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4,4/10
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Un aviateur de combat américain sert en Europe et, une décennie après la chute de l'Allemagne nazie, voyage à travers l'Amérique du Sud à la recherche d'un criminel de guerre et rencontre pl... Tout lireUn aviateur de combat américain sert en Europe et, une décennie après la chute de l'Allemagne nazie, voyage à travers l'Amérique du Sud à la recherche d'un criminel de guerre et rencontre plus que ce qu'il avait prévu.Un aviateur de combat américain sert en Europe et, une décennie après la chute de l'Allemagne nazie, voyage à travers l'Amérique du Sud à la recherche d'un criminel de guerre et rencontre plus que ce qu'il avait prévu.
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- Casting principal
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This began like some of the better WWII flicks and captured our attention. There is intrigue as we ferret out the plot. But somewhere in the middle it degenerated into too much soap opera, with the realization that there was a writers' addiction to regular and over-used pistol-to-the-head killing. The wife quit and left for bed halfway through. I should have, but hoped it would wash out better... it didn't.
There was some good acting, but the overall movie sank, especially near the end where the main character gets hold of a heavy gun and starts killing dozens of bad guys, bad guys with automatic rifles, and that are dumb enough to keep incessantly running into the open in front of him, as comrades fall under their feet.
As realistic and engaging as this thing started, it sure degraded into just another lousy unrealistic shoot ''em up by its finish.
There was some good acting, but the overall movie sank, especially near the end where the main character gets hold of a heavy gun and starts killing dozens of bad guys, bad guys with automatic rifles, and that are dumb enough to keep incessantly running into the open in front of him, as comrades fall under their feet.
As realistic and engaging as this thing started, it sure degraded into just another lousy unrealistic shoot ''em up by its finish.
I'll start on a couple of positive notes.
There are two good things about this movie: 1) It's in color, and 2) It ended.
I'd say about 33% of this film is people being held at gunpoint, 33% is people being shot in the head, and the final third is people yelling at each other.
There's one long stretch with Heinrich Himmler (who here looks like a dead ringer for Hitler, which he wasn't in real life) heading up a meeting of 10 or so old Nazis (all speaking German so you have to read the subtitles throughout, whereas it would have been a good place for them to just slip into English with a German accent.
There's a long opening scene in which, after the Americans' bomber crashes near the "front lines" in France but most of the crew survives, a really bad SS guy (you'll recognize him from one of the Mummy movies) shows up, holds the crew at gunpoint, then eventually shoots all of them in the head just for giggles. It sets the thematic tone for the whole movie.
And did I mention poor acting throughout the film? Yeah, it's there and it's pretty consistent.
I dunno - maybe 2 stars is a bit generous for this one.
There are two good things about this movie: 1) It's in color, and 2) It ended.
I'd say about 33% of this film is people being held at gunpoint, 33% is people being shot in the head, and the final third is people yelling at each other.
There's one long stretch with Heinrich Himmler (who here looks like a dead ringer for Hitler, which he wasn't in real life) heading up a meeting of 10 or so old Nazis (all speaking German so you have to read the subtitles throughout, whereas it would have been a good place for them to just slip into English with a German accent.
There's a long opening scene in which, after the Americans' bomber crashes near the "front lines" in France but most of the crew survives, a really bad SS guy (you'll recognize him from one of the Mummy movies) shows up, holds the crew at gunpoint, then eventually shoots all of them in the head just for giggles. It sets the thematic tone for the whole movie.
And did I mention poor acting throughout the film? Yeah, it's there and it's pretty consistent.
I dunno - maybe 2 stars is a bit generous for this one.
I guess I got suckered by the trailer. I kept thinking it has to get better but it only got worse. If it was supposed to be a serious drama, it wasn't. If a comedy, there was absolutely nothing funny. If it was to have been historically accurate it completely missed the mark.
Bad dialogue, acting that wasn't convincing, cinematography that was embarrassingly poor and the best editing that could have been done was to cut all of it and throw it away.
When compared to so many of the movies that were produced by Amazon I just don't get why this got the green light.
I definitely wasted my time watching this terrible excuse for a movie.
Bad dialogue, acting that wasn't convincing, cinematography that was embarrassingly poor and the best editing that could have been done was to cut all of it and throw it away.
When compared to so many of the movies that were produced by Amazon I just don't get why this got the green light.
I definitely wasted my time watching this terrible excuse for a movie.
Condor's Nest promises us a trip across South America on an old-fashioned Nazi-hunting adventure and in spite of some deficiencies it delivers.
We're thrown into war-torn Europe in the film's opening scene, as the story's protagonist, Will Spalding, watches German colonel Martin Bach (Arnold Vosloo, more on that in a moment) gun down his entire platoon. Through an act of cowardice, Will alone survives.
Jump ten years later to Argentina and Will's killing runaway Nazis left and right, all in pursuit of that same Martin Bach. Enter an Israeli spy and a two-faced atomic scientist and things get complicated quick, a shaky alliance between the three culminating in a raid on a neo-Nazi fortress know as the Condor's Nest.
There's a lot of good things about this movie. It's well-paced, visually expansive, and its various arcs are compelling, if uninventive. There's even a few great things about it: its lead ensemble (Jacob Keohane, Al Pagano, Corinne Britti) is an absolute joy to watch, and Arnold Vosloo brings an incredible amount of presence to the role of the heavy. Add to that the movie's many notable character actors, from Michael Ironside to James Urbaniak, who help drive along the plot.
The bad? Well, it just wasn't terribly inventive. It's a stylized thriller that doesn't attempt to break any new ground. It could've been an 80's World War Two movie. And that's not a bad thing - in fact, I believe it's a strength - but if you're looking for something totally original you won't find it here.
We're thrown into war-torn Europe in the film's opening scene, as the story's protagonist, Will Spalding, watches German colonel Martin Bach (Arnold Vosloo, more on that in a moment) gun down his entire platoon. Through an act of cowardice, Will alone survives.
Jump ten years later to Argentina and Will's killing runaway Nazis left and right, all in pursuit of that same Martin Bach. Enter an Israeli spy and a two-faced atomic scientist and things get complicated quick, a shaky alliance between the three culminating in a raid on a neo-Nazi fortress know as the Condor's Nest.
There's a lot of good things about this movie. It's well-paced, visually expansive, and its various arcs are compelling, if uninventive. There's even a few great things about it: its lead ensemble (Jacob Keohane, Al Pagano, Corinne Britti) is an absolute joy to watch, and Arnold Vosloo brings an incredible amount of presence to the role of the heavy. Add to that the movie's many notable character actors, from Michael Ironside to James Urbaniak, who help drive along the plot.
The bad? Well, it just wasn't terribly inventive. It's a stylized thriller that doesn't attempt to break any new ground. It could've been an 80's World War Two movie. And that's not a bad thing - in fact, I believe it's a strength - but if you're looking for something totally original you won't find it here.
No spoilers. This movie open was so much promise. The first half of the movie is excellent. The protagonist is ruthless and it's consistent with the character. However, the second half of the movie the protagonist turns into a beta male, the girl boss shows up and saves the day, and, the scenes with the Nazis are played to whimsical tone. That's almost a separate movie from the first half. Really disappointing that the movie didn't hold it serious tone throughout the movie. What opened as a movie about Obsession and ruthlessness, degrades into standard adventure, fair and inappropriate whimsical scenes that are not consistent with first half of the movie.
Le saviez-vous
- AnecdotesThe interior B17 scenes in the film's opening scene were shot in "Texas Raiders," a B17G bomber which the production team flew for several hours as they needed in-flight footage to match the continuity of the scene. Texas Raiders crashed in Houston a year later, making "Condor's Nest" the final film in which the airplane appears.
- GaffesIn some scenes Arnold Vosloos character uses Dutch/Afrikaans pronunciation of German words. Such as Gewehr/Geweer which means rifle in both languages. In German it is pronounced with a hard G but in Dutch/Afrikaans the G is pronounced like a ch.
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- How long is Condor's Nest?Alimenté par Alexa
Détails
Box-office
- Montant brut mondial
- 1 590 $US
- Durée1 heure 42 minutes
- Couleur
- Rapport de forme
- 1.78 : 1
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What is the Brazilian Portuguese language plot outline for Condor's Nest (2023)?
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