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5,9/10
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Deux frères adolescents voleurs, qui volent de l'argent pour aider leur mère malade, font équipe avec un agent de sécurité en difficulté.Deux frères adolescents voleurs, qui volent de l'argent pour aider leur mère malade, font équipe avec un agent de sécurité en difficulté.Deux frères adolescents voleurs, qui volent de l'argent pour aider leur mère malade, font équipe avec un agent de sécurité en difficulté.
- Réalisation
- Scénario
- Casting principal
Abigail Esmena
- Officer Crane
- (as Abigail Froehle)
Jordan Alexis
- Curly hair girl at party
- (non crédité)
Jacob Dufour
- Party Guy
- (non crédité)
Joseph m Robinson
- Party Guy
- (non crédité)
Damon Sudduth
- Party Guy
- (non crédité)
Avis à la une
This is a story of two brothers, the older one of whom is a homicidal maniac, who rob 10,000 that just happens to be sitting in a very vulnerable spot for some unknown reason. They are out in the woods, and the money is in a tent that is being fumigated it seems.
When they leave, they're in the middle of the woods, and for some reason a security guard appears and chases them.
This basically comes down to a "one character" in Hell story. The younger brother is surrounded by maniacs wherever he goes. The story is through his eyes, and that's fair, because he does have to make difficult decisions.
Any more would be a spoiler. Suffice to say, this is unfortunately set in what is supposed to be a real world, but it's more a Twilight Zone arena. However, if we're seeing it through the eyes of the one interesting character, then that suffices if one doesn't expect too much.
The biggest problem is that the writer sets this in Louisville, and he's obviously oblivious to Louisville. There is NOWHERE in Louisville that is this isolated. Louisville is too densely populated throughout to have an open woods arena that no one ventures into. It just cannot happen. The parks in Louisville are hardly what can be called "parks". They're crowded beyond redemption. Even the less traveled ones don't have the solitude needed for this story line. You have to go at least 20 miles outside the county to have a longshot chance for that.
Still, there are maniacs like the older brother, sadists who look for excuses to hurt others, abounding in Louisville, so that much is true.
When they leave, they're in the middle of the woods, and for some reason a security guard appears and chases them.
This basically comes down to a "one character" in Hell story. The younger brother is surrounded by maniacs wherever he goes. The story is through his eyes, and that's fair, because he does have to make difficult decisions.
Any more would be a spoiler. Suffice to say, this is unfortunately set in what is supposed to be a real world, but it's more a Twilight Zone arena. However, if we're seeing it through the eyes of the one interesting character, then that suffices if one doesn't expect too much.
The biggest problem is that the writer sets this in Louisville, and he's obviously oblivious to Louisville. There is NOWHERE in Louisville that is this isolated. Louisville is too densely populated throughout to have an open woods arena that no one ventures into. It just cannot happen. The parks in Louisville are hardly what can be called "parks". They're crowded beyond redemption. Even the less traveled ones don't have the solitude needed for this story line. You have to go at least 20 miles outside the county to have a longshot chance for that.
Still, there are maniacs like the older brother, sadists who look for excuses to hurt others, abounding in Louisville, so that much is true.
A few twists and turns in this movie. Some good one liners that made it funny. But overall, the movie was ok.
It has a lot of plot twists, but i'm kinda disappointed with the ending :(
'Don't Tell a Soul' is something similar to what I would produce if I ever wrote a screenplay I suspect. I would just think "what is the most interesting thing that could happen next?" and then write it, with no regard for whether that is consistent with the story or the characters. There are some truly baffling character decisions in this film. The tempo switches and the changing of motives is almost impossible to keep up with. It's a shame because it truly hampers a film that, if handled the write way, had some real potential.
The film digs itself a bit of a hole (so to speak) early on and I don't think they knew how to dig their way out of it realistically. There's an interesting premise set up, but the logical next step to push the story along isn't a logical step. From there the story and character arcs all just go out of the window and the film falls apart. Where Mena Suvari's character for example ends up is about as ridiculous of a thing as I've seen in a film.
I wanted to like 'Don't Tell a Soul' but it just never clicked for me. Even at a very short 83 minutes it still feels like it drags on a little. Rainn Wilson is always fun to watch in anything he does, and there's the odd curve-ball in the mix that is a bit of fun, but overall this film didn't work for me at all.
The film digs itself a bit of a hole (so to speak) early on and I don't think they knew how to dig their way out of it realistically. There's an interesting premise set up, but the logical next step to push the story along isn't a logical step. From there the story and character arcs all just go out of the window and the film falls apart. Where Mena Suvari's character for example ends up is about as ridiculous of a thing as I've seen in a film.
I wanted to like 'Don't Tell a Soul' but it just never clicked for me. Even at a very short 83 minutes it still feels like it drags on a little. Rainn Wilson is always fun to watch in anything he does, and there's the odd curve-ball in the mix that is a bit of fun, but overall this film didn't work for me at all.
I wasn't expecting much going in to this, the plot description seemed a bit thin but the twists in the story were really unexpected and kept me entertained throughout. It is a dark film hence not the highest rating and not usually my style but I give it an 8 for its original story and emotional rollercoaster this film provides. Well worth a watch, glad i watched it even if it was deep and one of the most original films I have watched this year. But ps don't tell a soul
Le saviez-vous
- AnecdotesJack Dylan Grazer was such a huge fan of The Office and Rainn Wilson' character in it that at first he was extremely awkward and tongue tied around Wilson. "Dwight is my idol," he said. "I love The Office more than anything in this entire world."
- GaffesAround 34:10 when Matt throws the tank into the hole, any reasonable person would know that they could just turn the valve off, it would have been easy to show that Matt removed the valve handle, but he/the writers didn't do this. Instead, it's thrown in and Hamby attempts to throw this heavy tank of poison gas up 20+ feet to get it away which of course he fails at, instead of just turning the valve.
- ConnexionsReferenced in Half in the Bag: Synchronic, Promising Young Woman, and Psycho Goreman (2021)
- Bandes originalesSlip It In
Written by Greg Ginn (as Gregory Ginn)
Performed by Black Flag
Courtesy of SST Records, Inc.
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- How long is Don't Tell a Soul?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Не кажи нікому
- Lieux de tournage
- Louisville, Kentucky, États-Unis(on location)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 23 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
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By what name was Don't Tell a Soul (2020) officially released in Japan in Japanese?
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