Along with the Gods: Les 49 derniers jours
Titre original : Sin-gwa ham-kke: In-gwa yeon
NOTE IMDb
7,1/10
10 k
MA NOTE
Dans l'au-delà, un gardien aide un homme à traverser ses épreuves, tandis que ses deux collègues aident un ancien gardien sur terre.Dans l'au-delà, un gardien aide un homme à traverser ses épreuves, tandis que ses deux collègues aident un ancien gardien sur terre.Dans l'au-delà, un gardien aide un homme à traverser ses épreuves, tandis que ses deux collègues aident un ancien gardien sur terre.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 7 victoires et 9 nominations au total
Avis à la une
#AlongWithTheGodsTheLast49Days it's much much more than we imagine or predict on this epic sequel, the story developed into something 'bigger' and you'll love the sequel more if you love the first one 9/10 #alongwiththegods2 #alongwiththegods #koreanmovie #movie #Dtkreview #moviereview
Do not watch this sequel without first watching the first one.
In terms of cinematics, there seems to be less compared with the first. Yet the drama, wit & humor are truly delightful.
In terms of cinematics, there seems to be less compared with the first. Yet the drama, wit & humor are truly delightful.
If the first movie epitomises redemption, then the sequel dives headlong into forgiveness. Along With the Gods: The Two Worlds was a helluva ride through the underworld; the only misstep for me is how it went overboard with the ludicrous special effects. By that I mean how the vengeful spirit and Gang Rim go mano a mano with the city as their playground. The sequel, Along With the Gods: The Last 49 Days, was shot together with the massively popular first film and it has become the second all-time box-office grosser in South Korea. However, it is an overstuffed shadow of the first film.
The sequel begins moments after the end of The Two Worlds, with the three guardians, Gang Rim (Ha Jung-woo), Haewonmak (Ju Ji-hoon) and Lee Dukchun (Kim Hyang-gi) guiding their 49th soul Kim Soo-hong (Kim Dong-wook), the brother of Kim Ja-hong, to the trials for his reincarnation. The stakes are higher because if it is successful, the three guardians will also be reincarnated.
King Yeomra (Lee Jung-jae), Lord of the Afterlife, agrees to a fair trail on the condition that Gang Rim proceeds with the case on his own, while Haewonmak and Dukchun go down to the world of humans to dispatch a troublesome housegod Sung-joo (Ma Dong-seok) and ascend an overdue soul.
The Last 49 Days has a lot to live up to and it just could not sustain under the weight of expectations set by its predecessor. The first half becomes a bit of a slog with the pacing largely going missing and the world-building taking a backseat. This is a case of lightning not being able to strike the same spot twice.
Firstly, the chemistry between the three guardians of the Afterlife went missing in the first two acts, partly because Gang Rim and his compatriots are separated. Like The Two Worlds, the narrative becomes two-pronged but sadly neither reaches the same dizzying levels. Soo-hong makes for an annoying and smart-alecky character, who doesn't garner the same sympathy as his brother, Ja-hong. It is a good move that the story doesn't go through the same process as Ja-hong but what takes its place doesn't make for compelling viewing, and dinosaurs don't help. Haewonmak and Dukchun fare better because of the intriguing character of Sung-joo, a superb casting choice. However, this time round the Stephen-Chow-resque slapstick comedy is a hit or miss.
Secondly, director Kim Yong-hwa couldn't quite find the right balance between the light fantastic and the hard-hitting drama, which led to pacing issues, so much so that I did the dreaded thing - I checked my watch.
However, all is not lost... when the story does hit the final act with the story of the three guardians revealed, it hits its groove. But still, one can't help but feel it came a little too late to save the movie.
The sequel begins moments after the end of The Two Worlds, with the three guardians, Gang Rim (Ha Jung-woo), Haewonmak (Ju Ji-hoon) and Lee Dukchun (Kim Hyang-gi) guiding their 49th soul Kim Soo-hong (Kim Dong-wook), the brother of Kim Ja-hong, to the trials for his reincarnation. The stakes are higher because if it is successful, the three guardians will also be reincarnated.
King Yeomra (Lee Jung-jae), Lord of the Afterlife, agrees to a fair trail on the condition that Gang Rim proceeds with the case on his own, while Haewonmak and Dukchun go down to the world of humans to dispatch a troublesome housegod Sung-joo (Ma Dong-seok) and ascend an overdue soul.
The Last 49 Days has a lot to live up to and it just could not sustain under the weight of expectations set by its predecessor. The first half becomes a bit of a slog with the pacing largely going missing and the world-building taking a backseat. This is a case of lightning not being able to strike the same spot twice.
Firstly, the chemistry between the three guardians of the Afterlife went missing in the first two acts, partly because Gang Rim and his compatriots are separated. Like The Two Worlds, the narrative becomes two-pronged but sadly neither reaches the same dizzying levels. Soo-hong makes for an annoying and smart-alecky character, who doesn't garner the same sympathy as his brother, Ja-hong. It is a good move that the story doesn't go through the same process as Ja-hong but what takes its place doesn't make for compelling viewing, and dinosaurs don't help. Haewonmak and Dukchun fare better because of the intriguing character of Sung-joo, a superb casting choice. However, this time round the Stephen-Chow-resque slapstick comedy is a hit or miss.
Secondly, director Kim Yong-hwa couldn't quite find the right balance between the light fantastic and the hard-hitting drama, which led to pacing issues, so much so that I did the dreaded thing - I checked my watch.
However, all is not lost... when the story does hit the final act with the story of the three guardians revealed, it hits its groove. But still, one can't help but feel it came a little too late to save the movie.
A wonderful follow up to its predecessor, the movie picks up directly after the first. While I was doubtful on how they could make the story as compelling as the first one, this sequel delivers by focusing on the backstories of Ganglim and his crew. It also slowly builds around the previous story without retreading on the old plot. Furthermore, it also provides closure to the first part by seeing the aftermath of the events of the first movie. In fact, there are three layers of stories, the conclusion of the first part, Ganglim and his crew's backstories, and a new mission for the team while Ganglim is occupied. Jung-woo Ha returns as Ganglim and is every relatable while maintain a charismatic performance. Ji-Hoon Ju's character is given another side the audience has not seen, while the ever-likable Hyang-gi Kim's still shines. Dong Soek Ma's portrayal as the benevolent kitchen god is an great addition to the series, and his talent is not wasted. Plot-wise there are many twists and though some could be predicted, others are not. There are great after credit scenes too, and something that looks like the starting of a franchise. But the storytelling is still good, and most of the protagonists get to shine.
Let's talk about the advantages and the disadvantages of the movie. The plot was unexpected but wonderful. The director connected the first with this film perfectly. In addition, the ending truly made me teary-eyed. It touched me a lot. Then I have to say some arrangement I don not understand. The first was the character Seongju God. I believed that director wanted to add this character to the second film to enrich the story. But this character was completely a tool man to promote the development of the plot. Moreover, the first half of the movie was full of low-grade jokes. They doesn't make me laugh, okay? ALL IN ALL, Sin-gwa ham-kke: In-gwa yeon was a good film. Its shortcomings could not cover its shining points. It was worth watching.
Le saviez-vous
- AnecdotesThe film is inspired by the Korean Joseon dynasty Buddhist paintings and early Buddhist scriptures of the "Ten Kings of Hell". In the early Buddhism concepts, the Ten Kings of Hell serve as magistrates of each of the ten courts of the underworld to determine the fate of the deceased including the type and severity of punishment and the course of their cycle of rebirth. On the 49th day after death, the soul of the deceased comes before the seventh king and may be reborn, depending on his or her actions in this world.
- Crédits fousSPOILER: In the second credits scene, 1,000 years ago, Gang-lim's father is seen dying, and is approached by Yeomra about taking over his position. He does so, taking on the appearance of the former Yeomra. This means, all along, over 1,000 years as a Reaper in the afterlife, the Yeomra Gang-lim has been serving all along has been his own father he was desperately seeking the forgiveness of.
- ConnexionsFollows Along With the Gods: The Two Worlds (2017)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Along With the Gods: The Last 49 Days
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 35 000 000 000 ₩ (estimé)
- Montant brut aux États-Unis et au Canada
- 1 200 246 $US
- Week-end de sortie aux États-Unis et au Canada
- 311 743 $US
- 5 août 2018
- Montant brut mondial
- 99 066 508 $US
- Durée2 heures 22 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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