true identity.
But still, it's a good start for local heroes to rise up in their own cinematic universe against the hagemony that is the MCU and DCEU among local movie-goers. Something that probably only my country is confident enough to do so.
But alas, "wasted potential" was the common theme that would, I think, perfectly describe the execution of the third act, where our hero was faced by his hardest test of strength and faith: it was so rushed that almost none of the interesting, strong bad guys (and girls) has any value at all. why not make the movie a little (or much, depends) longer then, to make space for the development of these badass bad people that would automatically lift the movie to the same world-class level of "The Raid" and "The Raid 2"? Well, maybe it's the matter of the budget or the family friendly rating, I don't know for sure, the point is, for a director as hard-working and dedicated as Joko Anwar, it's pretty disappointing.
The CGI isn't so great by Hollywood standard. Fighting scenes kind of remind you of action movies like "The Raid" instead of a comicbook movie (without so much of lightning power, Gundala's iconic attribute), maybe it's the impact of the budget problem, but I think it was intentional as the great director himself has declared that in this movie, Sancaka hasn't even realized about his true potential, his true identity.
But still, it's a good start for local heroes to rise up in their own cinematic universe against the hagemony that is the MCU and DCEU among local movie-goers. Something that probably only my country is confident enough to do so.
The latest Joko Anwar movie GUNDALA is set to be the first Bumi Langit cinematic universe. the story is grim and dark, what I love about this movie is the opening scene that tells a lot about the character straight to the point and it's beautiful.
I actually anticipated Gundala since they released the trailer. Sadly the story-telling isn't as great as the cinematography. The first 40 minutes felt totally flat, with few scenes which didn't add any importance to the whole movie, therefore made the first act dragged on too long. The rest of the movie had some jumbled up scene which didn't make any sense and confusing. Hopefully they could improve for the next movie.
This movie is so cool, i love all the plot twists, i love the heroes that are very 'human', i love the villains that are also very 'human', i love how they show how ugly politics & politicians are in Indonesia, i love how the movie keep me on suspense. AWESOME!!!
One challenge when we talk about adapting comic characters into live action is expectation. I warn you, expect nothing but prepare to explore into uncharted territory.
Gundala, the patriot-we-deserve, many people are still afraid that it won't live up the hype. Well, here's a thing, the very first minute I sit, they managed to build a bit of tension, penetrating heart-touching drama, and still turned out great in the end of the first act. Thanks to Joko Anwar who successfully crafted a brilliant storyline, eventhough it's not faithful to comic version.
From my personal standpoint, unraveling the comic's plot is essential in order to satisfy the audiences. He made it more grounded and believable to tackle down the assumption that superhero movie must be CGI-tastic. Instead of enrich CGI fakery like Marvel franchise, he strengthen the characters building. And instead of putting supernatural ability, which is convincingly unreal, he focus on connecting the dots between characters and their backstory so they make it in a perfect circle. It seems, he has a grand vision to upcoming movies in Jilid 1.
Let's dig deeper into the movie. Aesthetically, much like his previous movie "Satan's Slave" (surprisingly, he also make a reference to it), Gundala is quite good at painting the lights. The combination between visual, choreography and scoring make it even more dramatic in consistent pace. Honestly, I got goosebumps on several scene of this movie.
As I mentioned above, grounded story helps Gundala at making sensible issues; addressing topdog vs underdog, racial inequity, civil disorder, moral dillemas and even LGBT. And yes, in Indonesia's context, it's very much relatable. It did something no movie had ever done before.
And what about Sancaka? At a glance, his costume looks a bit silly. But, as it turned out, that's the most reasonable costume with realistic elements, considering what Sancaka has been through. One thing that I have to appreciate about Sancaka is Joko's ability to depict him in a more "human" side. Moreover, the lead-villain Pengkor, is treated in similar way. He's capable at sending shivers down the spine, but at the same time, he delivers something that we choose to believe is for good purpose. These appealing plot will eventually lead us to twist we never saw coming. However, some repetitive scenes throughout the movie just didn't work out for me.
To sum up, Gundala is definitely benchmarking the future movies in Jilid 1 and become the stepping stone of Indonesia's creative industry.
So, are you ready to watch? Here is some advice. Get to know all characters who were introduced in Jagat Sinema Bumilangit press conference last week is highly recommended. Pay close attention, you'll find many easter eggs, don't miss any of them. Stay put, because there will be post-credit scene which some kind of tease for what's to come.
See you in cinema, folks!
Gundala, the patriot-we-deserve, many people are still afraid that it won't live up the hype. Well, here's a thing, the very first minute I sit, they managed to build a bit of tension, penetrating heart-touching drama, and still turned out great in the end of the first act. Thanks to Joko Anwar who successfully crafted a brilliant storyline, eventhough it's not faithful to comic version.
From my personal standpoint, unraveling the comic's plot is essential in order to satisfy the audiences. He made it more grounded and believable to tackle down the assumption that superhero movie must be CGI-tastic. Instead of enrich CGI fakery like Marvel franchise, he strengthen the characters building. And instead of putting supernatural ability, which is convincingly unreal, he focus on connecting the dots between characters and their backstory so they make it in a perfect circle. It seems, he has a grand vision to upcoming movies in Jilid 1.
Let's dig deeper into the movie. Aesthetically, much like his previous movie "Satan's Slave" (surprisingly, he also make a reference to it), Gundala is quite good at painting the lights. The combination between visual, choreography and scoring make it even more dramatic in consistent pace. Honestly, I got goosebumps on several scene of this movie.
As I mentioned above, grounded story helps Gundala at making sensible issues; addressing topdog vs underdog, racial inequity, civil disorder, moral dillemas and even LGBT. And yes, in Indonesia's context, it's very much relatable. It did something no movie had ever done before.
And what about Sancaka? At a glance, his costume looks a bit silly. But, as it turned out, that's the most reasonable costume with realistic elements, considering what Sancaka has been through. One thing that I have to appreciate about Sancaka is Joko's ability to depict him in a more "human" side. Moreover, the lead-villain Pengkor, is treated in similar way. He's capable at sending shivers down the spine, but at the same time, he delivers something that we choose to believe is for good purpose. These appealing plot will eventually lead us to twist we never saw coming. However, some repetitive scenes throughout the movie just didn't work out for me.
To sum up, Gundala is definitely benchmarking the future movies in Jilid 1 and become the stepping stone of Indonesia's creative industry.
So, are you ready to watch? Here is some advice. Get to know all characters who were introduced in Jagat Sinema Bumilangit press conference last week is highly recommended. Pay close attention, you'll find many easter eggs, don't miss any of them. Stay put, because there will be post-credit scene which some kind of tease for what's to come.
See you in cinema, folks!
Le saviez-vous
- AnecdotesGundala is a part of Jagad Sinema BumiLangit (BumiLangit Cinematic Universe), a new superhero franchise in Indonesia who bring back a thousands of Indonesia's classic supeheroes character, BumiLangit Universe based on BumiLangit Comic (Indonesia's superhero/Gundala comics publisher)
- Bandes originalesGrowing Up
Written and performed by Kotak
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- How long is Gundala?Alimenté par Alexa
Détails
Box-office
- Budget
- 30 000 000 000 IDR (estimé)
- Durée
- 2h 3min(123 min)
- Couleur
- Mixage
- Rapport de forme
- 2:39 : 1
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