George et Amy tentent de commencer une vie commune à Londres, à l'époque édouardienne. Ils sont interrompus par l'invasion de la Terre par les Martiens.George et Amy tentent de commencer une vie commune à Londres, à l'époque édouardienne. Ils sont interrompus par l'invasion de la Terre par les Martiens.George et Amy tentent de commencer une vie commune à Londres, à l'époque édouardienne. Ils sont interrompus par l'invasion de la Terre par les Martiens.
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As other reviewers have said the first episode wasn't really terrible although the flash forward scenes were annoying and confusing. However the second episode after the "miraculous" meeting between the "heroes" is a total disaster. In this episode the whole alien invasion thing becomes irrelevant and we're stuck with a little bit of a horror movie (where the aliens play the part of the serial killer) and a little bit of post invasion red planet survival simulation. In the end i didn't even care if the heroes survived in the past or in the present.
The only people who might like this mess are fans of the lead actress Eleanor Tomlinson.
One has to ask the question that although this mini-series was completed almost 2 years ago, and post-production (VFX/Editing, etc) would have taken some additional time, yet it was teased, to British audiences at least, for a possible Summer 2019 release, which of course never happened. Why the big delay, I hear you ask? Well I think some of you, if not ALL of you now know why. It's a clunker - they simply got it utterly, horribly wrong. Now normally I would reserve such vitriol in the final analysis, after the show had completed it's run. But no, it's already a mess, a big bloody mess. I fully suspect that BBC Executives, NOT Peter Harness - the credited writer, dictated most of what we actually see onscreen. Harness adapted the wonderful Jonathan Strange & Mr Norrell into an equally wonderful TV adaptation, so why did he fail so miserably here? I would suggest interference, why? Because I am a Writer with experience of BBC Executives and their propensity for full-on interference. You go into a Script meeting and everybody is upbeat and the general outlook is postively very good. But then, as the meeting progresses, you slowly start to realise that they're gradually trying to change it, not just in certain sections, but in the piece as a WHOLE, until essentially it is completely, if not radically different to what you first presented. Now you might not notice this at first, because they're REALLY that good, but it is totally insiduous and basically standard practice at the BBC right now.
The BBC took a classic masterpiece and turned it into a steaming pile of ####!
This is more about Amy fighting against the repression of the male dominated hierarchy and traditional western values than it is about earth fighting aliens.
I'm sort of cheering for the martians.
I'm sort of cheering for the martians.
What a shame! After looking forward to this adaption I was left feeling empty and unsatisfied. Such was the lack of tension - half the family were sat eyes closed and snoring midway through this borefest. I couldn't feel any empathy towards any of the characters, and the story thread was weak. The special effects were equally weak.
It's a shame that the scriptwriter felt the need to turn a classic sc-fi story into a dreadful three-part politically-correct soap opera.
Le saviez-vous
- AnecdotesThe main character George shares many similarities with H.G. Wells. Like George, Wells also married his cousin, only to leave her for a younger woman named Amy. The couple both moved to a house in Woking named 'Lynton,' again just like George and Amy have. It was there Wells wrote The War of the Worlds.
- GaffesThe railway line between Woking and London is shown as being run by the Great Western Railway. It should have been the London and South Western.
- ConnexionsFeatured in WatchMojoUK: Everything We Know So Far About War of the Worlds BBC (2019)
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