Le directeur adjoint de la police Shivansh a été chargé d'attraper Vir, l'homme derrière les meurtres de policiers dans la ville. Tous deux ont en fait un ennemi commun mais sont divisés par... Tout lireLe directeur adjoint de la police Shivansh a été chargé d'attraper Vir, l'homme derrière les meurtres de policiers dans la ville. Tous deux ont en fait un ennemi commun mais sont divisés par une fine frontière, la loi.Le directeur adjoint de la police Shivansh a été chargé d'attraper Vir, l'homme derrière les meurtres de policiers dans la ville. Tous deux ont en fait un ennemi commun mais sont divisés par une fine frontière, la loi.
- Récompenses
- 6 nominations au total
- Commissioner
- (as Manish Chaudhary)
- Muslim Girl
- (as Archita Agarwal)
Avis à la une
Thrilling, ain't it? In reality it is not, I am just playing with words and peaking your interest with no particular objective. The first half is clever and raises your adrenalin level with an offbeat suspense dovetailing into the intermission. And then, as if the second half was made by an altogether different director - it hurtles downhill like potboilers of the 1970's. It turns into an average revenge saga with a predictable and atrociously audacious ending that's a concoction of a dozen old films whose names you can rattle off in your sleep. John Abraham is ho-hum, been there done that deadpan, there's nothing to write about him. Manoj Bajpayee is now officially typecast, takes off from where he left in Aiyaari and then does a Deewar! Newbie Aisha Sharma has precious little to do and Manish Chaudhary is wasted. 4 STARS for this patriotic melodrama that doesn't stir emotions.
John Abraham as an angry man, fits well. Some dialogues are repetitive and some action sequences were a bit over the top. But then again John has worked hard on his physic and has to show it off. I did realize his facial features, he is very controlled. He has this intensitiy in his eyes so when he is angry you can feel his pain and anger.
His counter part Manoj Bajpayee is equally good. He does go overboard at times with his dialogue delivery. And also, this is a frequent character he plays so he is becoming synonymous with a police officer.
New comer, Aisha Sharma, was pretty good. I did like the fact her role was different than the typical herione roles. And I appeciated that she did not run after the main hero and it was a mutual consent between the two to be together. Her voice, however, did not seem to fit her look. It sounded like sand paper. And she did not have enough screen time.
The songs by various artists were pretty decent. The song "Dilbaar" was entertaining and Nora Fatehian can definitely dance, effortlessly.
Overall, the movie could have used some refinement work. There is a lot of spinning around to show dramatics but I think music would have been enough to make the point across.
Le saviez-vous
- AnecdotesManoj Bajpayee and John Abraham reunited after Shootout At Wadala.
- GaffesWhen Shikha flips the flag upside down it is again flipped in the next scene.
- Citations
Virendra Rathod (Veer): Good days are really back. There are nearly 4200 religions in this world. And thousands of people die for it, kill for it everyday. But people like you have created a new religion: corruption!
- Crédits fousDuring the ending credits in the Blue Ray version there is no space between "Manoj Bajpayee".
- Versions alternativesFor the theatrical release in India, the CBFC demanded that 8 cuts be made to the film before it could be approved with an A rating. These cuts removed dialogue and visuals which the board disapproved of for political reasons.
- ConnexionsEdited from Sirf Tum (1999)
- Bandes originalesDilbar
lyrics by Sameer and Shabbir Ahmed
Music by: Nadeem Saifi, Shravan Rathod and Tanishk Bagchi
performed by Dhvani Bhanushali, Neha Kakkar and Ikka
Meilleurs choix
- How long is Satyameva Jayate?Alimenté par Alexa
Détails
Box-office
- Montant brut mondial
- 11 933 798 $US
- Durée2 heures 20 minutes
- Couleur