El caso Alcàsser

Extremely chaotic documentary with illogical editing, jumps and repetitive facts that are difficult to follow.

The story itself is interesting, especially with the advent of trash media in the background. But the documentary drags on way too long and becomes boring and hard to watch.

The filmmakers also show themselves too often which detracts from the immersion.

Not recommended.

The Alcasser Murders is a fascinating case, especially considering the intense media attention at the time, which I think was a bit over the top given the era. However, the series itself feels clumsy in its execution. It jumps back and forth awkwardly between different time periods, then circles back again, which made it quite difficult for me to keep track of everything and piece the story together properly.

While the subject matter is compelling, the storytelling approach left me a bit frustrated and less engaged than I wanted to be.

If you're into true crime, it's still worth a look, but be prepared for a less smooth viewing experience compared to other series in the genre.

This is a tragic story and one worth telling particularly because the case coincided with the advent of trash TV in Spain. In this case that means Telecinco owned by Sylvio Berlusconi of Italy fame. The Netflix film makers have over indulged themselves in their own sense of importance and take away from the story. There are multiple attempts throughout the episodes where they have put themselves in the "frame" and I found this very distracting from the actual story. None more so than at the end where we have one of the filmmakers pursuing the just released Miguel Ricart onto a train and asking him to sit down to chat appearing as though this is a perfectly reasonable request of a man who has just spent 20+ years in prison and has nowhere to go. Guilty of the same offences they highlight of Telecinco during the series in my opinion. It is also regrettable that at the very end of the last episode they decided to use the current politicised discourse in Spain about gender violence to make their own political statement which was not the theme of the documentary and should not have been used in that way. So regrettably, whilst this is a story worth telling I can't trust that the film makers have told that story. That reflects the poor standards of journalism in the country I've lived in for many years. Also, I needed English subtitles for some parts and they are of really poor quality

This was an interesting documentary and a bit different from what I've seen here in Sweden since most are american productions. My rating of 2 is based on the ending. I don't understand what #metoo has to do with all these years documenting an otherwise interesting and at the same time brutal and hideous murders. It's almost being insulting to all people involved and in the end including the viewers.

Any fan of crime documentaries will be frustrated by the complete lack of examining the lazy police work that was done for this case. No actual crime scene established by any thorough evidence, supposedly large pieces of evidence were switched by the perpetrators but they left a lot of other things obviously scattered to be found, lost or mishandled or re-found evidence, the magic non-dissolving paper, the crime photographer who couldn't be bothered to take pictures....wow. I feel sorry for Spanish citizens if this is still typical of a case.

At best - it appears the police rushed to shut this case which led to a lot of incompetence and perhaps some evidence planting. And it also appears that this documentary will be about this sloppiness when during the second episode a victim's father begins to question the case.

But then it goes off the rails. The majority of this documentary is about the sensationalism of the Spanish media as well as people in it for their own personal benefit. So-and-so said this on a show and so-and-so said that on another show. Three episodes mainly caught up in wild conspiracy theories makes for a long and uneven documentary.

It does get extra points for not disrespecting the victims with gory details that many crime stories do. However, that probably was not due to an ethical choice by the filmmakers, they were too preoccupied by the media sensationalism as well as ironically getting themselves into the film for some screen time.

And the bizarre rah-rah last two minutes showing Me. Too seemed like a last minute add-on for a confused documentary crew that didn't know how to end this with any solid conclusion.