Daruma

I've seen this film twice now (once on the festival circuit and then in person in LA at a screening) and I loved it even more the second time I saw it (if that's even possible). Everything about this film: from the acting, to the writing, to the cinematography, to the determination of the filmmakers to get it made and out into the world is a triumph of independent filmmaking. It's so hard to make a movie and even more so to make one that stars authentically cast actors but this film does it and does it exceptionally well. If you want to support authentic storytelling and indie filmmaking, please check out this film. Everything in Hollywood is based on sequels and big set pieces but this movie is like a throwback to that wonderful time in the late 1990s and early 2000s where films were centered on characters and their stories. It's like the film's tagline: fall down seven times, get up eight. Maybe the success of this film can help encourage others to make films like this and demonstrate an audience for this kind of storytelling. Well done to everyone involved.

Don't miss this authentic movie. It's a refreshing change from others in the same genre - the cast is real, the story is touching, and the ending worked for me! It's nice to watch something so well made and that doesn't leave you wishing you had rented or bought something else instead. It's long enough to be an evening, but not overly so, and the scenery is great. I especially liked the scenes with the (very) young child, being a sentimental person myself. Touching but not cloying. I found myself alternating between disliking the main characters and really liking them alot! A milestone, breaking the stereotypes movie!

I don't want to post any spoilers but if you've got kids (especially daughters) keep a box of tissues handy when you watch this movie because you will need them. I have a young daughter and watching Patrick go through the steps he needed to go through in order to become not only a better man but the man and the DAD that Camilla needed was cathartic and painful at the same time. I was watching him and watching his struggles (the actor who played him was very good too) and then watching his neighbor own up to his own mistakes with HIS own family... wow. I did not expect such depth and nuance from an indie film like this. It was really well done and I will be thinking about it for days to come.

Fellow filmmaker here: I've been to a LOT of my friends' screenings over the years and seen a LOT of movies that felt like they just missed the mark. This is NOT one of those movies. The filmmakers did such an incredible job of not only storytelling but casting the film authentically and they did it in way that by the end of the movie you didn't even realize you were looking at disability on the screen. Like... what a hat trick! Not only were the performances fantastic by the two lead and the supporting cast (Barry Bostwick is all I have to say about that!) but the production quality was astounding. The camera work, the sound, the sets, the wardrobe, the continuity. It was all there. This is a real, studio level film but these filmmakers did something studios do not do: they make an authentically cast film and didn't center the disability and took a risk. And it paid off. In spades. And as a fellow filmmaker I have chime in that these kinds of films don't come around often. So if you want to see more representation on screen and want to see more diverse stories, then please RENT or BUY this film. Indie film is in such a hard spot right now and these filmmakers deserve every single dollar that they will earn back from the exhibition of this film. Don't miss it and please don't sleep on it. You won't regret it.

Uniformly excellent performances as the charm of a young child helps an angry, disabled man find redemption. The story arc is rather predictable, though it is very well written. One problem (which would be insignificant for many viewers, but as a frequent cross-country traveler, kept interrupting my engagement with the film) is that the time-sensitive cross-country trip from Arizona/Southern California to Providence, RI is shown to progress primarily on "back roads" -- this approach versus taking interstate highways makes for some very beautiful scenic shots, but the unrealistic nature of this, as well as some seemingly inconsistent topographical continuity, kept throwing me out of the film's believability.