La fille du roi des marais

3 out of 5 stars.

The Marsh Kings Daughter is a fair psychological thriller film that has a good story. The script and direction is dull with a plain direction and flat characters.

The acting was okay with its cast ensemble. Daisy Ridley did her best with what was given. The characters were thinly written. It does have some thrills with Daisy trying to protect her family. And searching for her father which leads to a thrilling climax in the forest. The film lacks itself from being memorable or any different. It could have been better with a stronger script and sharp direction. Overall it was an okay film.

The characters in this film extremely well portrayed by Mendelsohn and Daisy Ridley. Helena (played by Daisy) young girl brought up in the marshes and taught to survive in nature. I loved this a real bond between father and daughter in the wilderness later in the film you can see how torn Helena is between the modern world and the natural world, not quite knowing where she fits, the film lays out the extreme Bond and love between a mother and a daughter and the idolisation of a father. This one is definitely worth a watch story runs at a good pace it delivered well. Most mothers would die for their children you will have to watch the film to see if this is necessary.

"The Marsh King's Daughter" is a gripping psychological thriller that keeps viewers on the edge of their seats. Based on the novel by Karen Dionne, the movie tells the story of Helena, a woman who must confront her traumatic past when her father, a dangerous fugitive, escapes from prison. The film expertly weaves together elements of suspense, drama, and mystery, creating a tense and atmospheric experience for the audience. The performances are top-notch, with strong portrayals from the lead actors. Overall, "The Marsh King's Daughter" is a haunting and intense film that will leave viewers thinking long after the credits roll.

I was quite lucky I didn't read the IMDb synopsis for 'The Marsh King's Daughter' before seeing it, because it would've completely ruined the film's opening - and the opening is the strongest thing this film has going for it.

From there the film falls into "perfectly fine" land. Everything is passable and it's a mildly entertaining way to pass 110 minutes. But there's nothing daring or original or memorable here sadly.

The film also relies heavily on characters making nonsensical decisions that only make sense as a method to drive the plot forward. You either get used to that in this film or you're unlikely to have a good time.

As I mentioned, if you go in with a positive attitude and you're not looking for perfection you might just have a reasonably good time with this film. Even if you do however, I doubt you'll think about it again a week after seeing it. 6/10.

In mild thriller "The Marsh King's Daughter" Ben Mendelsohn's arrested after holding Caren Pistorius captive in the US wilds, where she had Brooklyn Prince who she & Mendelsohn raised for 12 yrs. Years later Prince (now Daisy Ridley) has a child of her own (via hubbie Garrett Hedlund) who Mendelsohn comes for (or does he?) on escaping prison. Director Neil Burger styles it like "Where The Crawdads Sing" / "Lou" but it's lower quality, thanks mainly to the co-writing duo of debutant Elle Smith & "The Covenant" co-writer Mark L Smith whose script is implausible, hole-filled & short-cutting. Gil Birmingham lends decent support, but this one is only just passable.