Le daim

What a strange movie, not sure everybody will enjoy this kind of story. But if you like a bit of bizarre then Le Daim (or Deerskin) is certainly worth watching. I did enjoy it and so did my American wife, so it's not necessary only for French people. Jean Dujardin proves he can play something else than in is award winning movie The Artist. There are basically only two actors that matter in Deerskin, Jean Dujardin and Adèle Haenel, and they both did a very good job. The complicity between both characters was what made this movie entertaining, plus the oddly strange monologues between a man and his jacket. I wasn't sure about this movie before watching it but I'm glad I watched it. Give it a go if you're not afraid of something completely different.

Who knows what goes through the mind of a recently separated middle aged man, but if you want an insight into one such gentleman, one with a suede fetish (haven't we all in various interpretations of that word), a penchant for jacket genocide and an ever so slight psychological, psychopathic derangement, then look no further. Jean Dujardin plays an aging buck who impulsively scalps his way through events with the edited financial assistance of the ever elegant Adèle Haenel. Extremely gamy, an acquired taste perhaps.

This film describes a fetishistic relationship between George (interpreted by Jean Dujardin) and his suede jacket, bought 7000 euros after surreptitiously emptied the bank account he shares with his wife. The relationship he creates with this personified jacket will switch following two almost-concomitant events: the jacket will communicate to George its (his?) wish and Georges will meet Denise (interpreted by Adèle Haenel).

Although this film is devoid of rationality, some will see a profound message such as metaphor, allegory, symbolism, ... Whatever, one thing is certain: Jean Dujardin and Adèle Haenel play excellently and the atmosphere created by Quentin Dupieux is deliberately both unhealthy and funny. Finally, even if the beginning of the film is confusing or disturbing (the whole film somehow, but you'll gradually get used to it), once the atmosphere is in place, you'll await the denouement with impatience.

This French movie (with subtitles) by Quentin Dupieux is a black comedy that veers towards the violently absurd. So it certainly won't be for everyone.

Positives:

• There's an anarchy to the black comedy on show in Deerskin that's mildly exhilarating. It really IS bloody bonkers. But the absurd story, of a man spiralling into a deerskin-lined black hole, is delivered in an extremely entertaining way.

• It's all delivered with a straight face by Dujardin (famous of course as the Oscar-winner from "The Artist"). And very good he is at it too.

• Adèle Haenel was one of the two lovers in "Portrait of a Lady on Fire" (actually completed after this movie, which has been on the Covid-shelf since 2019). Here she again shows star-power as the barmaid with dreams of hitting the movie-making big-time. Every absurd twist and turn seems to be believable in her hands, once you understand that she is "into it".

Negatives:

• The anarchic story and the extreme violence will not be for everyone. There were 2 walk-outs in my cinema (about 10% of the Cineworld Unlimited audience).

• A few of the lines irritate: Georges mistakenly saying "creditor" instead of "editor" was an example.

Summary Thoughts on "Deerskin": Based on the trailer, I really wasn't sure I was going to enjoy this one. But it has a style about it that is unmistakable. I had no idea where it was going, and the denouement was surprising and satisfying.

It'll be a "marmite" film for sure - some will love it; many will hate it. I doubt there will be much middle ground for this one.

BTW, there is a mid-credits scene, a few seconds into the end credits. Doesn't add much, to be honest.

(For the full graphical review, please check out One Mann's Movies on t'interweb and Facebook. Or the Tiktok channel at @onemannsmovies. Thanks).

George has reached a crossroad. Quitting his family life he is searching for a higher calling. This comes to him as soon as he obtains a Deer skin jacket. Everything seems clearer now. Especially when his jacket starts talking to him. Sharing its ultimate dream of being the only jacket in the world.

DEERSKIN steps into the rather tricky territory of a middle age crisis and treats it like no other movies have done before. Jean Dujardin is perfect as a slightly unhinged man whose search for purpose in life goes to the extreme. His partner in crime Denise (Adele Haenel) is seemingly clueless and adoring but has her own secrets in store. Their tandem is not unlike the one of Bonnie and Clyde. They ooze chemistry and a sense of approaching doom.

The film's genre is hard to define. It's too black to be a comedy. Too cheerful to be a horror movie and too grotesque to be a serious drama.

The Director Quentin Dupieux, famous for his thriller RUBBER about a murderous car tire, has another weird story to tell, this time it's more intense and adequate than I care to admit. But he knows how to be precise and concise, and with less than a 90 min run time the film never overstays its welcome. With its dialogue straight from Twin Peaks and the dream logic of David Cronenberg, DEERSKIN is never boring. It will surprise and frustrate in equal measure, but will linger in your mind for a long time.