Billie
- 2019
- Tous publics
- 1h 38min
NOTE IMDb
6,9/10
1,1 k
MA NOTE
Documentaire sur la célèbre chanteuse de jazz Billie Holiday.Documentaire sur la célèbre chanteuse de jazz Billie Holiday.Documentaire sur la célèbre chanteuse de jazz Billie Holiday.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Linda Lipnack Kuehl
- Self
- (images d'archives)
- (voix)
Billie Holiday
- Self
- (images d'archives)
Sylvia Syms
- Self - Singer & Friend
- (images d'archives)
- (voix)
Tony Bennett
- Self - Singer & Friend
- (images d'archives)
- (voix)
John Fagan
- Self - Cousin
- (images d'archives)
- (voix)
Mary Kane
- Self - Childhood Friend
- (images d'archives)
- (voix)
- (as Mary 'Pony' Kane)
Skinny Davenport
- Self - Pimp
- (images d'archives)
- (voix)
Detroit Red
- Self - Dancer
- (images d'archives)
- (voix)
Dewey 'Pigmeat' Markham
- Self - Entertainer
- (images d'archives)
- (as Pgimeat Markham)
Bessie Smith
- Self
- (images d'archives)
Louis Armstrong
- Self
- (images d'archives)
John Hammond
- Self - Music Producer
- (images d'archives)
- (voix)
Ruby Davies
- Self - Roommate
- (images d'archives)
- (voix)
Sandy Williams
- Self - Clarence's Bandmate
- (images d'archives)
- (voix)
Irene Kitchings
- Self - Friend
- (images d'archives)
- (voix)
Count Basie
- Self
- (images d'archives)
- (voix)
Lester Young
- Self - Saxophonist
- (images d'archives)
- (voix)
Avis à la une
Billie Holiday was supremely talented, lived a hard life, and had an unstable personality. She died from abuse of drink and drugs, aged just 44. This documentary is interesting as it contains candid interviews from those who knew her, conducted by a female journalist who was researching her life in the 1970s; her work never reached fruition as she died young herself, in what some of those close to her believe to have been suspicious circumstances. We don't really get any insight into the latter death; we do get a more interesting (though unpolished) insight into the singer's life, unfiltered by the hagiography that can spoil some films made too many years after the fact. The speed of Holiday's decline is tragic; it's clear she had problems of her own, but also that those around her (and the racist world she lived in) certainly made them worse. But the film does do justice to her brilliance; to this day, she pretty much defines what a jazz singer is, and she dared to call out racism too. It's definitely worth watching, even if jazz isn't your usual beat.
I don't know why so many here are mad that the film talked about Linda. I also don't know anybody needed this film to understand Billie's music. This film is about these amazing interviews that Linda took years to get, and in the process, probably died for them. Without Linda's obsession, there would be no film. I am just so grateful that she did this before all these people who personally knew Billie died. And it sounded like many of these folks were glad to have their voices heard to set the record straight. Linda instinctively understood the cultural importance of these accounts from the very mouths of people who had to endure Jim Crow crap with Billie. I loved the weaving of Billie's radio interview and her London TV appearences throughout. I also loved the amount of time this spent on her childhood, and her relationship with the songs Strange Fruit and Don't Explain.
Refreshingly direct and to the point, this documentary doesn't mince any words and pulls no punches. It's Billie's story right in your face and told by many who really knew her and who had no interest in propagating fantasy versions of Lady Day. The attention paid to the woman who did all the hard work to get these stories told is in no way disproportionate and we owe her a debt of gratitude. Respect!
Before seeing this documentary I knew little about Billie Holiday. She had a rough start in Philadelphia and Baltimore, including being sex trafficked by her prostitute mother. But she had a mesmerizing voice, while she could probably sing anything well she preformed more as a vocal stylist. And many of her songs were reflections of herself and her life. The documentary contains many vocal excerpts from interviews, including some by Holiday herself.
In many respects her life was mostly a tragedy, heavy into sex, drugs, and alcohol into her adulthood which ended when she was only 44. But she did have an indelible influence on her type of music.
On DVD from my public library, I watched it at home, my wife skipped.
In many respects her life was mostly a tragedy, heavy into sex, drugs, and alcohol into her adulthood which ended when she was only 44. But she did have an indelible influence on her type of music.
On DVD from my public library, I watched it at home, my wife skipped.
I don't know whether it's interesting or not that this intended writer of a bio on Billie - starting out just because she was a fan - like the rest of us - is white, Jewish woman but the amount of time this docu/biopic spends on the writer, who never completed the work before dying, is ridiculous and uninteresting. Way, Way too much screen time devoted to this other woman's life - which, when you've got footage and interviews of and about LADY DAY BILLIE HOLIDAY - it's mind-boggling to devote so much time on this one woman's attempts to write about Billie. Very odd style and underwhelming - which only left me desperately wanting to see and hear more of Billie and much less of this other distracting stuff. Badly done. R.I.P. TO THE LATE, GREAT BILLIE HOLIDAY.
Le saviez-vous
- AnecdotesThis documentary is based on the same research by Linda Lipnack Kuehl that the earlier documentary, Lady Day: The Many Faces of Billie Holiday (1990) is based on. Kuehl died before completing her book about Billie Holiday. Her death was ruled a suicide, although family members believe she may have been murdered.
- ConnexionsFeatures Nouvelle-Orléans (1947)
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- How long is Billie?Alimenté par Alexa
Détails
Box-office
- Montant brut mondial
- 202 931 $US
- Durée
- 1h 38min(98 min)
- Couleur
- Mixage
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