La fille du roi des marais

"The Marsh King's Daughter" is a gripping psychological thriller that keeps viewers on the edge of their seats. Based on the novel by Karen Dionne, the movie tells the story of Helena, a woman who must confront her traumatic past when her father, a dangerous fugitive, escapes from prison. The film expertly weaves together elements of suspense, drama, and mystery, creating a tense and atmospheric experience for the audience. The performances are top-notch, with strong portrayals from the lead actors. Overall, "The Marsh King's Daughter" is a haunting and intense film that will leave viewers thinking long after the credits roll.

The movie will be well enjoyed by those who have not read the book by the same name as the story and characters remainn a mystery for them and thus one can keep up with the pace no matter how slow or fast the story goes. The people who have read the book on the other hand may find it off or slow to the pace they remember reading it.

With regards to the story and acting, the actors have well adapted to the script and do justice to the script that has been given to them.

The script itself has been well adapted to the current time and is adapted to suite the timeline. The only issue one faces is that the story itself needs adapting to suite to movie watcher's taste and while it does justice to the book and it's story, it doesn't add anything new of its own which might have become it's X factor. Thus, overall, it's a watchable movie, but not something you will remember for long or will go back to watch again.

The Marsh King's Daughter is based on the novel of the same name by Karen Dionne. It tells the story of Helena Pelletier(Daisy Ridley). Helena goes after the man who kidnapped her mother, to safeguard her family's future.

The Marsh King's Daughter is a pretty good film. However, it would have been fantastic if it had just been fast-paced, like how a thriller should be. Usually, slow-burn movies build up to an electrifying climax. However, that's not the case with this film. Even during its final act, it still doesn't pick up the pace. The cinematography by Alwin H. Kukler is gorgeous. The performances are the movie's strongpoint. Daisy Ridley is spectacular as Helena Pelletier. Ben Mendelsohn is outstanding as Jacob Holbrook. Brooklynn Prince is fantastic as Young Helena. Gil Birmingham is great as Clark. Caren Pistorius is brilliant as Helena's mother. Garrett Hedlund is excellent as Stephen Pelletier. Joey Carson is adorable as Marigold Pelletier. The Marsh King's Daughter is not a must watch in theatres. However, watch it on streaming if you have time to kill.

I was really looking forward to this, purely based off on vibes. I didn't have any prior knowledge about it. The lighting's off; it looked like there was a filter on the entire time. Personally, I would have preferred it to have a more natural look because the filter didn't really enhance anything. I just started watching 'Siren' and Gil Birmingham plays a cop there too, which was a very similar role, identical really.

The story here is pretty intriguing, though it has no mystery element making it feel predictable. From the title alone, I thought it'd be similar to 'Where the Crawdads Sing,' but the similarity only lies in the setting. It reminds me somewhat of 'Stockholm, Pennsylvania' (2015) with Saoirse Ronan, although I find the story better here, but not the movie itself. It begins similarly, with a girl who was kidnapped, but her father never hurt or abused her, so she's distraught when he's portrayed as a monster. Difference is here we time jump decades later, Her past still affects her as she now has her own family and life and stuff.

The movie, in my opinion, is average; nothing exceptional, making it quite forgettable. I wasn't too invested in the characters. It's a slow-paced psychological thriller, not too emotionally intense, and the high points didn't quite hit their mark. The third act was probably always going to be challenging to execute. I couldn't think of a more natural ending for the story so it didn't bother me too much. I think it was intentionally kept simple and straightforward, because it had the potential to be much darker and more intricate.

In mild thriller "The Marsh King's Daughter" Ben Mendelsohn's arrested after holding Caren Pistorius captive in the US wilds, where she had Brooklyn Prince who she & Mendelsohn raised for 12 yrs. Years later Prince (now Daisy Ridley) has a child of her own (via hubbie Garrett Hedlund) who Mendelsohn comes for (or does he?) on escaping prison. Director Neil Burger styles it like "Where The Crawdads Sing" / "Lou" but it's lower quality, thanks mainly to the co-writing duo of debutant Elle Smith & "The Covenant" co-writer Mark L Smith whose script is implausible, hole-filled & short-cutting. Gil Birmingham lends decent support, but this one is only just passable.