The Courier
- 2019
- Tous publics
- 1h 39min
NOTE IMDb
4,8/10
12 k
MA NOTE
Une coursière londonienne découvre que l'un des colis qu'elle transporte est une bombe.Une coursière londonienne découvre que l'un des colis qu'elle transporte est une bombe.Une coursière londonienne découvre que l'un des colis qu'elle transporte est une bombe.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Avis à la une
Unfortunately, this tries very hard (but fails) to be a TRANSPORTER. Don't get me wrong.I love Olga Kurlyenko and Gary Oldman but the storyline is paperthin. Is it me but does anybody notice that almost ALL movies tend to have at least ONE English character. In this movie, the witness' job is merely to being as obnoxious as possible. Expletives abound but after a while it does get to be kind of tedious. I can only recall one scene - obviously created for the comedic effect but it just fell flat (pardon the pun). There is absolutely no chemistry between Olga and the witness and poor Gary Oldman. What dragged him to do this movie? He is a much-talented actor. The storyline - just because ONE witness saw him kill another baddie - his whole cartel comes crumbling down? Olga and Gary's talents wasted.
I think people are being a little hard on this derivative, but quite entertaining action flick. There's nothing particularly original about it, but I didn't mind a couple of different approaches taken.
We don't have Frank the Transporter in his fancy black car, but we do get the female Courier on her flash motor bike, essentially with the same background and doing the same sort of thing on 2 wheels, instead of 4. She is taken advantage of (which she naturally doesn't like) and now must find a way to survive and lead her unintended target/victim to an escape from a large, locked, hotel car park, whilst pursued by numerous, well - armed villains.
Olga Kurylenko is serviceable as the unnamed titular courier and the onscreen relationship she develops with Amit Shah who plays the witness to a murder, Nick Murch, evolves from initially annoying, to quite entertaining by the end of the film. I have to admit Gary Oldman does overact like I've never seen him overact before, in the role of a notorious crime lord who is under house arrest in New York, who seeks the elimination of Murch in London.
This is clearly not a big budget film, but unlike others on this forum, I thought the production standards were quite reasonable. The set action pieces were pretty good (without being superlative) and at least they were reasonably lit and not overly dependent on close-ups and super - quick editing. Having much of the story take place in just 2 venues, does help I suppose, when you're on a tight budget.
I did appreciate the fact that this movie features a heroine rather than a hero, a factor I feel tends to enrage many of the fanboys of this type of genre. I also liked the fact that she had to be quite inventive in her defensive strategies, as the screenplay gave reasons she frequently couldn't utilise captured automatic weapons. And like the John McClane Diehard character, it was also more realistic, to see her character, get knocked around quite a bit, by the film's conclusion, which does feature a quite unnecessary final twist.
The other obvious plot hole which needs to be overlooked by prospective viewers is that this is a large car park with lots of cars and yet, no one else ever seems to want to get their vehicle, nor contact hotel management or the police, as to why their cars are inaccessible and why an evident extended gunfight is occurring.
Nevertheless, I really don't think action film aficionados should be put off engaging with this film by the current IMDB rating of 4.8. The Courier is a better film than that score would indicate.
We don't have Frank the Transporter in his fancy black car, but we do get the female Courier on her flash motor bike, essentially with the same background and doing the same sort of thing on 2 wheels, instead of 4. She is taken advantage of (which she naturally doesn't like) and now must find a way to survive and lead her unintended target/victim to an escape from a large, locked, hotel car park, whilst pursued by numerous, well - armed villains.
Olga Kurylenko is serviceable as the unnamed titular courier and the onscreen relationship she develops with Amit Shah who plays the witness to a murder, Nick Murch, evolves from initially annoying, to quite entertaining by the end of the film. I have to admit Gary Oldman does overact like I've never seen him overact before, in the role of a notorious crime lord who is under house arrest in New York, who seeks the elimination of Murch in London.
This is clearly not a big budget film, but unlike others on this forum, I thought the production standards were quite reasonable. The set action pieces were pretty good (without being superlative) and at least they were reasonably lit and not overly dependent on close-ups and super - quick editing. Having much of the story take place in just 2 venues, does help I suppose, when you're on a tight budget.
I did appreciate the fact that this movie features a heroine rather than a hero, a factor I feel tends to enrage many of the fanboys of this type of genre. I also liked the fact that she had to be quite inventive in her defensive strategies, as the screenplay gave reasons she frequently couldn't utilise captured automatic weapons. And like the John McClane Diehard character, it was also more realistic, to see her character, get knocked around quite a bit, by the film's conclusion, which does feature a quite unnecessary final twist.
The other obvious plot hole which needs to be overlooked by prospective viewers is that this is a large car park with lots of cars and yet, no one else ever seems to want to get their vehicle, nor contact hotel management or the police, as to why their cars are inaccessible and why an evident extended gunfight is occurring.
Nevertheless, I really don't think action film aficionados should be put off engaging with this film by the current IMDB rating of 4.8. The Courier is a better film than that score would indicate.
I have no idea how they persuaded Olga Kurylenko and Gary Oldman to star in such a waste of time.
Interminable motorcycle shots with wrong engine sounds, like someone who's never heard a motorcycle in their life was responsible for the sound effects.
Fighting scenes are from the 80's movies and there's a bunch of scenes with (really useless and misplaced) gore.
Boring all the way to Mars, don't waste your life watching it.
I gave it a two instead of a one because of Kurylenko and Oldman, although i can't imagine why they did it.
Kurylenko and Shah held the film together, from all the no talent European contract killers in the film. Their chemistry was spot on. But what's the deal with Oldman lately? He's becoming the next Nick Cage by taking all these shoddy roles. Mulroney's role came alive in the very last scene....OK, but again, shoddy role. Anyway, good action, but story very meh. Good for a one time watch.
Trailers are very deceptive, I thought this looked a decent thriller but it turned out to be a low budget dud.
I'm a fan of Gary Oldman his last two films have been low budget, whats happened to his career ? Oscar winner to this dross.
Olga Kurylenko carries this film to a certain degree as a female John McLean.
Watch this after a few pints if you're lucky you will forget it next day.
Le saviez-vous
- AnecdotesThe part of Mannings was written specifically with Gary Oldman in mind.
- GaffesAll London Couriers have to wear the waistcoat displaying their company logo.
- ConnexionsReferences Over the Top - Le bras de fer (1987)
- Bandes originalesEllens Gesang III (Ave Maria!), OP. 52, NO. 6, D. 839, Hymne an die jungfrau (version for choir): Ave Maria
Written by Franz Schubert
Performed by Rosmarie Kalin, Alexandra Berving-Wassen, Stella Chamber Choir, Solvieg Agren
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Người Chuyển Phát Nhanh
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 4 700 862 $US
- Durée1 heure 39 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant