The Woman King
- 2022
- Tous publics
- 2h 15min
Au XIXᵉ siècle, le royaume du Dahomey est menacé par le royaume d'Oyo. Les Agojie, une unité de combattante, forment de nouvelles recrues afin d'être prêtes à défendre leur peuple, le moment... Tout lireAu XIXᵉ siècle, le royaume du Dahomey est menacé par le royaume d'Oyo. Les Agojie, une unité de combattante, forment de nouvelles recrues afin d'être prêtes à défendre leur peuple, le moment de la confrontation venue.Au XIXᵉ siècle, le royaume du Dahomey est menacé par le royaume d'Oyo. Les Agojie, une unité de combattante, forment de nouvelles recrues afin d'être prêtes à défendre leur peuple, le moment de la confrontation venue.
- Réalisation
- Scénario
- Casting principal
- Nomination aux 2 BAFTA Awards
- 28 victoires et 126 nominations au total
Chioma Antoinette Umeala
- Tara
- (as Chioma Umeala)
Sivuyile Ngesi
- The Migan
- (as Siv Ngesi)
Angélique Kidjo
- The Meunon
- (as Angelique Kidjo)
Résumé
Reviewers say 'The Woman King' is lauded for its powerful performances by Viola Davis and Thuso Mbedu, and its focus on female empowerment and African culture. However, it is criticized for historical inaccuracies, uneven pacing, and underdeveloped subplots. Despite these issues, the film's production values, including cinematography and costume design, are highly appreciated. Many reviewers commend its effort to bring lesser-known historical stories to light and its thrilling action sequences.
Avis à la une
The Woman King (2022) is a movie my wife and I caught in theatres last night. The storyline follows an African kingdom with a new(er) king in 1823 who posses the only female army in Africa. The leader of the female Army has a past that haunts her but the respect of her king, enough to be on his council. She strongly urges him to avoid the slave trade and find alternative methods of riches. Meanwhile, those who do believe strongly in the slave trade look to march on the kingdom and bring them down. A new recruitment class to the female army brings brashness, new ideas to defend the kingdom, and the female leader's ghosts back to the forefront...
This movie is directed by Gina Prince-Bythewood (Love & Basketball) and stars Viola Davis (The Help), Thuso Mbedu (The Underground Railroad), Lashana Lynch (No Time to Die), Sheila Atim (Doctor Strange: In the Mouth of Madness), John Boyega (Star Wars: Episode VII-IV) and Jimmy Odukoya (Mamba's Diamond).
This movie has so much depth and contains a great primary plot and even better sub plots. The writing is remarkable, thorough and very impressive. The character's inner demons are well portrayed as is their struggle to overcome them. The acting is out of this world across the board. You feel for every character; and if anything happens to anyone, you feel personally hurt. The villains were also excellent as is the outcome of each of them. The settings and cinematography is outstanding and there is impressive use of lighting. The action scenes are remarkable and the fight choreography is award winning caliber. My only complaint is an awkward love story that is obviously in here to show maturity and self discovery but I could have done without it.
Overall, this movie has literally everything you'd want in a movie - tremendous action, great villains, self discovery and character triumph. I would strongly, strongly recommend seeing this movie and score it a 10/10. We loved it.
This movie is directed by Gina Prince-Bythewood (Love & Basketball) and stars Viola Davis (The Help), Thuso Mbedu (The Underground Railroad), Lashana Lynch (No Time to Die), Sheila Atim (Doctor Strange: In the Mouth of Madness), John Boyega (Star Wars: Episode VII-IV) and Jimmy Odukoya (Mamba's Diamond).
This movie has so much depth and contains a great primary plot and even better sub plots. The writing is remarkable, thorough and very impressive. The character's inner demons are well portrayed as is their struggle to overcome them. The acting is out of this world across the board. You feel for every character; and if anything happens to anyone, you feel personally hurt. The villains were also excellent as is the outcome of each of them. The settings and cinematography is outstanding and there is impressive use of lighting. The action scenes are remarkable and the fight choreography is award winning caliber. My only complaint is an awkward love story that is obviously in here to show maturity and self discovery but I could have done without it.
Overall, this movie has literally everything you'd want in a movie - tremendous action, great villains, self discovery and character triumph. I would strongly, strongly recommend seeing this movie and score it a 10/10. We loved it.
Despite the blatant "all black female cast" gimmick the movie showed great potential, and it is different from we usually see in modern action movies. Men in tights and cape, that is. I'd take female savage warriors all day.
But we know by now that in this age we can't have a complete, layered movie. It is simply impossible, cause everything must be watered down, dumbed down and politically innocuous. And that's the movie we got here: the interesting cultural aspects are not enough developed, the geopolitical situation is as thin as possible (and I'm not talking about realism, that is for documentaries, I'm talking about any kind of interesting political reality), and despite the truly great acting, the characters are as rhetorical and melodramatic as in any Superhero movie. And the worst sin of all: an action movie with below average action. Yeah, everything is treated with epicness; but so are Michael Bay movies. The epicness is shallow, there is no complexity, except violence and gore, and directing is confusing. In few words, the trailers are better. Again, like a Superhero movie.
So yeah, this film will be successful because, honestly, not only his premise is as gimmicky as possible, but for once it is actually interesting. But just like the majority of modern action movies, it is all captivating epic surface with no technical or narrative substance. And I'm personally tired of this.
But we know by now that in this age we can't have a complete, layered movie. It is simply impossible, cause everything must be watered down, dumbed down and politically innocuous. And that's the movie we got here: the interesting cultural aspects are not enough developed, the geopolitical situation is as thin as possible (and I'm not talking about realism, that is for documentaries, I'm talking about any kind of interesting political reality), and despite the truly great acting, the characters are as rhetorical and melodramatic as in any Superhero movie. And the worst sin of all: an action movie with below average action. Yeah, everything is treated with epicness; but so are Michael Bay movies. The epicness is shallow, there is no complexity, except violence and gore, and directing is confusing. In few words, the trailers are better. Again, like a Superhero movie.
So yeah, this film will be successful because, honestly, not only his premise is as gimmicky as possible, but for once it is actually interesting. But just like the majority of modern action movies, it is all captivating epic surface with no technical or narrative substance. And I'm personally tired of this.
When murderers, rapists and slave traders are presented as heroes and liberators, it is disgusting. It is disgusting to see how some directors and actors try to present evil with good. How something terrible is twisted to make it look beautiful. It is as if serial maniacs and murderers who killed hundreds of people in the most brutal ways would be made noble and just heroes. He killed 30 people, dismembered and ate them, oh no no, he was a hero who helps children with cancer. It's disgusting and I want to vomit from such cynicism! The acting is mediocre, even below average. And the appeals of the main characters to visit cinemas to watch this cynical lie. Strong female characters, heroes that the public should know about, good and honest people - all this will be on the screens someday, but not in this film!
Woman King" attempts to retell historical events, but instead of staying true to the original narrative, it takes liberties that ultimately detract from the story's integrity. This film serves as a prime example of how modifying history for the sake of entertainment can result in a disappointing and inaccurate portrayal.
One of the most egregious aspects of "Woman King" is its blatant disregard for the true events and characters it claims to depict. By altering crucial details and fabricating scenes, the film not only distorts history but also undermines the significance of the actual events and the people involved. Rather than honoring the bravery and sacrifices of historical figures, "Woman King" reduces them to mere caricatures, robbing them of their complexity and depth.
Moreover, the deviations from historical accuracy serve no discernible purpose other than to sensationalize the story and cater to Hollywood conventions. The result is a narrative riddled with clichés and contrived plot points, which do little to engage or enlighten the audience. Instead of shedding light on lesser-known aspects of history, "Woman King" perpetuates misconceptions and reinforces stereotypes, doing a disservice to both the past and the present.
Furthermore, the film's disregard for historical accuracy extends to its portrayal of cultural and social dynamics. By glossing over or outright ignoring the nuances of the time period, "Woman King" presents a sanitized version of history that fails to capture the complexities of the era. This not only detracts from the authenticity of the story but also diminishes its potential impact as a work of historical fiction.
In summary, "Woman King" is a disappointing film that sacrifices historical accuracy for the sake of entertainment. By distorting the true events and characters it claims to depict, the film not only fails to do justice to the historical figures it portrays but also perpetuates misconceptions and stereotypes. Rather than offering insight into the past, "Woman King" serves as a cautionary tale of the dangers of sacrificing truth for the sake of a compelling narrative.
One of the most egregious aspects of "Woman King" is its blatant disregard for the true events and characters it claims to depict. By altering crucial details and fabricating scenes, the film not only distorts history but also undermines the significance of the actual events and the people involved. Rather than honoring the bravery and sacrifices of historical figures, "Woman King" reduces them to mere caricatures, robbing them of their complexity and depth.
Moreover, the deviations from historical accuracy serve no discernible purpose other than to sensationalize the story and cater to Hollywood conventions. The result is a narrative riddled with clichés and contrived plot points, which do little to engage or enlighten the audience. Instead of shedding light on lesser-known aspects of history, "Woman King" perpetuates misconceptions and reinforces stereotypes, doing a disservice to both the past and the present.
Furthermore, the film's disregard for historical accuracy extends to its portrayal of cultural and social dynamics. By glossing over or outright ignoring the nuances of the time period, "Woman King" presents a sanitized version of history that fails to capture the complexities of the era. This not only detracts from the authenticity of the story but also diminishes its potential impact as a work of historical fiction.
In summary, "Woman King" is a disappointing film that sacrifices historical accuracy for the sake of entertainment. By distorting the true events and characters it claims to depict, the film not only fails to do justice to the historical figures it portrays but also perpetuates misconceptions and stereotypes. Rather than offering insight into the past, "Woman King" serves as a cautionary tale of the dangers of sacrificing truth for the sake of a compelling narrative.
The movie should be story of real life events as per description. However nothing that's presented here is real. Not only that but the kingdom of Dahomey's were actually a slave traders and they sold others to slavery. If nothing else this movie is idolizing slave traders.
The movie should be story of real life events as per description. However nothing that's presented here is real. Not only that but the kingdom of Dahomey's were actually a slave traders and they sold others to slavery. If nothing else this movie is idolizing slave traders.
The movie should be story of real life events as per description. However nothing that's presented here is real. Not only that but the kingdom of Dahomey's were actually a slave traders and they sold others to slavery. If nothing else this movie is idolizing slave traders.
The movie should be story of real life events as per description. However nothing that's presented here is real. Not only that but the kingdom of Dahomey's were actually a slave traders and they sold others to slavery. If nothing else this movie is idolizing slave traders.
The movie should be story of real life events as per description. However nothing that's presented here is real. Not only that but the kingdom of Dahomey's were actually a slave traders and they sold others to slavery. If nothing else this movie is idolizing slave traders.
Le saviez-vous
- AnecdotesProducer Maria Bello visited Benin in West Africa to research the Agojie, and returned to the US, convinced she had found a great movie pitch. The project then stayed in development hell for years, first at STX (which only offered $5 million for the budget), then at TriStar. Only after the massive success of Black Panther (2018) was the film greenlit with a $50 million budget.
- GaffesThe Dahomey Mino (or Dahomey Amazons) did not fight to end slavery but were in fact prolific slavers themselves. The Dahomey enslaved thousands of fellow Africans until the kingdom was defeated by the French in 1894.
- Crédits fousThere's a mid-credits scene, in which Amenza is seen performing a memorial ceremony for her fallen sisters, pouring salt and whiskey over their weapons. She says their names aloud, and the last name we hear is Breonna.
- Bandes originalesTribute to the King
Written and produced by Icebo M
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- How long is The Woman King?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- La mujer rey
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 50 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 67 328 130 $US
- Week-end de sortie aux États-Unis et au Canada
- 19 051 442 $US
- 18 sept. 2022
- Montant brut mondial
- 97 562 514 $US
- Durée
- 2h 15min(135 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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