Le daim

It is easy to see it as a dark comedy. As a parable, in same measure. As an eccentric story, admirable served by Jean Dujardin.

In fact, its realism represents the main virtue.

A jacket, its owner, their dialogue and a simple sort of friendship with a young waitress. And the result of this relation , the violent side of his bizarre desire and the perfect end .

A film demanding the honesty from viewer , because the absurd situations are just pieces of coherent large puzzle , reminding ordinary temptations animating near reality.

George has reached a crossroad. Quitting his family life he is searching for a higher calling. This comes to him as soon as he obtains a Deer skin jacket. Everything seems clearer now. Especially when his jacket starts talking to him. Sharing its ultimate dream of being the only jacket in the world.

DEERSKIN steps into the rather tricky territory of a middle age crisis and treats it like no other movies have done before. Jean Dujardin is perfect as a slightly unhinged man whose search for purpose in life goes to the extreme. His partner in crime Denise (Adele Haenel) is seemingly clueless and adoring but has her own secrets in store. Their tandem is not unlike the one of Bonnie and Clyde. They ooze chemistry and a sense of approaching doom.

The film's genre is hard to define. It's too black to be a comedy. Too cheerful to be a horror movie and too grotesque to be a serious drama.

The Director Quentin Dupieux, famous for his thriller RUBBER about a murderous car tire, has another weird story to tell, this time it's more intense and adequate than I care to admit. But he knows how to be precise and concise, and with less than a 90 min run time the film never overstays its welcome. With its dialogue straight from Twin Peaks and the dream logic of David Cronenberg, DEERSKIN is never boring. It will surprise and frustrate in equal measure, but will linger in your mind for a long time.

This film describes a fetishistic relationship between George (interpreted by Jean Dujardin) and his suede jacket, bought 7000 euros after surreptitiously emptied the bank account he shares with his wife. The relationship he creates with this personified jacket will switch following two almost-concomitant events: the jacket will communicate to George its (his?) wish and Georges will meet Denise (interpreted by Adèle Haenel).

Although this film is devoid of rationality, some will see a profound message such as metaphor, allegory, symbolism, ... Whatever, one thing is certain: Jean Dujardin and Adèle Haenel play excellently and the atmosphere created by Quentin Dupieux is deliberately both unhealthy and funny. Finally, even if the beginning of the film is confusing or disturbing (the whole film somehow, but you'll gradually get used to it), once the atmosphere is in place, you'll await the denouement with impatience.

What a strange movie, not sure everybody will enjoy this kind of story. But if you like a bit of bizarre then Le Daim (or Deerskin) is certainly worth watching. I did enjoy it and so did my American wife, so it's not necessary only for French people. Jean Dujardin proves he can play something else than in is award winning movie The Artist. There are basically only two actors that matter in Deerskin, Jean Dujardin and Adèle Haenel, and they both did a very good job. The complicity between both characters was what made this movie entertaining, plus the oddly strange monologues between a man and his jacket. I wasn't sure about this movie before watching it but I'm glad I watched it. Give it a go if you're not afraid of something completely different.

Hi folks! Usually, I just do not have enough time to leave my reviews, I just watch too many movies.:) However, just cannot agree with rather low rating of this spectacular superb quality aburd-style gem of a movie. I will certainly parallel it to Lars von Trier "Jack that built the house". I saw the same mental problematic, however, there are of course diverse ideas behind of each of the two movies. I wanted also to stress the superb quality of Dupieux of creating a slow crescendo that ends just right. It is by no doubts a "cousin" of great Lars. Pitty that Dupieux is not famous, otherwise this movie would at least won Sundance or Cannes or Berlinale.