NOTE IMDb
6,6/10
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MA NOTE
Une femme enceinte s'inquiète des habitudes de sommeil de son mari. Ce qui commence comme une discussion légère sur le sommeil se transforme rapidement en un comportement grotesque inattendu... Tout lireUne femme enceinte s'inquiète des habitudes de sommeil de son mari. Ce qui commence comme une discussion légère sur le sommeil se transforme rapidement en un comportement grotesque inattendu et ils cherchent désespérément.Une femme enceinte s'inquiète des habitudes de sommeil de son mari. Ce qui commence comme une discussion légère sur le sommeil se transforme rapidement en un comportement grotesque inattendu et ils cherchent désespérément.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 14 nominations au total
Edson Camacho
- Dr. Kim
- (English version)
- (voix)
Lucia Lobosvilla
- Additional
- (English version)
- (voix)
Lukas Timmerman
- Choi Jin-hyuk
- (English version)
- (voix)
Avis à la une
Sleep isn't a masterpiece but it's a pretty good debut from Jason Yu with strong directing, interesting writing and great performances from the cast members. Yu's direction and writing does a pretty good job on balancing out the tones of comedy and horror and creating a good sense of tense and terrifying atmospheres surrounding the setting and characters. The main premise is definitely very interesting as I don't see many movies focus on horror elements regarding sleepwalking or so forth. The narrative, while does have some faults and could have explored certain aspects a little more, is solid with good dialogue and executions being satisfying.
All of the performances are really good as each of the cast members does a good job on performing their characters. The soundtrack, production sets and the dialogue is pretty good too. While some depth in the characters could have been explored a bit, I found the characters to be entertaining to observe. There are some moments that were well-executed, especially a scene regarding PowerPoint's that was really entertaining. On the structure, the movie is a slow-burn but not once the movie felt slow or dull.
Overall, I am impressed with Jason Yu's first feature. No doubt there are some flaws but Yu's talent is pretty impressive enough to not overshadow the entire movie. I look forward to see what Jason Yu can offer in the future with his talents.
All of the performances are really good as each of the cast members does a good job on performing their characters. The soundtrack, production sets and the dialogue is pretty good too. While some depth in the characters could have been explored a bit, I found the characters to be entertaining to observe. There are some moments that were well-executed, especially a scene regarding PowerPoint's that was really entertaining. On the structure, the movie is a slow-burn but not once the movie felt slow or dull.
Overall, I am impressed with Jason Yu's first feature. No doubt there are some flaws but Yu's talent is pretty impressive enough to not overshadow the entire movie. I look forward to see what Jason Yu can offer in the future with his talents.
There is no jump scare, but how 'Sleep' manipulates my fear, uncertainty, and anxiety is something else. It's a kind of horror that I can watch without getting too scared, but I cannot go to sleep, thinking about the whole movie over and over in my head. The situation in the movie might seem extreme, but sleep disorder, noise between floors, and postpartum depression are very much realistic social problems and very much modern problems as well. They are almost tangible, and you hear about them everyday. Three things combined in the movie, the ending is not that extreme anymore, and it's scarier because it can happen to me, too.
How the director uses lighting and composition makes the movie more intense. Before the wife is affected by husband's abnormal behavior during REM sleep, lighting is shed in front of her face. However, once she starts to lose control of her reasons and mental health, the lighting moves to the back of her head, increasing the eerie atmosphere and highlighting the sudden change.
How the director uses lighting and composition makes the movie more intense. Before the wife is affected by husband's abnormal behavior during REM sleep, lighting is shed in front of her face. However, once she starts to lose control of her reasons and mental health, the lighting moves to the back of her head, increasing the eerie atmosphere and highlighting the sudden change.
This is a solid little Korean horror film, with a simple plot that's executed well. The acting from the two leads, Jung Yu-mi and Lee Sun-kyun, is top-notch. Jung particularly is great as the wife.
Where the film falters is in its open-endedness. There's a death early in the film that's seemingly significant for a few minutes, then the characters seemingly forget about it, then it's brought up again later in the film. And later in the film a character disappears then comes back without any real explanation. It left me wondering if perhaps the editor mistakenly edited out the scene showing what occurred between the character going missing and then popping up again. It just was bizarre. But some may consider this inexplicability to be a strength that adds to the spookiness. That leads me to the next point.
The great thing about this film is that, just like the characters, we're unsure of what's really going on here until the end. Is the husband mentally ill? Does he have a sleep disorder? Is he a ghost? Is he possessed? Is he acting? The film does a good job sprinkling in different possibilities throughout the runtime.
Where the film falters is in its open-endedness. There's a death early in the film that's seemingly significant for a few minutes, then the characters seemingly forget about it, then it's brought up again later in the film. And later in the film a character disappears then comes back without any real explanation. It left me wondering if perhaps the editor mistakenly edited out the scene showing what occurred between the character going missing and then popping up again. It just was bizarre. But some may consider this inexplicability to be a strength that adds to the spookiness. That leads me to the next point.
The great thing about this film is that, just like the characters, we're unsure of what's really going on here until the end. Is the husband mentally ill? Does he have a sleep disorder? Is he a ghost? Is he possessed? Is he acting? The film does a good job sprinkling in different possibilities throughout the runtime.
Sleep come with some pretty good credentials and i was looking forward to checking it out. Unfortunately, it didn't live up to my expectations as i found it lacking in story development and unable to create the desired levels of tension one could reasonably expect from a film of this type. The performances were fine but there were quite a few gaps in the story with too little character development taking place. Also, there were too many examples of the characters playing either very passively or unwittingly to the point of losing credibility. The end of the film was not able to create anywhere near the drama I could tell everyone was going for and it felt a it forced. Sleep isn't all but still a bit disappointing.
Sleep has probably one of the best premises for a horror film that I've ever seen. The idea of the person sharing your bed doing strange and sometimes terrifying things in their sleep is almost a *primal* fear, something inherent to every and anyone who shares a bed with their partner: "What are they doing in their sleep? Am I safe with this person next to me?"
It's such a brilliant concept, that the movie almost writes itself. And that's the thing...this movie needs better writing. There's something missing from the narrative, undoubtedly there to keep the mystery and ambiguity the entire way through, but it feels like the script needed a bit more complexity. I wished the characters and their relationship was fleshed out, that we learned more about them and their dynamics, to help really generate discussion as to what's going on. I wish an unseen and unheard character didn't have such an impact on the narrative; someone who is only mentioned a couple of times and very briefly. The film also jumps forward in time at several points for no apparent reason...it raises more questions than answers and I get the sense that no one knew how to address some of these plot holes.
It's a shame, because there's so much about this movie that works. It's very scary at times, generating enormous tension that you can cut through with a knife. And there's a wonderful bait-n-switch where your perspective on what's going on is tested and it's a juicy prospect. The film also has a wicked sense of humour and that always helps with otherwise very dark subject matter.
The performances are also quite excellent; Jung Yu Min in particular carries a lot of this movie on her shoulders and she's absolutely EXCELLENT. I just felt like all the other characters weren't fleshed out enough for me to really connect with them. Korean horror is renowned for its character work, slow pace, and shocking twists. I wish this movie took its time more and did a bit more world building. At a scant 95 minutes, it certainly could've used another 15-20 minutes to do that, and it wouldn't have made the movie worse.
However, I can't pretend like this isn't a good time. The film is creepy, effective, and again, just has that killer premise that's inherently good. Is it perfect? No. Could it have been even better? I suspect so. But given this is Jason Yu's first film, it's not a bad debut at all.
It's such a brilliant concept, that the movie almost writes itself. And that's the thing...this movie needs better writing. There's something missing from the narrative, undoubtedly there to keep the mystery and ambiguity the entire way through, but it feels like the script needed a bit more complexity. I wished the characters and their relationship was fleshed out, that we learned more about them and their dynamics, to help really generate discussion as to what's going on. I wish an unseen and unheard character didn't have such an impact on the narrative; someone who is only mentioned a couple of times and very briefly. The film also jumps forward in time at several points for no apparent reason...it raises more questions than answers and I get the sense that no one knew how to address some of these plot holes.
It's a shame, because there's so much about this movie that works. It's very scary at times, generating enormous tension that you can cut through with a knife. And there's a wonderful bait-n-switch where your perspective on what's going on is tested and it's a juicy prospect. The film also has a wicked sense of humour and that always helps with otherwise very dark subject matter.
The performances are also quite excellent; Jung Yu Min in particular carries a lot of this movie on her shoulders and she's absolutely EXCELLENT. I just felt like all the other characters weren't fleshed out enough for me to really connect with them. Korean horror is renowned for its character work, slow pace, and shocking twists. I wish this movie took its time more and did a bit more world building. At a scant 95 minutes, it certainly could've used another 15-20 minutes to do that, and it wouldn't have made the movie worse.
However, I can't pretend like this isn't a good time. The film is creepy, effective, and again, just has that killer premise that's inherently good. Is it perfect? No. Could it have been even better? I suspect so. But given this is Jason Yu's first film, it's not a bad debut at all.
Le saviez-vous
- AnecdotesFinal film role of Lee Sun-kyun before his passing in December 2023.
- ConnexionsReferenced in Film Junk Podcast: Episode 979: Companion (2025)
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- How long is Sleep?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 34 221 $US
- Week-end de sortie aux États-Unis et au Canada
- 11 170 $US
- 29 sept. 2024
- Montant brut mondial
- 11 063 144 $US
- Durée
- 1h 35min(95 min)
- Couleur
- Mixage
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